Rude Awakening

After the morbid second "Hammer House of Horror" episode, "The Thirteenth Reunion" already delivered a generous dose of dark comedy, this third episode "Rude Awakening" is yet another creepy tale with a delightfully macabre sense of humor. Out of all the H.H.H. episodes I've seen thus far (the first five), all of which I enjoyed, this one is probably the one with the wittiest and most original storyline. Denholm Elliot plays estate broker Norman Shenley, who finds himself caught in what seems to be a never-ending nightmare. On a Friday the 13th, Norman, who is having an affair with his sex secretary Lolly (Lucy Guttenridge), gets a call from an eerie voice telling him that he shouldn't have killed his wife (who is alive). This is when his nightmare begins... The episode has moments of genuine creepiness, but, predominantly, it is a bizarre dark comedy. The episode's ingenuity is, to a large part, due to Denholm Elliott, who is, as always, eccentric and great in his role. New Zealand actor James Laurenson is sinister in the role of the mysterious Mr Rayburn, and Pat Heywood fits well in her role as Norman's somewhat annoying wife, as does beautiful Lucy Gutteridge, who plays the foxy secretary/mistress. As the foregoing episode, "Rude Awakening" was directed by Peter Sasdy, who is known to Hammer fans for directing "Taste the Blood of Dracula" (1970), "Countess Dracula" (1971) and "Hands of The Ripper" (1971). Sasdy once again succeeds here, delivering an atmospheric, eerie and witty tale that Hammer fans should enjoy. Out of the first five episodes of "Hammer House of Horror", none has really delivered the chilling Gothic atmosphere that I love about Hammer's Horror films that they made between the mid 50s and late 70s. The episodes all had a certain charm of their own right, though, and they all were highly enjoyable to watch. Having seen the first five episodes, I have a feeling that the best of "Hammer House of Horror" is yet to come. I am especially looking forward to Episode 7, "The Silent Scream", both because it is reported to be the best episode, and (mainly) because it stars the immortal Peter Cushing, one of the very main reasons to love Hammer. This third episode is funny, bizarre and original and highly recommendable for Hammer fans.

Estate Agent Norman Shenley receives a visit from a man called Rayburn, who's inherited a property known as Lower Moat Manor, when Shenley visits he enters into a nightmarish sequence, he wakes the following morning, but the lines between Reality and dreams are blurred.

This is exactly what happens when the balance of comedy and horror fusses together perfectly. Rude Awakening is one of the best, most memorable episodes of the series. Nightmarish, fun and very atmospheric, this one's a real winner.

You are made to question reality itself, you never feel settled into believing that the events before your eyes are real, you never know whether Norman is awake or sleeping, until the end that is, where he really does get a rude awakening.

There are some genuinely great horror sequences, I loved the scene where Norman visited Lady Studwick, that was so surreal, as was the survey of the block of flats.

Lolly's costume changes were attention grabbing, and helped to drive the story, her flair was such a contrast to Norman's dry demeanour.

A great performance from Denholm Elliott, he put in a memorable performance, James Laurenson and Lucy Gutteridge were both impressive.

9/10.

Norman Shenley, an estate agent, has a dream about murdering his plain, bad-tempered wife, which leaves him free to chase his secretary, Lolly. Later that day, at a scary old house called Lower Moat Manor, Norman hears a voice say ""You shouldn't have done it, Mr Shenley... You shouldn't have killed your wife"". That evening Norman kills his wife for real - but then he wakes up and finds it was all a dream again. Somehow, real life and fantasy are becoming intertwined...

Quite a bizzarre, wacky and humorous episode that boasts a fine performance by Denholm Elliott as the Estate Agent who is confused - as we viewers are - whether dreams are real or not, Lucy Gutteridge as his secretary who dons various garbs in the dreams, and Pat Heywood as the nagging wife. The ending is quite a hoot, though a little predictable.

I really like where the Hammer House of Horror series is going, as the quality level increases with every episode I watch! The first one – "Witching Time" was nothing spectacular but still fun to watch, number two – "The Thirteenth Reunion" – already featured the more typically Hammer trademarks and suspense and this third installment "Rude Awakening" is actually very good! The plot may not be entirely original and plausible, but it's incredibly fast-paced and rich on atmosphere as well as tension. Denholm Elliot, the cool bloke from "Raiders of the Lost Ark", stars as a middle-aged estate agent haunted by a series of hallucinating nightmares… Or perhaps it's just one giant nightmare? Or maybe he's not even asleep to begin with! On Friday the 13th, Norman Shenley is lured to a remote and supposedly abandoned mansion where an uncanny voice tells him that he shouldn't have killed his wife. Suddenly the idea of murdering his wife and run off with his attractive secretary Lolly becomes very tempting, but Norman can't tell anymore whether his thoughts are real or all just dreamed. Peter Sasdy's directing is as surefooted as ever, as he creates confusion even among the viewers by implementing a bizarre dream/reality structure. The secretary's looks and attitude, for example, change in every dream and you never get to know the real her until the short movie's climax. "Rude Awakening" is low on explicit violence and bloodshed, but it oozes a dark atmosphere and most of the characters – especially the supportive ones – are pretty disturbing. It's a fantastic little film that'll keep you glued to the TV-screen for a good fifty minutes.

While not exactly the stuff of nightmares, it is good English macabre fun.

And nightmares are what it's all about. Denholm Elliot has a recurring dream about visiting a house, and hearing someone ask "Why did you do it?" before things all go pear-shaped for him.

But the dream recurs so often, he starts to wonder if he ever actually wakes up from it..

This imaginative conceit is played mainly for larfs. Denholm plays a swinging real estate agent who may or may not be having an affair with the woman of his dreams, his secretary Lolly. Lolly is a hoot, changing appearance with her every iteration, from Marilyn lookalike to Naughty Schoolgirl. And the phrase, "Why did you do it?" does become rather spooky after a while.

It won't necessarily chill the blood, but it may give you an early-80's chuckle.