Beautiful Thing

A film about the gay working class runs the risk of portraying two sets of stereotypes. But 'Beautiful Thing', Hettie MacDonald's sweet little movie, is lifted above mere cliché through the quirky humanity of its characters, and the atmospheric cinematography of the ugly-beautiful London overspill estate of Thamesmead. Unlike many "gay" films, it manages to display sympathy for its characters without becoming unduly celebratory (a tone that rarely makes for good cinema). In fact, it has something of the feel of a Mike Leigh film, although it's a lower key affair than most of Leigh's movies: a little less intense, a little less depressing, and a just little less funny. But that is, of course, to judge it against the highest of standards. In it's own right, it's a modest, but distinctive and highly likable film.

A wonderful story of gay teenagers that is ideal for parents to show their children; so that they understand that gay people may be different, but not bad. Faithful to the play, great music score and gives a real feeling of English tenements.

Never have I seen such a simple film that was so satisfying. The screenwriter dealt with the issue of homosexuality among teenagers in a realistic and smart manner. Every time the film becomes a little too dramatic, the director has something funny happen to lighten the atmosphere, which makes for a sweet and touching film. Also, all the characters are complex, so that bad characters do good things and good characters do bad things. Nobody is perfect and nobody is all bad, which makes the film even more realistic. It's similar to the more recent Get Real, but Beautiful Thing is definitely better. This is without a doubt my favorite gay film. Only the British can make a film this good!

This film is about two teenagers in a deprived neighbourhood coming out and falling for each other.

Character development is excellent in the movie. The impoverished neighbourhood and the rough people are shown right from the beginning. Ste is an abused teenager, and the mere sight of him evokes sympathy. Jamie's courage and insistence on Ste is to be admired. This film tells the fear and confusion of coming out. A particularly memorable scene is when Ste cries in next to Sandra in her apartment. He cries with his face turned away from Sandra, with his hands covering one side of his face. To me, it is such a powerful scene, because it sums up all the confusion, shame, fear and hurt Ste must have felt in his premature involuntary coming out. The film is warm and affecting. I am glad about the happy ending, which is much needed to bring gay teenagers hope and comfort.

Once again, I am overwhelmed by the excellence of British film-making & acting. I truly bow to the British honing of the craft of acting, which is brilliantly presented in this film. Storyline aside, the acting of the mother "Sandra" is superb; you feel every emotion on her face as she struggles to make a better life for herself and her son, as well as accept her son's growing awareness of his own sexuality. Remarkably, she is my favourite character in this film, notwithstanding the performances of the 2 boys, who are superb. The boyfriend, Tony, is also wonderful as a supporting character. My favourite scenes are actually sequential: first, the shot of Sandra following the boys in a cab, as the shock & turmoil of her emotions is beautifully portrayed during this scene; second, the followup scene with the boys in the park, probably, for me, the most wonderfully innocent, beautiful and intimate scene in the film. I'm probably being silly; every scene in this beautiful film is a treasure and at triumph, for anyone who's ever been in love. I know I will treasure this film always.