Caretaker
- Episode aired Jan 16, 1995
- TV-PG
- 1h 31m
IMDb RATING
7.4/10
4.6K
YOUR RATING
While pursuing the trail of Maquis rebels, a newly commissioned Starfleet ship gets pulled to the far side of the galaxy.While pursuing the trail of Maquis rebels, a newly commissioned Starfleet ship gets pulled to the far side of the galaxy.While pursuing the trail of Maquis rebels, a newly commissioned Starfleet ship gets pulled to the far side of the galaxy.
Roxann Dawson
- B'Elanna Torres
- (as Roxann Biggs-Dawson)
Featured reviews
With Deep Space Nine established. The Next Generation coming to an end and about to hit the big cinema screens.
Star Trek bosses needed another replacement show. This time with a female captain and a ship's crew that were at odds with each other.
Voyager was the answer and it would be set in a different part of the galaxy.
A Maquis ship hits a strange wave and disappears inside a plasma storm in the Badlands. The Starship Voyager led by Captain Janeway (Kate Mulgrew) leads the search. Inside the Maquis ship was a Federation undercover agent.
However they too are whisked away by the strange wave. Stranded in the Delta Quadrant, over 70 light years from home. Captain Janeway has to unite with Maquis captain, Chakotay (Robert Beltran) to find out just who this mysterious caretaker is. Why has he brought them here and can he send them back home?
Although different and for the time with some cutting CGI. The first half of Caretaker is intriguing and involving. The second half is pretty standard fare as the crew have to deal with the Kazon.
There is enough here to make Voyager watchable but also signs that this version of Star Trek is not going to be as radical as promised. There was something bland about it all and this was not a strong pilot episode.
Star Trek bosses needed another replacement show. This time with a female captain and a ship's crew that were at odds with each other.
Voyager was the answer and it would be set in a different part of the galaxy.
A Maquis ship hits a strange wave and disappears inside a plasma storm in the Badlands. The Starship Voyager led by Captain Janeway (Kate Mulgrew) leads the search. Inside the Maquis ship was a Federation undercover agent.
However they too are whisked away by the strange wave. Stranded in the Delta Quadrant, over 70 light years from home. Captain Janeway has to unite with Maquis captain, Chakotay (Robert Beltran) to find out just who this mysterious caretaker is. Why has he brought them here and can he send them back home?
Although different and for the time with some cutting CGI. The first half of Caretaker is intriguing and involving. The second half is pretty standard fare as the crew have to deal with the Kazon.
There is enough here to make Voyager watchable but also signs that this version of Star Trek is not going to be as radical as promised. There was something bland about it all and this was not a strong pilot episode.
10tom992
Being hurled away 75000 light-years from home... I mean, what a great way to start a new show. I grew up with the 90s trek and voyager is still my favorite. This pilot episode is certainly not dull, it sets the tone like no other trek show has done before. The adventure awaits!
January 1995 Star Trek Voyager the first of the series with a Female Captain in the lead role. The anticipation for all Trek fans was incredible and Kate Mulgrew did extremely well and even excelled in the role of Captain Kathryn Janeway.
The first episode Caretaker set the series on it's path of a long, but very exciting Voyage home!
The first episode Caretaker set the series on it's path of a long, but very exciting Voyage home!
The crew of the USS Voyager find themselves trapped in the delta quadrant.
This is an enjoyable start to the show that sets the scene well.
'The Caretaker' uses its extended running time to introduce characters, send them on an adventure, explore themes and set the premise for the show. All of this it does competently.
Captain Janeway has a strong introduction from Katie Mulgrew, who nails an imposing Katherine Hepburn persona. She looks and sounds the part of a dependable commanding officer and has the charisma to lead the show.
All the Marquis characters are written cleverly into the ensemble, with Roxann Dawson standing out for me as the fiery Klingon B'Lanna Torres. Likewise Neelix and Kes are nicely worked into the setup.
Robert Picardo makes a good first impression as someone who will entertain on a regular basis from the inspired concept of his emergency holographic doctor.
As with many first episodes of TV shows, some of the exposition dumps feel quite forced to introduce characters and situations. None more so than Tom Paris. Robert Duncan McNeill does his best with dialogue that feels quite manufactured, and, for me, depicts a character merely trying to sound like badass.
