The Crime Doctor's Warning

One of the better films in the Crime Doctor series, this entry has enough variety to sustain interest, enough characters to keep one confused, and enough twists and turns to keep the viewer guessing as to the perpetrator right up towards the end.

But where has the luscious Dusty Anderson, who plays one of the artist models, been all my viewing career? A bit player for Columbia around the end of WW II, research reveals that she married director Jean Negulesco and became a painter, not too far distant a profession from the one she plays in this movie. I'd suggest to anybody wanting to see more of her, however briefly, to look for her in one of several Rita Hayworth movies. (Check her IMDb.com entry for a list.)

For me, however, this movie was stolen by J. M. Kerrigan and Miles Mander, both of whom play art dealers, and both highly credible in their parts, the former a Scotsman who "would swim to Glasgow for a farthing" (if I recall the quote correctly), and the latter a sophisticated high-end dealer who doesn't sell any painting for under $500 (no small sum in those days).

Hardly likely to rank with an Agatha Christie type of mystery, these are fast paced, entertaining little items from Columbia starring WARNER BAXTER as the crime doctor/sleuth. He's always faced with a bunch of red herrings and a crime that baffles the police--as well as the viewer, at least until the last five minutes when everything is wrapped up with such rapidity that you barely have time to recover from trying to guess who done it.

And there are plenty of suspects in the murder of models (male and female) and an artist--but at the center of the story is a young man (COULTER IRWIN) who blacks out on a regular basis and seems to be framed for the murder of one of his models.

Supporting cast is dotted with well-known character actors from the '40s, including JOHN LITEL as a detective, ALMA KRUGER as Coulter's overbearing mother, JOHN ABBOTT as a shady sculptor, and MILES MANDER as an equally shady art dealer. There's also an outrageously hammy performance by EDUARDO CIANNELLI as a crazed artist who knows something about a painting beneath a painting.

The viewer is kept in the dark as to the identity of a man creeping about and committing the crimes until the last few minutes in time for the usual abrupt ending.

Summing up: Too many elements of the story are unbelievable, but it's still briskly produced and passes the time quickly.

Dr. Robert Ordway, (Warner Baxter) plays another role as Crime Doctor and gets involved with a young man named Clive Lake, (Coulter Irwin) who has problems with black outs when he returned from WWII. Clive lives with his mother who is very domineering and is very unhappy about her son falling in love with a model and then her sudden death which was caused by a murder. The police get involved and Inspector Davis, (John Litel) wants to book Clive for the girls killing; however, Dr. Ordway feels that Clive is innocent of the crime and proceeds with his own investigation, meanwhile other murders are committed. There is a painting called "The Ring" which shows three models in the picture which will reveal some deep dark secrets about the murders Nice low budget film from the past. Enjoy.

This was another nice entry in the Crime Doctor film series and sharper and darker than those preceding, maybe partly thanks to Columbia b unit director William Castle who teetered on the edge of murky seediness throughout.

Engage your senses from the off: there's a puzzling opening with Dr. Ordway (Warner Baxter) and a police Inspector (John Litel) reviewing their case in the bedroom of a murdered woman who had been stabbed earlier in the day. The man suspected has "mental lapses" but Ordway doesn't believe he did it, meaning at this stage we haven't seen the crime or the victim and are rooting for the suspect we haven't seen yet either! Psychoanalysis is called for, along with the usual unhindered sleuthing from the good Doctor. There's a descent into the Bohemian world of artists, models and paintings - most regrettably of gorgeous young women instead of ugly old men, plenty of lovely creeping about in the dark usually with pointy shadowy hats on, and an outlandish plot – great stuff! Favourite bits: the meeting between Baxter and art dealer Miles Mander – the epitome of succinct and scholarly sinisterness; the busy traffic up on the roof at night and those fabulous apartment windows; the hurried snack Baxter and Litel have after the second murder – what was that all about?

Well worth while to a fan of the genre, the effort will probably be too much for non-fans. I was concentrating so hard I missed what the Warning of the title was (if there was one), but my own warning is if you watch it be careful not to blink near the end because they closed this one down fast.

Warner Baxter reprises his role as the "Crime Doctor" in "The Crime Doctor's Warning," one of the later entries into the series. The director this time is William Castle.

In this episode, Dr. Ordway is trying to help a young artist who has blackouts, during which one of his models is killed.

I have to disagree with those who found this fast-paced. For me, it moves slowly, though the story is interesting. These Crime Doctor films generally have off-beat stories, but not the budget or quality directors to bring them up a level. In this case, Castle is an effective director, all right, but some of the acting is awful particularly from Coulter Irwin, who apparently was told to act like a vegetable.

Warner Baxter, so frenetic in "42nd Street," is much more relaxed as Dr. Ordway, probably because he suffered a nervous breakdown. In any event, he's very natural and a likable character.

These movies aren't great, but they sure did come up with some wild plots.