The Senator Was Indiscreet

In the "good old days", in this case 1947, politicians were career opportunists and just as self serving and corrupt then as they are now. Happily, in the movies - unlike in real life - we can laugh at the trouble they get themselves into.

After 35 years of serving his state's constituents, senator Ashton wants to be president. And just what qualifications does he offer, asks his scoffing party leader? From a list "mama" found in a magazine, #3 is to have a dog. Ashton says, " I have a dog. I hate the hound. He's bit me 4 times, but I have one." This mild satire kept me laughing from beginning to end. Powell, as expected, is terrific, and Ray Collins stands out among the supporting characters. The "Senator" is not a classic comedy as is "My Man Godfrey", but it's not necessary or possible that every comedy hit a home run in order to be deemed worthy of our time.

It seems that politicians – or, perhaps more accurately, our perception of politicians – have changed very little in the sixty years since this film was released. Not only are they deceitful, power-hungry fast-talkers, but, most worryingly of all, they're not all that bright, either. George S. Kaufman's 'The Senator Was Indiscreet (1947)' is the earliest American political satire that I can recall seeing – though earlier examples almost certainly exist – and the film traipses many of the paths that would be echoed in subsequent films such as Hal Ashby's 'Being There (1979)' and Barry Levinson's 'Wag the Dog (1997).' At the forefront of these films is the complete trivialisation of the political system, portraying politicians either as dim-witted blow-hards or as ruthless power-grabbing tacticians, sometimes both. William Powell's Melvin G. Ashton falls into the former category, a white-haired Senator with more than a few loose screws upstairs. Nevertheless, he possess one vital item of leverage, a diary detailing every nasty political scam of the last thirty-five years, and so his influence is limitless.

William Powell, recently free from the 'Thin Man' series (1934-1947), is perfect as the IQ-challenged Senator with big ambitions. When he's not proposing absurd new regulations – for example, that all Americans should write letters on tissue paper to ease the burden on mail-men – Ashton is publicly and vigorously denying that he will run for Presidential Candidacy. In political terms, this means that he will run for Presidential Candidacy. Party colleague Houlihan (Ray Collins) attempts to talk Ashton out of his ambitions, almost convincing him to enter into a football career, but his persuasion is ultimately fruitless, especially considering the important historical document that Ashton has in his possession. When the coveted diary unexpectedly goes missing, every politician currently in office is thrown into chaos, and personal secretary Lew Gibson (Peter Lind Hayes) is sent to retrieve it, with journalist girlfriend Poppy McNaughton (Ella Raines) snapping at his heels. Even if all this doesn't seem your thing, wait around for the ending, which reveals a pleasant surprise.

'The Senator Was Indiscreet' was adapted from a screenplay by Charles MacArthur {co-author of "The Front Page"}, and the sole film directed by George S. Kaufman, a prominent playwright. There are several classic lines of dialogue ("Don't you think it's time you cut out the part where you laugh at the idea of the U.S. going to war against Japan?"), but the story unfolds fairly predictably. This, of course, doesn't necessarily negate the film's entertainment value, but I'd have liked a more daring degree of satire. The comedy style itself has its roots in the likes of 'His Girl Friday (1940),' but the jokes are more conservative, the laughs are scarcer, and the characters do not speak with the hilariously-frantic overlapping dialogue of Howard Hawks' film. Nevertheless, the lighthearted jibes at politicians are enjoyable, and it's not much of a stretch for the audience to believe that a clueless half-wit like Senator Melvin Ashton might potentially find himself at the doorstep of the White House. Indeed, recent history has shown us that he could even have gone further.

William Powell, all dolled up in age makeup and a fluffy white mustache, plays a doddering old senator in this 1940s political satire. On the surface, he's an old fool who can be controlled by the party. He has delusions of grandeur about being the next presidential nominee. Underneath, he's savvy and dangerous. He's kept a diary full of illegal backroom deals other members of the party have made the past few decades, and he intends on publishing the diary unless he gets the party's support during the primaries.

Bill, you naughty boy! With a young and impressionable kid, Peter Lind Hayes, and an ambitious reporter, Ella Raines, out to help and hurt him, he doesn't quite know who he can trust. Friends and enemies are all after the infamous diary, and he'll be lucky if he makes it out alive! If you like sarcastic political flicks like Born Yesterday and State of the Union, give this one a shot. You'll see the familiar faces of Hans Conried, Ray Collins, Whit Bissell, and Allen Jenkins, as well as a very adorable cameo from someone who stood by Powell's side in thirteen other movies. . .

I know this is going to sound preposterous, but try to imagine a politician who is completely incompetent. An idiot. A total buffoon. That is the story of Sen. Melvin G. Ashton, played by William Powell.

Ashton, planning for a career after being a senator, decides that the only other job he's qualified for is to become president. He seeks the job not just for himself, but for the benefit of all the relatives he has on his payroll. Through the movie, he quickly shows the wisdom he has picked up from his years in office with lines like, "If you can't beat 'em, bribe 'em!"

Ashton commences on a coast-to-coast tour to announce that he is NOT running for president and take some courageous stands on issues ("Ashton is against inflation, against deflation, for flation.") The villainess in the movie is a reporter played by the fetching Ella Raines, who vows to kill Ashton's campaign by quoting him accurately.

For some reason, the party leader doesn't want Ashton to be president. However, Ashton has kept a diary through the years that detail the shenanigans of other politicians and he's ready to use it as blackmail. The only problem is he loses the diary, and then the search is on to find it, by both party people that want to destroy it and others that want to publish it.

The people who will like this movie best are the ones that enjoy light comedies. I absolutely loved it. After seeing it, I'm sure you'll join Steven Colbert in asking, "Melvin G. Ashton: Great senator or greatest senator?"

This wonderful vehicle carried so many great character roles and made statements about how things run. Many ring true today. It provided a deliciously skeptical view of politics in general and the American idea that "any boy can can grow up to be President"! The rise of State Highway Divisor Melvin Ashton to the US Senate and the brink of the Presidency may explain how some of our more recent candidates have made it to stage center. My favorite running gag from this film was the characterization of the Bolshevik waiter by the wonderful Hans Conried. It is a snapshot of 1947 America with the impending threat of the Red witch hunt. His portrayal rings true with his bewildered observation of the American political process. It suggests that America was more than a match for Conried's "complete report een treepliket to the Kramleen by 5 PM". It is a DISCREET suggestion of the excess attention focused on the artistic community at the time by the guardians of our liberty. William Powell again comes through in a comedic role. The film's ending is a great piece of irony and social comment. He finally made it as the Big Kahuna, albeit on a slightly smaller stage!