What happens is mostly very good. There is plenty of excitement, drama and intrigue. Although when the big mystery the is revealed it comes from a fairly standard scene of verbal explanation. That being said it tackles some interesting subjects like playing God and the welfare state in typical Star Trek fashion. What the writers were thinking with the hillbilly scenes though, escapes me!
Visually it showcases great spectacle, particularly the space sequences and includes strong art design such as the planet's subterranean complex.
For me it is a 7.5/10 but I round upwards.
This is an enjoyable start to the show that sets the scene well.
'The Caretaker' uses its extended running time to introduce characters, send them on an adventure, explore themes and set the premise for the show. All of this it does competently.
Captain Janeway has a strong introduction from Katie Mulgrew, who nails an imposing Katherine Hepburn persona. She looks and sounds the part of a dependable commanding officer and has the charisma to lead the show.
All the Marquis characters are written cleverly into the ensemble, with Roxann Dawson standing out for me as the fiery Klingon B'Lanna Torres. Likewise Neelix and Kes are nicely worked into the setup.
Robert Picardo makes a good first impression as someone who will entertain on a regular basis from the inspired concept of his emergency holographic doctor.
As with many first episodes of TV shows, some of the exposition dumps feel quite forced to introduce characters and situations. None more so than Tom Paris. Robert Duncan McNeill does his best with dialogue that feels quite manufactured, and, for me, depicts a character merely trying to sound like badass.
What happens is mostly very good. There is plenty of excitement, drama and intrigue. Although when the big mystery the is revealed it comes from a fairly standard scene of verbal explanation. That being said it tackles some interesting subjects like playing God and the welfare state in typical Star Trek fashion. What the writers were thinking with the hillbilly scenes though, escapes me!
Visually it showcases great spectacle, particularly the space sequences and includes strong art design such as the planet's subterranean complex.
For me it is a 7.5/10 but I round upwards.
This is a two-part pilot episode to introduce this new Star Trek series. And, to pass on the baton, so to speak, the show begins on Deep Space 9.
It's difficult to judge any series based on its pilot episode. The show spends a lot of time introducing characters, dumping LOTS of back story onto the audience as well as forming the characters. As a result, the folks on this particular episode are a bit wooden and difficult to believe. For example, Mr. Neelix is much, much more talkative and annoying in this one--and fortunately, over time the show smoothed these rough edges.
As for the plot, it's only okay. The show begins with the Maquis and Federation battling each other. But, due to a strange array on the opposite side of the galaxy, they are pulled many thousand light- years away. Now both a Maquis and Federation ship must work together to somehow try to make it back home. Why they were brought there and how they'll get back is pretty much the focus of the show- -as well as the series.
It's difficult to judge any series based on its pilot episode. The show spends a lot of time introducing characters, dumping LOTS of back story onto the audience as well as forming the characters. As a result, the folks on this particular episode are a bit wooden and difficult to believe. For example, Mr. Neelix is much, much more talkative and annoying in this one--and fortunately, over time the show smoothed these rough edges.
As for the plot, it's only okay. The show begins with the Maquis and Federation battling each other. But, due to a strange array on the opposite side of the galaxy, they are pulled many thousand light- years away. Now both a Maquis and Federation ship must work together to somehow try to make it back home. Why they were brought there and how they'll get back is pretty much the focus of the show- -as well as the series.
Did you know
- TriviaThe first scene to be shot was the "tomato soup" scene with Paris and Kim.
- GoofsWhen we first see the shuttle carrying Tom Paris, the registry number is 71325. In the second shot of the same shuttle, the registry number is 1701-D, indicating it belongs to the Enterprise. In the final shot, when the shuttle is flying over the saucer section of Voyager, it has returned to 71325.
- Quotes
Captain Kathryn Janeway: Gentlemen, welcome aboard Voyager.
Harry Kim: Thank you, sir!
Captain Kathryn Janeway: Mr. Kim... at ease, before you sprain something.
- Alternate versionsReaired in syndication and in UPN repeats as a two-part episode with a commercial break added after the opening credits.
- ConnectionsFeatured in Troldspejlet: Episode #17.13 (1997)
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Star Trek: Voyager - Der Fürsorger
- Filming locations
- Los Angeles Convention Center - 1201 S. Figueroa Street, Downtown, Los Angeles, California, USA(underground Ocampa city)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 4:3
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