The Arrival

This is a cool film. Very solid story, good performances, catchy SFX. Better than most sci-fi out there.

It's not often you can say a Charlie Sheen release is ahead of the curve but this movie, which deals in satellite dishes pointing at space, alien invasion, and conspiracy, was a year before the likes of Contact and Men in Black. It even beat Independence Day to the theatres by about a month. It of course didn't become as successful as any of those movies but, it has some smart ideas which play out well. It has the look and feel of an X-Files episode with a huge budget and really wouldn't feel out of place within the universe of Mulder and Scully. Sure, the special effects look very 90's now, and the story perhaps could use a little work. Sheen, however, puts in a strong performance in what was one of his final big-screen outings before descending into straight to video releases. A sequel appeared a couple of years later without Sheen and his character killed off, It's a shame because this could have become a series of movies, all with Charlie onboard, had things just gone a little differently.

A film made for me. The theme is for my taste, sf mystery, strange things happen, at first there is no explanation or meaning, but as the plot progresses it will slowly reveal more and more. It looks like one of the episodes of The X-Files, and I adore that series. The technology was a bit backward at the time, but it's understandable because it's a movie from the nineties. Unfortunately, my impression is spoiled by some supporting characters and their destinies as well as the end of the film. The last third of the film is the weakest part because I don't like the way it all unfolded. Too bad because the start was promising and Charlie Sheen did a really good job in the lead role.

After reading some of the negative reviews here I almost didn't watch it. Glad I watched. As one reviewer said, it's a bit like an extended X-files episode. That's not a bad thing, especially today when most of what passes for sci-fi is little more than cowboys in space with both sides shooting at each other with "advanced" weapons that cannot hit the side of a barn.

The Premise here is aliens are on earth and using Climate change as cover for their plot to warm up the earth quickly (they like it hot) so they can displace us.

No need to detail all that happens, suffice it to say there are a few minor twists but no real surprises. Yet it flows along well, characters get just the amount of development they need and no more. No huge plot holes once you accept the premises that underlay the aliens being here in the first place.

I was a late getting to the theater to see 'The Arrival'. Then I had to go through the concession stand crowd. When I finally reached the theater -the screen was engrossed by a huge satellite disk and there was some guy talking. "Damn," I thought. "I just missed the start of the movie." It wasn't three seconds after that realization that I had another one. "This isn't the movie." It was a commercial for one of the large multi-billion dollar phone companies. Talk about false scares.

Some people have called 'The Arrival' a thinking man's science fiction movie. While the jury is still out on that, I will say it's not stupid either. It is however one more of those 'one man saves the world' flicks. Which are never terribly realistic, but on their own terms, entertain. Charlie Sheen plays Zane Zaminski. A smart, but soon-to-be paranoid astrophysicist who has the slithery Godian (Ron Silver) for a boss. One day watching the satellites some anomaly passes his screen. Suddenly the search is on. What was it? WHO was it? Not letting the subject go gets him fired from his job and deeper and deeper he journeys into the paranoia.

The Arrival is one part use your mind, two parts conspiracy theory. As Zane takes it upon himself to get to the bottom of things and find out who's involved and to what lengths they'll go to suppress everything. Soon we start to see elements straight out of the X Files. The story has it's own set of implausibilities, but things move at such a pace that there isn't much time to question them. Zane knows something is going on and the deeper he digs the more we find out. It's all about the ride. Could one man really stop such things from happening? Probably not, but that doesn't stop 'The Arrival' from being a fun time.