Ordinary Decent Criminal

Entertaining enough as far as it goes, though that isn't very far. The crime vignettes are highly amusing, but the over-arching plot - the story of Lynch being sold-out to the IRA by his own team - lacks development and is much too conveniently resolved in a climax that relies on coincidence. However Spacey, as always, is a joy to watch. He's a fine actor, and he does convince - the occasional accent lapse notwithstanding.

ORDINARY DECENT CRIMINAL has to be one of the more tongue-in-cheek titles Hollywood has devised for a story apparently based on a real life infamous Irish gangster Martin Cahill whose claim to fame was robbing banks and getting away with it while posing as a preceptor of family values! Yet in this reincarnation the plot is suffused with comedy and typical capers and served up by a fine cast on a shaky platform.

Michael Lynch (Kevin Spacey, always terrific to watch even in uneven films) is a 'gentleman robber', married to two sisters (Linda Fiorentino and Helen Baxendale) whose latest criminal diversion involves the theft of a Caravaggio painting. How he utilizes his cohorts and evades the police headed by Noel Quigley (the extraordinarily gifted actor Stephen Dillane who played Stephen Woolf in 'The Hours'). The cast is good and makes the best of a confusing arc of storyline written by Gerard Stembridge. Director Thaddeus O'Sullivan keeps things moving along but slides into some boring and non-additive variances from the plot and character development that threaten to grind down the film. Tack on a corny ending not in keeping with the real character on whose life the story is based and the recipe for lack of success in the theaters is obvious.

But keep the expectations low and this film will entertain. Sad that for its distribution in the USA the cover of the DVD lists Colin Farrell as one of the stars (Spacey, Fiorentino, Farrell) which says a lot about PR grossness: Farrell is a VERY minor extra here and should any other actor be listed in top billing it is Stephen Dillane! Not a great heist film but it's always good to see more of Spacey. Grady Harp

Based on the real-life figure of Dublin gangster Martin Cahill (his story was also told in THE GENERAL, released in 1998), this fast-moving crime flick has little new to offer, but is worth a look for fans of the genre. Writer Gerard Stembridge takes the main facts of Cahill's life and gives them a slight spin (most especially the latter stages) to create an interesting mix of fantasy and reality. It's not as good as THE GENERAL; Spacey and Fiorentino struggle with their accents; and the finale is a bit much for us to swallow. But, for all its flaws, it's a lively and amusing piece, if destined forever to fall in the shadow of its more illustrious fore-runner.

I stumbled across this movie and watched it without preconceptions or expectations. Unlike many of your reviewers I enjoyed it hugely. But then, I haven't seen "The General". So whether comparison with that film is fair or not, I couldn't say.

But what none of your reviewers have pointed to is its structural resemblance to "Lock, Stock and Two Smoking Barrels". ODC is not as original as that wonderful film, but imitation is the sincerest form of flattery and it doesn't do a bad job in terms of wit or entertainment.

Spacey's casting is a bit bizarre, but works because of that and his geniality lifts the movie. Only Patrick Malahide takes character truly into the realms of caricature.

Overall ODC is an engaging and enjoyable romp of a film with some nice twists and plenty to enjoy in an undemanding sort of way.

This is a charming, rollicking yarn, full of mischievous criminal acts perpetrated by Spacey and his cronies. It's light, frothy, and doesn't develop much suspense or real drama, and ultimately is a pointless exercise in movie making.

Spacey is OK, Linda Fiorentino is wooden (perhaps concentrating too much on trying to master the lyrical cadences of the Irish accent - she fails!). Helen Baxendale is simperingly gorgeous as usual, but she too fails to get as close to the accent as Spacey. The supporting cast of British and Irish actors are wonderful, and there are some delightful cameos.

Sadly, Patrick Malahide is wasted, his character being painted with a broad and parodied brush.

Boorman's "The General" covered the same subject matter much more expertly, but without the benefit of a Hollywood "A-list" actor to kick it along.

I'm still wondering what possessed Kevin Spacey, who is a fine actor, to get involved in this movie.