Texas Chainsaw Massacre: The Next Generation
Original title: The Return of the Texas Chainsaw Massacre
IMDb RATING
3.4/10
28K
YOUR RATING
A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibal... Read allA group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.A group of teenagers get into a car crash in the Texas woods on prom night, and then wander into an old farmhouse that is home to Leatherface (Robert Jacks) and his insane family of cannibalistic psychopaths.
- Awards
- 1 nomination total
Renée Zellweger
- Jenny
- (as Renee Zellweger)
Tonie Perensky
- Darla
- (as Tonie Perenski)
Lisa Marie Newmyer
- Heather
- (as Lisa Newmyer)
Tyler Shea Cone
- Barry
- (as Tyler Cone)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
One of My Favorite Horror Movies. I'll tell you why...
I know horror movies are supposed to be scary, but from the beginning you can tell this is going to be one of the three types of horror movies that I've found: there's the real scary ones (like Halloween) and then there's the really funny ones, usually cheesy (like Basketcase). There's also the ones that can do both at the same time (Nightmare on Elm Street). This is one of the funny ones and before you start critiquing it, you have to realize that. With that statement in mind, this movie is great. Vilmer's remote controlled leg is probably the funniest of all. Many laughs are produced off of that one. And then there's strange old Leatherface. When the victims and that cuckoo torturous family get together, you are talking pure enjoyment that has got to be fun for whole family 15 and above. Many would say that it's really too cheesy but I think that is the best part. It's like Troma's quirky idea of horror. See it and stay open.
"I Don't Understand!"
At one point, a terrorized Jenny screams "I don't understand!" And Vilmer replies "Welcome to the real world." For me, this sums up everything I like about this movie.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
The TCM series has -- at the best of times -- been about random violence...usually for the sake of sensationalism. But underneath it all is the creepy realization that not everybody thinks like you do. Some of them do things which make no sense to you. When you step into their reality, you're at their mercy, and you'll never understand exactly why.
This installment plays the "why?" theme to the hilt, eventually copping out somewhat near the end when they should have just left us wondering. Darla is wonderful as Vilmer's girlfriend, alternately getting hung up about seemingly trivial things -- having a quiet dinner for a change -- and goading Vilmer into continuing their twisted, mutually abusive relationship. Vilmer himself has fantastic moments, though none of the actors quite live up to Perensky & Zellweger's standards of convincing nuttiness and terror, respectively. Though Newmyer is also great in a role which is too small.
Outside of the mayhem, there's some wonderful dialogue, especially the first few lines in the movie: the teacher who simpers around the students and then gripes, "f*** I hate kids." Heather's friend with the absolutely bizarre mannerisms explaining that the gossip-monger is just trying to cause trouble. Heather saying that they might end up slaughtered and hidden away in somebody's basement, with Sean retorting, "that's stupid, the houses around here don't have basements." And finally, my favourite line: "Too bad about her face, Leather, but you can have her shoes!"
Despite all the bad press this movie's received, I hope Kim Henkel enjoys what she created as much as I enjoy watching it. Goofy, funny, real, unreal, terrifying and witty: good job.
"It's been an abomination. You really must accept my sincere apologies."
Well said, Rothman. Whatever this movie is supposed to be, it fails on every level. It's not scary, it's not disturbing, it's not entertaining, it's only funny periodically when you can't believe how stupid it is, and it essentially killed the Texas Chainsaw Massacre franchise until it was rebooted a decade later.
The only reason anyone would have any inclination to watch this is because of its leads - Renee Zellweger and Matthew McConaughey - who were young and naive back then, but they did they best they could with the material they had. Renee played a fine damsel in distress and McConaughey was perfect as an insane cannibalistic psychopath. You can tell he was having fun with the part, and the fun he has is contagious sometimes especially knowing how huge he has become since.
The movie itself is downright horrendous. It starts off as a typical slasher: a few teens leaving prom get stranded in the woods, then they encounter strange characters, and from then it devolves into a nonsensical screaming battle between everyone. Literally there are scenes in this movie where the only lines are "AHHHH!" Leatherface has gone full transvestite for this installment. They also end the movie with some sort of conspiracy that these cannibals have been around for thousands of years and there are men in suits that check up on them or something. It makes absolutely no sense and trying to piece it together will ensure a loss of brain cells.
