Road to Utopia

At the turn of the century two vaudeville performers Chester (Bob Hope) and Duke (Bing Crosby) go to Alaska to make their fortune.On the way they run in all kind of weird and funny stuff, like talking animals. Road to Utopia from 1946 is one of the 'Road' films with Hope and Crosby and it's very good.These two worked really good together.Bing Crosby (1903-1977) does a very fine job in the lead.Bob Hope was a very funny man.This great comedian passed away last July of pneumonia.He had turned a hundred years last May.He had a great life and a great career and all the fans of Bob will miss him very much.He was one of the kind. Dorothy Lamour (1914-1996) is brilliant as Sal van Hoyden.This movie is filled with great gags.I recommend it to all comedy lovers out there.

Crosby and Hope are at it again, this time searching for gold in Alaska. The great lines don't run as fast and furious here as they do in some of the other "Road" pictures, but there are still plenty of laughs to go around. The film loses some points in two areas: the unnecessary and unfunny commentary by Robert Benchley and the simple fact that the premise of the film is completely ridiculous. I still cannot figure out why Crosby and Hope would spend half the film pretending to be two men they know are wanted killers. Of course, thanks to movie magic, the local authorities seem to ignore this. However, these things don't detract much from this very funny film.

Bob and Bing pal through this in their breezy manner, ably assisted by Dottie Lamour and especially the dry witty commentary of humorist Robert Benchley. Students of film and lovers of movies will appreciate the quality of the production, and rejoice in the knowledge that not everything funny was created after 1990.

'Road to Utopia' is a musical comedy starring two performers who are caught up in a conquest to find gold in Alaska. 'Road to Utopia' is a highly entertaining film, and it's easy to get caught up in the adventure.

Some of the comedy elements in the film are probably a little bit dated, but those that are not dated and still very funny and witty. (These include the narrator comments directed to films, the Paramount mountain, the talking animals, and the Santa figure emerging from the Alaskan landscape with gifts for Crosby and Hope). The music is also dated in terms of what traditional audiences enjoy today, but I still thought it was done very well and played an important part in the story.

'Road to Utopia' is enjoyable, and it is highly recommended. If you're tired of all the films made in the past 20-30 years, this is a gem.

This is hardly an original insight, but anyone who dismisses Bob Hope as the tiresome, unfunny comic from those dreadful '60s 'comedies' he appeared in is missing out on a real national treasure - his films up to around 1952 are hysterically funny, and his ROAD entries with cohorts Crosby and Lamour are among the best of 'em. Hope, along with the brilliant Preston Sturges, had restored Paramount to the comedy throne they'd occupied in the early 30s; from the lavish budget and attention to period detail throughout UTOPIA, it's obvious that the studio was not ungrateful. For my money, ROAD TO UTOPIA is the funniest film he ever made (though there are half-a-dozen others close on its heels). As in all ROAD movies, the engine powering the vehicle was the lightning-quick banter between the two leads; Crosby smooth as snake-oil , Hope perpetually suspicious and cowardly. And with excellent reason, as no straight man ever victimized a foil the way Bing routinely does to Bob. ROAD movies always threaded their satires of B-movie plots (this one spoofing Robert W Service-style frozen-North melodrama) with plenty of topical humor, much of it capitalizing on the fans' awareness of the stars' personal foibles (Crosby's rivalry with Sinatra, his investments in thoroughbreds, Hope's disastrous box-office returns in LET'S FACE IT), and there's a goodly amount of what later generations referred to as 'breaking the fourth wall' ( they talk directly to the audience at varying points). What elevates UTOPIA over the others is the sky-high breezy confidence of everyone involved this go-around. The cast and crew, coming off ROAD TO MOROCCO, were on a roll and knew it and they ride that momentum for all it's worth, Hope's constant kibitzing particularly hilarious from start to finish. Der Bingle gets to groan a couple of subpar songs (as opposed to MOROCCO's highlights - 'Ho Hum' and 'Moonlight Becomes You' - this outing's 'It's Anybody's Spring' and 'Welcome To My Dream' are instantly forgettable) but the team's 'Put It There, Pal' is infectious fun and Miss Lamour's 'Personality' is sexy and sprightly. A further note on Lamour - she's luxuriously beautiful here, an ice-cream sundae with curves (why she's never ranked with the decade's top screen sirens is unfathomable: she's every bit the looker that Lake, Grable, Hayworth & Sheridan were, and a better singer besides). My apologies for not quoting any of the zingers from the script, but there are just too many of them to play favorites with. ROAD TO UTOPIA is well worth the effort it'll take you to track down; get cracking.