A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.
- Awards
- 5 wins & 7 nominations total
Atsuko Tanaka
- Kusanagi Motoko
- (voice)
Iemasa Kayumi
- Ningyô tsukai
- (voice)
Akio Ôtsuka
- Batô
- (voice)
Kôichi Yamadera
- Togusa
- (voice)
Yutaka Nakano
- Ishikawa
- (voice)
Tesshô Genda
- Nakamura buchô
- (voice)
Namaki Masakazu
- Urisu hakase
- (voice)
Shinji Ogawa
- Gaikôkan
- (voice)
Mitsuru Miyamoto
- Daida Mizuho
- (voice)
Kazuhiro Yamaji
- Seisô kyokuin
- (voice)
Shigeru Chiba
- Seisô kyokuin
- (voice)
Hiroshi Yanaka
- Kenshi-kan
- (voice)
Ginzô Matsuo
- Ossan
- (voice)
Takashi Matsuyama
- Jikkô-han
- (voice)
Sanryô Odaka
- Gishi
- (voice)
Masamichi Satô
- Untenshu
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Wonderfully executed anime classic.
It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.
The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.
Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.
I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.
This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.
Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.
I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.
Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
It is a darker anime tale aimed towards a more mature audience. I enjoyed the amazing realism of this film. The attention to detail is definitely enjoyable to see.
The DVD has a rather enjoyable documentary on the making of the film. Any fan will enjoy the structure and content of the documentary. It is quite informative on the process of making the film.
Like most Anime, there is a lot of character development and dialogue mixed with stunning visuals.
I think the most captivating element that this film has to offer is its creative "cinematography" and attention to detail. There are numerous memorable shots in this film.
This is not an anime for everybody. Attention to story is critical and I am guilty of rewinding certain areas just to keep up with the story.
Thankfully this is not a mindless science-fiction/anime tale filled with crazy action sequences. The Ghost in the Shell proves to be quite philosophical in nature by questioning the meaning of life.
I would love to venture deeper into this story and its message but I think it is better for you interpret it on your own.
Remember to watch this movie with your heart, not with your mind. Reflect on it later. This is the best way to enjoy this type of film.
10queitus
This is an incredible work in the science fiction category, but an absolute masterpiece in terms of animated film.
Deep thematic probing and philosophical questions dot the story. Characters that are cyborg-humans question their existence... this is a true potential problem for the far future. Is something created outside of a womb without a soul? Do souls even exist? Set all this against some incredible action sequences, plenty of eye candy, and a very dark, acrid backdrop of the future of civilization. This is a summer blockbuster and more. It's ashame that most people are too close-minded to consider a film like this.
Bad guys and good guys? No clue. I had to watch the film 3 times to
-Understand the plot fully -Understand the motivations of the characters -Realize the depth of the film -And still I'm left with questions
If you open your mind, Ghost in the Shell settle itself within you... it will linger far after your first viewing. You will realize that a movie can have action, incredible effects, and STILL be deep.
Drama, mystique, philosophy, intrigue, "going out on a limb" quality, action, adventure, deep characters who don't fall into bad or good categories, beautiful imagery, mind-boggling plot... even some comedy! I just can't get over the fact that I have never before seen a more perfect mix of the elements which make a masterpiece. EVER.
10/10.
Deep thematic probing and philosophical questions dot the story. Characters that are cyborg-humans question their existence... this is a true potential problem for the far future. Is something created outside of a womb without a soul? Do souls even exist? Set all this against some incredible action sequences, plenty of eye candy, and a very dark, acrid backdrop of the future of civilization. This is a summer blockbuster and more. It's ashame that most people are too close-minded to consider a film like this.
Bad guys and good guys? No clue. I had to watch the film 3 times to
-Understand the plot fully -Understand the motivations of the characters -Realize the depth of the film -And still I'm left with questions
If you open your mind, Ghost in the Shell settle itself within you... it will linger far after your first viewing. You will realize that a movie can have action, incredible effects, and STILL be deep.
Drama, mystique, philosophy, intrigue, "going out on a limb" quality, action, adventure, deep characters who don't fall into bad or good categories, beautiful imagery, mind-boggling plot... even some comedy! I just can't get over the fact that I have never before seen a more perfect mix of the elements which make a masterpiece. EVER.