This is the worst of the pre-millennial TCMs by a long shot. Only watch if you're a die-hard TCM completist or you want to watch McConaughey yell like crazy for a while. Either way, you're bound to be disappointed.
The only reason anyone would have any inclination to watch this is because of its leads - Renee Zellweger and Matthew McConaughey - who were young and naive back then, but they did they best they could with the material they had. Renee played a fine damsel in distress and McConaughey was perfect as an insane cannibalistic psychopath. You can tell he was having fun with the part, and the fun he has is contagious sometimes especially knowing how huge he has become since.
The movie itself is downright horrendous. It starts off as a typical slasher: a few teens leaving prom get stranded in the woods, then they encounter strange characters, and from then it devolves into a nonsensical screaming battle between everyone. Literally there are scenes in this movie where the only lines are "AHHHH!" Leatherface has gone full transvestite for this installment. They also end the movie with some sort of conspiracy that these cannibals have been around for thousands of years and there are men in suits that check up on them or something. It makes absolutely no sense and trying to piece it together will ensure a loss of brain cells.
This is the worst of the pre-millennial TCMs by a long shot. Only watch if you're a die-hard TCM completist or you want to watch McConaughey yell like crazy for a while. Either way, you're bound to be disappointed.
SO FUNNY IF YOURE DRUNK
I had a few glasses of wine and let me just tell you that this made me laugh so hard my stomach hurt. Probably not worth it if you don't have alcohol handy. By the way... Renee and Matthew have OSCARS. THEY HAVE OSCARS and they were IN THIS FILM. So , never give up, okay hunny? <3
Should Have Been A Musical...
The makers of THE TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION missed a huge opportunity by not setting it to music. All the elements are there, including Matthew MCconaughey as a deranged, bug-eyed hillbilly with a remote-controlled leg, and Renee Zellweger as a "teen" victim, running, screaming, and jumping through windows!
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Annnd, who could forget the 9' tall Leatherface (Robert Jacks), constantly squawking and screeching like he's on fire!
Plus, there's domestic violence as foreplay, skeletal remains as home decor that works, and an old man who just might be dead!
The dialogue simply begs to be belted out in song! Example: "You're a bona fide Mo-ron!".
Indeed, this could / should have been the next HAIR or JESUS CHRIST SUPERSTAR! Alas, we shall never know...
Did you know
- TriviaMatthew McConaughey had just graduated college and planned on moving to California when he auditioned for this movie. He read for the part of a young motorcyclist who rescues Jenny at the end and rides off with her into the sunset (a role that was eventually eliminated). Before he left, writer / producer / director Kim Henkel asked if he knew of anyone who might be right for the role of the villain, Vilmer. McConaughey suggested two friends from acting class and left. He was about to get in his truck and drive to California when he stopped and realized, "What was I thinking?" He immediately turned around and asked Henkel, "Hey, can I audition for Vilmer?" Henkel gave him a spoon from the kitchen, told him to pretend it's a knife and tasked him with scaring his secretary. Then, in the middle of the audition, he told him to pretend his mechanical leg was malfunctioning. McConaughey was so convincing that he won the role of Vilmer on the spot.
- GoofsWhen Vilmer says to Jenny, "I asked you a goddamn question," Darla is looking inside a cabinet in the background. In the next shot she's at the table putting make-up on.
- Crazy creditsIn the end credits, the "Patient on Gurney" actress was credited as ANONYMOUS.
- Alternate versionsThe Finnish video version excludes numerous scenes including violence. Cut by more than 15 minutes.
- ConnectionsFeatured in The Return of the Texas Chainsaw Massacre: The Documentary (1996)
- SoundtracksTorn And Tied
Written by David Derrick, Jared Toten, Kyle Ellison and Sims Ellison
Performed by Pariah
Produced by Tom Werman
Killingbird Music (ASCAP)
Details
- Release date
- Country of origin
- Language
- Also known as
- Masacre en Texas: la nueva generación
- Filming locations
- 16493 Cameron Road, Pflugerville, Texas, USA(Family House)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $600,000 (estimated)
- Gross US & Canada
- $185,898
- Opening weekend US & Canada
- $28,235
- Sep 24, 1995
- Gross worldwide
- $185,898
- Runtime
- 1h 27m(87 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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