Bullet to Beijing

Thankyou, thankyou, Mr Caine. The collapse of the cold war has somewhat put an end to our spy stories, but I was thrilled to get another Harry story. I have a little trouble coping with the slap stick humour in this movie. ( Perhaps I'm just two stiffer upper lip) Regard less loved it.

After almost thirty years, Michael Caine is back playing Harry Palmer. However, it has been THIRTY YEARS--and, like the expression goes, you can never go back--and that certainly is true of "Bullet to Beijing". Unlike the earlier Palmer stories, Len Deighton was not involved with this one...and I think it shows. The first three films of the series ("The Ipcress File", "Funeral in Berlin" and "Billion Dollar Brain") were great--a nice alternative to a Bond film. Here, however, it looks like there is a lot more Bond and a lot less Harry Palmer.

After three decades with the British secret service, Palmer is summarily retired without so much as a thank you. Soon, he receives an offer to work for someone else--though they don't identify who they are--they just give him a ticket to meet them in Russia. Harry takes the offer (why?) and soon is transported into a world completely unlike his earlier film efforts. Here is the problem--the film is again and again an ACTION film. But the earlier films deliberately avoided being action films. Sure, things happened--but most of the time Palmer stood by on the sidelines. And, there were none of the usual insane James Bond miraculous escapes. Here in "Bullet to Beijing", it's one action sequence after another after another--including way too many shootouts that resulted in folks with pistols taking out many folks with machine guns!!! Now I know a marksman can do amazing things with a pistol--but to again and again take out baddies with automatic weapons?! And, the other major problem is that folks keep changing sides!! Again and again, you need a scorecard to keep track of who is one who's side! To me, this just seemed sloppy. The overall effort is a passable ACTION film but one severely disappointing to those expecting the Harry Palmer of old. It's made worse by the end, where, inexplicably, the baddies just let Palmer go after he destroys their evil plan!!! Uggh.

I first broke into the Harry Palmer series when I thought Midnight in St. Petersburg sounded like a good film in the TV guide, and it had Michael Caine in it. Since then (realising there was more of it)I've become quite a fan of the series, not really minding if it was the vintage 60s or the modern 90s.

Bullet to Beijing was the fourth film out of the five that I've seen (I've yet to see the somewhat rare Billion Dollar Brain) and I thought it was a good film, certainly worthy of at least a 6.5 rating on IMDB. I know fans of the vintage 60s were somewhat opposed to this even being made, because it was obviously not going to be as good as The Ipcress File.

And it's not. The Ipcress File is still the best of Harry Palmer, but I thought this was the second best of the series. I found Funeral in Berlin to be mind-numbingly tedious, and Midnight in St. Petersburg didn't quite live up to this one.

First thing, I'm going to address a few issues regarding plot holes or continuity. Make no mistake, this is one of those films you'll probably have to watch twice or even three times to fully comprehend all that's going on. You have to concentrate on it, you can't watch it and talk on the phone at the same time. So most plot holes are probably down to something the viewer missed (I certainly thought that the first time I watched it).

This certainly isn't vintage Palmer, and I give it credit for not trying to be. Palmer is on the verge of retirement anyway, and so he's not going to be as quick or sharp as he once was (at least they didn't try and pretend he was still young!). Even so, he's still somewhat quick-witted and amusing, the milk in the tea joke being my favourite. He doesn't run from danger, something present in all the movies, even when he's being followed by the mafia, he's fairly daring once he's got away from them.

As for the film itself, it's very fast-moving and fluid. There are a LOT of twists and turns in the plot, but I like the fact that's it's all within the time limit of the train arriving in Beijing, who's going to make it there etc. The trouble with something like the Ipcress File was the amount of free time Palmer had, and so it would sometimes seemingly stand still, whereas the train journey here gave it an edge.

That's my humble opinion anyway, maybe I'm just uncultured. This certainly doesn't have the class of the 60s, but it makes up for it with the action, humour and plot-twists.

8.5/10

Incidentally, if you can get hold of it, there's a special edition DVD where Sue Lloyd has a slightly bigger role than a voice on the telephone.

Having heard mixed reviews about this and it's follow up, which almost made Caine retire, I have to say it's better than I was expecting. True there are a lot of shady characters, Connery, Sara , Kwouk etc, but I think this leads to the thrill of the movie. However, it does look like a TV movie and the true bad guy hardly makes an appearance. Decent movie, nothing more.

Michael Caine reprises his portrayal of the Len Deighton character "Harry Palmer" in this rather cheap and cheerful cold-war thriller. This time he joins forces with the handsome, but lightweight, Jason Connery ("Nick") as they work for the enigmatic "Alex" (an unlikely Russian Michael Gambon) to thwart a deadly plan to release a virus that has been pinched by some North Koreans. A few other familiar faces try their best to pep this along, but it's really just an amalgam of themes that is well past it's sell by date. Caine is there, but he isn't - maybe another swimming pool? The dialogue is really pretty pedestrian (though the "we're all getting a bit too old for this" byline does raise a smile now and again). It's got plenty of stylish location photography and the action scenes - of which there is a distinct paucity - are quite good fun when we get them. Otherwise, it's a mediocre television movie that I found placed the "Palmer' character in a series of fish-out-of-water scenarios that rather undermined the charm and novelty of his earlier outings. Caine can carry a film, his sheer weight of personality does that here - but this is certainly nobody's finest work.