10/10.
Ghost in the Shell is a masterpiece. I would go so far as to say that it's the second best science fiction film I've ever seen (behind 2001, of course), but no one knows about it. I find it terribly unfortunate that the only American viewers familiar with Ghost in the Shell are anime fans, many of whom overlook the film's complexity and see only its nudity and violence. The movie kind of gets in its own way-- within the first five minutes we see the heroine's nude body as well as a very messy head-exploding scene, and many of the viewers who would otherwise end up enthralled by the film's abundant style and intelligence immediately dismiss it as exploitative anime trash. Every time I show this movie to non-anime fans I have to explain beforehand that Ghost in the Shell is a serious work of science fiction and that everything in it, including the adult content, is part of the point the movie makes about where our society is headed.
The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.
And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.
The film is stylish, artistic, and beautiful. Masamune Shirow's stunningly believable vision of the future makes the jump from manga to anime remarkably well. As brilliant as the comics are, I really prefer the film version, which eliminates the nearly pornographic T&A (the film has nudity but it's clearly not meant to be titillating) and all of the exaggerated comic relief which only detracted from the manga in my opinion. The film's action sequences are strikingly different from the overly stylized symphonies of destruction seen in most action films. Gunfire, martial arts combat, and car chases are depicted exactly as they would occur in the real world-- without fast music or Armageddon-style hyper-editing or any of the needless cinematic baggage we've come to expect. But it's the movie's ideas that make it great, particularly in the last half hour, when thoughtful viewers learn what this story is all about-- the emergence of a new kind of life form, an intelligent and self-aware intelligence that can live indefinitely without ever inhabiting a physical body. The film argues that this will occur within the next thirty years, and the superbly ambiguous ending inspires us to come up with our own ideas of what will happen to humanity once this new life form begins to reproduce. This is filmmaking that should be seen and discussed.
And now the disclaimer. All of the above comments refer to the subtitled Japanese version of the film, NOT the English dub. Simply put, the dub ruins everything. A good example is Kusanagi's wry comment at the very beginning of the film. An officer who is communicating with Kusanagi through a kind of electronic telepathy tells her there's a lot of static in her brain. In the original Japanese version (as well as in the manga) she replies that "It's that time of the month," but in the dub her comment is inexplicably changed to "Must be a loose wire." It's completely insane-- do they think that, in a film with considerable nudity and graphic violence, people are going to be offended by a PMS innuendo? The whole movie is filled with such intelligence-insulting changes; please do yourself a favor and watch the subtitled version.
This is the most beautiful film i've ever seen.
There, i've said it. Watch it and be awed at how amazingly detailed and fluid the whole film is. Never does it falter in the art department. The colours are just right, the peoples movements are so real its scary, and sometimes the strong story of the film cant fit all this beauty in and so it releases it entirely in a magical scene in the middle of the film with no dialogue and no plot progression, just marvellous panoramic followed by marvellous panoramic shot. This is my favourite segment of the movie. It shows the nameless city in which the protagonists exist as a cluttered, enclosed, claustrophobic world, yet terrifyingly familiar. This film is full of such themes which subtly make their way into your mind and you dont even realise they're there until afterwards.
So lets talk about the story. Its an amazing monster of a tale, squeezing it all in barely in its short running time. It does sometimes feel a little rushed, a little convoluted so that it bears repeat viewings to get the whole thing, but it is still a strong story none the less. In fact it is a very mature story. The creators could have so easily gone the typical manga route and thrown in some invading demons or mega-destructive internet monsters. But no, the whole thing restrains intself to a realistic view of an extra-ordinary situation. it all feels like this is exactly how it would happen in real life, and that is what makes it so engaging, and so scary.
This film deserves to be seen, not just because the heavenly beauty warrants it, but because the deep issues it raises needs to be questioned. If you want to be entertained without thinking, watch Wicked City or the countless millions of other mediocre mangas out there. You want to be entertained and be made to think and question the film? See this.
You wont regret it.
