Pillow of Death

Last of the Inner Sanctum movies. It was pretty obvious these weren't making money--this doesn't even open with the floating head in the crystal ball.

Attorney Wayne Fletcher (Lon Chaney Jr.) is in love with his secretary Donna Kinkaid (Brenda Joyce), but he's married. His wife is found smothered to death and he's the prime suspect. He's released (lack of evidence) but a seance is held and his wife is heard accusing him of murder...then her body disappears from the crypt...then members of the Kinkaid family are getting murdered...

Busy little murder mystery. It's shot on big, beautiful, atmospheric sets (I'm assuming from another movie) and has good performances and keeps you guessing who's doing it, and why, till the very end. Entertaining--one of the better Inner Sanctums. I give it a 7.

On video, this film is part of a two film set of Inner Sanctum mysteries--the other being the more interesting DEAD MAN'S EYES.

PILLOW OF DEATH is a "B-movie"--a shorter film with a lower budget that is meant as the second film at a double-feature. In most cases, people came to the theater to see the "A-picture" and the B-movie was more like an added bonus. Most B-films are definitely on the cheap side and have pretty anemic budgets, though occasionally one rises above these lower expectations. While most of this film is purely average and not particularly noteworthy for the genre, the film definitely ends very well as a murder mystery--catching me by surprise by who the real murderer was. So, for lovers of mystery and suspense, this film is well worth seeing, though others might be a bit unimpressed by the overall product. Not bad at all, but far from great or memorable.

When Vivian Fletcher is found murdered, her husband, attorney Wayne Fletcher (Lon Chaney Jr.), is the prime suspect: the man has romantic feelings for his pretty secretary Donna Kincaid (Brenda Joyce) and his wife's death is all too convenient. Other murders follow, and Fletcher desperately tries to prove his innocence despite the mounting evidence against him.

Pillow of Death is another one of those hokey Inner Sanctum murder mysteries starring an already past-his-prime Lon Chaney Jr. (not that he was all that great when he was in his prime). It's packed with tired cliches (a creepy old house, ghostly voices, a seance, a secret passageway) and, for the most part, is a wholly unremarkable affair. However, just as I was about to write the entire thing off as another dull and predictable gothic B-movie thriller, it delivers a final act that was not what I was expecting to see, but was exactly what I had been hoping for. See it and you'll understand.

4/10, bumped up to 6 for that ending.

Reviewers really disagree on the merits of this final Inner Sanctum entry. To me, it's the most fun of the six, although I think the first entry Calling Dr. Death (1943) is the most imaginative and comes closest to what the series was trying to achieve in the realm of psychological horror.

What lifts this 60-minutes are several droll performances, a great Gothic set (no doubt left over from an A-production), and a pretty good whodunit that kept me guessing. George Cleveland's crusty old man remains a real hoot, and a role he appears to be really enjoying. Note too cop Winton Graff's subtly droll reactions to Cleveland's scrappy character. Too bad they don't have more scenes together. Then there're the two sourpuss old women. I especially like Rosalind Ivan's ditzy old gal with her subtle tongue-in-cheek. (At the same time, i also can't help noticing the rather woeful Bernard Thomas as the young neighbor, demonstrating again how the war had depleted Hollywood's ranks of young male talent.)

And check out that elaborate Gothic set, so richly appointed that it adds needed spooky atmosphere. Speaking of atmosphere, the lighting bill must have come to all of five dollars. Come to think of it-- I wonder if the cast kept bumping into each other. Also, I certainly didn't anticipate the solution to the whodunit. Cleverly, it doesn't follow stereotype. No, there's nothing memorable here, but this series programmer is more subtly amusing than most and better than the series norm, at least, in my view.

"Pillow of Death" was the sixth and final film of Universal's "Inner Sanctum" series based on the popular radio series of the day and starring Lon Chaney Jr.

Lawyer Wayne Fletcher (Chaney) and his attractive secretary Donna Kincaid (Brenda Joyce) return to Donna's home after working late one night. Fletcher promises her that he is going to talk to his wife that night about a divorce so that he and Donna can be together.

Fletcher returns home to learn that his wife has been murdered and is greeted by Police Captain McCracken (Wilton Graff) and his wife's psychic Julian Julian (J. Edward Bromberg). McCracken immediately suspects Fletcher and arrests him. Next he goes to the Kincaid house, a creepy old mansion, to question the family.

Among those questioned are Belle Kincaid (Clara Blandick), her brother Sam (George Cleveland), an English relative Amelia Kincaid (Rosiland Ivan) and Donna. McCracken discovers a neighbor, Bruce Malone (Bernard B. Thomas) peeping through a window and brings him in for questioning. Julian arrives and is also under suspicion.

Fletcher is released for lack of evidence and he and Donna try to identify the killer. Julian later holds a séance where the voice of Fletcher's wife is apparently heard. Strange noises emanate from the attic of the old house. Secret panels are revealed. Suddenly other murders begin to take place. Finally, the murderer is discovered to be.............. And I'll bet you'll never guess what the murder weapon turns out to be.

For Chaney, this film marked the end of his Universal contract. He would appear in two more films for them, "Abbott & Costello Meet Frankenstein" (1948) and "The Black Castle" (1952). Over the period 1941-45 Chaney managed to appear as all four of the Universal monsters (Frankenstein's monster, Dracula, The Wolfman and The Mummy) as well as, in several other films and serials. They never really developed the promise he showed in "Of Mice and Men" (1939) and was effectively type cast for the rest of his career.

The "Inner Sanctum" series (1943-45) at least gave him a chance to star in his own series, playing a different character in each film. The series, although a low budget "B" series was nonetheless an entertaining six mysteries and served to further display Chaney's talent.

Brenda Joyce is probably best remembered as "Jane" in the RKO "Tarzan" films with Johnny Weissmuller produced between 1943-48. Watch for old timer J. Farrell MacDonald as the cemetery Sexton.

Arguably the best of the six "Inner Sanctum" mysteries.