The Fall

This film was way above average, and is - in my opinion - greatly underestimated. The opening sequence is exciting and gripping, and the story moves at a fast pace as the plot twists and turns towards an intriguing finish. Most of the performances were very good. Helene de Fourgerolles is new to me, but she was excellent, and it was impossible to tell whether she or the ever-reliable Jurgen Prochnow were telling the truth. My only quibble was that Craig Sheffer never convinced, neither his fear of nor his his fascination for the lovely Marta came across properly, and this was a pity. Try and see it, the rest of the cast more than make up for him.

Even though at the time I thought I had nothing else to do besides watching it, and that it was on TV, I regret wasting my time on this movie. This flick is definitely one of the most incoherent, twisted, worthless pieces of work I've ever seen. The story involves so many contradictions, it becomes an unintentional comedy (and that only if you have a big sense of humor). The picture, sound, and other technical work is OK, but if you're just looking to see good technical work, then get the National Geographic or the Discovery Channel. The sex scene seems to be made just to accomplish a requirement (because it was too soft, so unnecessary and unjustifiable to the story). It's like mixing elements without any sense of coherence, just to get a movie that has it all. And yep, it has action (poor performance there), it has mystery, suspense, sex (too graphic and too soft at the same time), nudity, violence, BUT NO LOGICAL ADHESION BETWEEN THEM. Big waste of time to say the less.

An good thriller which in my opinion was let down by a slightly dubious cast and poor direction. While the script was a little obvious it seemed to have the potential for much more and I liked the premise of a foreigner out of his depth in a strange country and the central relationship that was bought together by this situation. I think the director however missed out on building the tense claustrophobic atmosphere that this should have been. This could have been partly due to the cinematography however, which, while starting out with very stylish exteriors, seemed to lose all sense of it's cinematic scope on the interiors.

I noticed that the script was based upon Michael Walker's original screenplay. Having recently seen some of his short work which seems to be doing very well at the moment I wonder what his original screenplay was like?

First off, I write off any film that uses a cat jumping on someone to startle the audience. Budapest makes a beautiful location and it's too bad Frost and Piddington don't make more of it as was done, for example, with Cannes in _Ronin_. The start of the film is very exciting, especially when the heroine runs into a car but deteriorates rapidly from there into cliché upon cliché (including the jumping cat - just out of curiosity, has anybody seen a cat ever do that to a person, and from where are they supposed to jump?). Perhaps it is the proliferation of clichés but the film cannot sustain the level of suspense shown in the beginning. And if you cannot figure the "surprise" prior to its unveiling I've got some swampland to show you in Florida.

The all too brief images of a very limited number of Budapest locales and the few actual Hungarian actors, plus the excellent Jurgen Prochnow are not enough to save this insipid, convoluted mess. The 3 other leads deliver performances akin to cardboard cut-outs, although it may well be the very poorly written script's lack of coherence that's to blame. If it's Budapest you're interested in, you'll do better watching a travelogue. There are many other very fine foreign films that deserve a viewing, give one of those a chance and pass on this one.