There, i've said it. Watch it and be awed at how amazingly detailed and fluid the whole film is. Never does it falter in the art department. The colours are just right, the peoples movements are so real its scary, and sometimes the strong story of the film cant fit all this beauty in and so it releases it entirely in a magical scene in the middle of the film with no dialogue and no plot progression, just marvellous panoramic followed by marvellous panoramic shot. This is my favourite segment of the movie. It shows the nameless city in which the protagonists exist as a cluttered, enclosed, claustrophobic world, yet terrifyingly familiar. This film is full of such themes which subtly make their way into your mind and you dont even realise they're there until afterwards.
So lets talk about the story. Its an amazing monster of a tale, squeezing it all in barely in its short running time. It does sometimes feel a little rushed, a little convoluted so that it bears repeat viewings to get the whole thing, but it is still a strong story none the less. In fact it is a very mature story. The creators could have so easily gone the typical manga route and thrown in some invading demons or mega-destructive internet monsters. But no, the whole thing restrains intself to a realistic view of an extra-ordinary situation. it all feels like this is exactly how it would happen in real life, and that is what makes it so engaging, and so scary.
This film deserves to be seen, not just because the heavenly beauty warrants it, but because the deep issues it raises needs to be questioned. If you want to be entertained without thinking, watch Wicked City or the countless millions of other mediocre mangas out there. You want to be entertained and be made to think and question the film? See this.
You wont regret it.
10Quag7
I liked everything about this film. Much has been made of the artwork, and with good reason. Voltron, this isn't. I am not an anime fan and haven't seen a lot of anime films. Most plot descriptions of anime films sound boring to me. I'm not into monsters and tentacles or cute wide eyed little girls fighting evil. (Not that cute wide eyed little girls shouldn't fight evil, I mean, I'm all about fighting evil, aren't we all?) Ghost in the Shell, on the other hand, represents the best of its genre and the best of any genre is worth a watch. This movie ought to appeal to anyone who enjoys cerebral films. It addresses interesting philosophical questions about identity, some of which we will no doubt be pondering in the not too distant future. (I'm perhaps foolishly optimistic when it comes to AI).
I should add as well that this is definitively in the cyberpunk genre. If you liked the old Max Headroom television series or movies like Wargames, this will no doubt appeal to you. Even the English dubbing isn't bad, even if it is a little bit fast (to keep up with Japanese).
Darken the room, sink low in your chair, turn the volume up (the soundtrack is spectacular), and fall into this movie. I wish there were more like it. The artwork is incredible (if you don't consider animation art, you should take a look at Ghost) and the plot and dialogue are three dimensional and thought provoking. Two thumbs up. As I say, best of genre.
I should add as well that this is definitively in the cyberpunk genre. If you liked the old Max Headroom television series or movies like Wargames, this will no doubt appeal to you. Even the English dubbing isn't bad, even if it is a little bit fast (to keep up with Japanese).
Darken the room, sink low in your chair, turn the volume up (the soundtrack is spectacular), and fall into this movie. I wish there were more like it. The artwork is incredible (if you don't consider animation art, you should take a look at Ghost) and the plot and dialogue are three dimensional and thought provoking. Two thumbs up. As I say, best of genre.
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Did you know
- TriviaIn ordinary anime, characters would at least blink to create the feeling of "being animated", but in this movie, Motoko's eyes intentionally stayed unblinking many times. Director Mamoru Oshii's intention was to portray her as a "doll".
- GoofsThe car underneath the spider tank changes in size relative to the tank between shots.
- Quotes
Major Motoko Kusanagi: If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.
- Crazy creditsOn the Special Edition DVD of the film, the Manga Entertainment logo appears shaded cyberspace green and surrounded by circuitry.
- Alternate versionsThe original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version.
- ConnectionsEdited into Wamdue Project: King of my Castle (Roy Malone Remix) (1999)
- SoundtracksSee You Everyday
Composed and Arranged by Kenji Kawai
Lyrics Pong Chack Man
Vocals Fang Ka Wing
Chorus Junko Hirotani
Details
Box office
- Budget
- ¥330,000,000 (estimated)
- Gross US & Canada
- $889,074
- Opening weekend US & Canada
- $2,736
- Feb 4, 1996
- Gross worldwide
- $1,145,977
- Runtime
- 1h 23m(83 min)
- Color
- Aspect ratio
- 1.85 : 1
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