Sugar & Spice

Sugar & Spice is almost a caricature of a teen movie. It is not, because it's not making fun of teens or teen movies, but has that slightly over the top smiley attitude that pushes you to that laughing place where you don't take things too seriously. Those who didn't like that movie didn't get that vibe. It is quite fun.

Now, it's not a perfect movie, the subject matter is treated very lightly, but the story, the dialogs, and the characters are all very entertaining. It doesn't bring anything new, per se, to the table, but it does it with flair, and laughs. The girls are beautiful, but not plastic perfect. The acting is simple, but sincere and adorable in certain cases.

One of the scene, when they announce they're getting married, is the perfect example of the quality and tone of the film. It and its followup scene in the car are hilarious.

If you want to see a good little known teen flick with an adult mask, that would to it.

An entertaining comedy with Marley Shelton as the head cheerleader who gets pregnant with the star quarterback's child. Then, while watching that classic of modern cinema, "Point Break," on tv she hatches a plan that wouldn't it be great fun if her and her cheerleader buddies (including Mena Suvari) robbed a bank? Wouldn't that just help her with her financial problems? This is all very silly and the filmmakers wisely don't take any of this seriously, producing a very funny comedic take on cheerleading, high school and bad movies. GRADE: B+

Buried on both sides of the Atlantic by "Bring It On" (the latter didn't duplicate its American box office success in the UK, but at least it got to cinemas), it's to the credit of "Sugar & Spice" that there's a big difference between the two in terms of plot, characters and overall feel - okay, they are both about cheerleaders but are they really cut from the same cloth on that count? As an American journalist wrote about Stephen J. Cannell, the only real similarity between "Baa Baa Black Sheep" and "The Greatest American Hero" is that both shows involve flying.

That said, this movie is still the lesser one. One of the problems are that writer Mandy Nelson and director Francine McDougall don't seem too sure about what kind of tone it should have; it seems to want to be darker but can't summon up the nerve, its characters veer from one-note (particularly Cleo, the Conan O'Brien obsessive) to semi-real (Diane, the cheerleader captain whose unwed mother plight launches the plot), and having the movie be narrated in flashback by a rival rule-obsessed girl suggests we'll be seeing it from her POV, but it's not until some way into the story that she actually plays any kind of a role.

The movie's intentionally uncomfortable to watch, but also never especially funny - and it doesn't help that with the exception of Alexandra Holden as Fern, most of the cast aren't too believable as teenagers (and why do so many of them have first or last names that begin with the letter M? Marla Sokoloff, Marley Shelton, Melissa George [who, incidentally, I thought was playing Diane until the credits set me right], Mena Suvari, Sara Marsh...). It passes the time, and at least it's short - and give the makers credit for not trying to gloss over problems of young couples - but Kirsten Dunst and Eliza Dushku are ultimately the short-skirt-wearers of choice in this milieu.

"Sugar & Spice" could have used more of both parts of its title.

I had high expectations for this movie. I guess that they were a little too high, because this movie did not work. It started off great, being fast paced, biting, and just plain mean. Any movie where the parents of both the head cheerleader and the quarterback cheer about their marriage, but scream about their pregnancy...well, it can still suck.

The movie cared too much about its subjects. It had a heart for the cheerleaders (either that or it was the toning down after the shootings), and thus I didn't feel that the point of the movie was to laugh at them, but to laugh with them. This is like American Pie, where we laugh with the characters. Except the humor that could have worked was aimed at them, thus making a conflict and making many jokes not funny. Also, the timing was off on alot of the jokes. "You want to dust my a**" should have been funny, but it wasn't.

So, if you like the light-hearted dark comedy genre (of which there aren't too many...none that I can think of off the top of my head), see this movie, otherwise, stay to the biting satire of Bring it On.

3/10

Who would not want to see a movie about bank robbing cheerleaders? The movie isn't so concerned with the cheerleaders themselves as it is with the classic "what if?" scenario of the captain of the squad becoming impregnated by the captain of the football team. And where to go from there? Why, rob a bank, of course. They have the finesse, they have the ability and, most of all, they have the grooviest disguises (All-American Dolls) since the Ex-Presidents in Point Break.

What stood out is the performance of Mary Shelton in the role of Diane, the cheerleader captain and mastermind. She does a wonderful job of keeping a positive attitude when her life starts to crumble around her. And, as her polar opposite, James Mardsen does a great job of portraying the clueless jock Jack. Mardsen has cluelessness done to a T, especially when failing to realize the stigma of having to work at a video store. While it's nice to see that the stereotypes are not being limited to just the popular people, is it really necessary to have them at all?

The rest of the squad, however, only fall into the aforementioned stereotypes. The cast does their best to overcome them, but there are only so many cheerleader jokes you can do in a feature. Mena Suvari does look like she's having fun, though, as the bad girl cheerleader. And Rachel Blanchard does look pretty as the morally upright cheerleader.

When the robbery comes, it's almost a non-event. But it does come with quite a few laughs. What the film needed to show more of is the aftermath. How does it affect their lives immediately after? Sure, there's a recap at the end, but it would have been better to see those events unfold than to just read about them. Maybe New Line didn't like the first cut of the film and had it pared. Given the 83 minute running time, that is likely.

However, this is the best film with a January release date since Jackie Chan's First Strike. The photography is arid yet striking. The cast is game, the screenplay does have some great laugh out loud moments and it's nice to see a film that shows the many uses of cheerleader athletics.