Brassed Off

I have seen Brassed Off many times, I do in fact own it, and every time I watch it it never fails to move me. There are certain moments that stick out to me as either breath taking or harrowing.

1) That famous 'Concierto d'Aranguez' scene. The first time I saw this scene it took my breath away, literally. When used well music can move you in a way words can't. The juxtaposing of this piece of music against the union's meeting is one of them. I haven't been this moved by a piece of music with actions since then apart from the Roxan sequence in Moulin Rouge.

2) The scene where Phil loses it when playing Mr Chuckles I actually can't sit through. I have to fast forward because the emotion the Stephen Tompkinson manages to portray is so strong it's painful to watch.

Through all of this though I think my favorite scene, the aforementioned 1) excluded, is when they compete in all 14 tournaments and get completely rat arsed. The sight of these brilliant musicians trying to continue playing when they can't see straight, stop laughing, or keep their instruments in one piece is one of the most honest, amusing and humble moments in a film in recent years. there is no flashy camera work, no deeper meaning, just something that says exactly who these people are. Ordinary human beings, not super-heros, and just trying to live life whilst having fun in difficult circumstances. And you really can't play wind instruments drunk, I've tried.

The film is not perfect. It is a bit preachy, especially the end. And McGregor's accent, although he plays the part beautifully, does slip at time, especially in his longer speeches. But the humanity of the film and it's charm out way all of it's faults.

'Brassed Off' came at just the right time for British politics, just as the death knell for the Conservative Party as the main political force sounded; the story fictionalises the troubles of the real-life Grimethorpe Colliery Band (who you hear playing the great brass band tunes throughout).

There are pit closures all over Yorkshire, and 'Grimley' Band has one last chance to triumph in the various band contests to end up playing at the Royal Albert Hall. This being drama of course the path to victory isn't a smooth one - there is bankruptcy, illness, broken marriages, and a clash with the new executive power (represented by Tara Fitzgerald, also taking a place in the band for her father). Romantic interest for Tara is present in cute Ewan McGregor - an unusually quiet role for him.

Say what you like about the way this film portrays the North of England, there is no denying the power of the final sequences as the triumph of 'William Tell' turns into Postlethwaite's power rant against the Government and into the trip home's 'Land of Hope and Bloody Glory'. It really couldn't have been done better.

Director is Mark Herman but the movie themes remind Ken Loach and its stories about people losing jobs but keeping their dignity... Basically everything is inspired by events that really took place over Margaret Thatcher Government (when the film is set). Miners living in a Yorkshire small town (Grimley), when laid off, try to continue the activity of their band, though sadness due to economic repression is a real threat to it. But Ewan McGregor and Pete Postlewait (who on earth might forget him after "In the name of the father"?) are really powerful, two thumbs up. Altogether I really appreciated the way this film tells of fight for self-respect and courage.

I just want to correct a couple of things that the previous reviewer makes about the film.

Firstly, from a musical point of view, Gloria does not enter the Grimley bandroom with an obligato cornet, it's a flugelhorn.

The fact that a woman has entered the band room is important. For a long time, the brass band was the domain of men. Women weren't allowed to play in the bands and indeed, this is still the case today in two of the biggest names in the banding world.

Underpinning all this is the fact that the film is (at least) semi-biographical. The events unfolding in the film mirror in no small way the same events which befell the Grimethorpe pit in 1992, and impacted on the world-famous Grimethorpe Colliery band. Thatcher's Britain did result in the pit closing down, and threatened the band's future. The band did take the stage at the National Final, and so the reason that the band don't turn professional is because there is no room in the banding movement for a professional band.

For a point of information, there are 4 basses in a Brass Band, 2 Eb and 2 Bb (not 2 or 3). Oh yes, and bandsmen most certainly do carry there instruments through the street without a case, especially bass players.

On a slightly different point, Phil does not have a gambling habit. He is still paying off the loan that he took out in 1982 to cover the loss of earnings because "suspended I were. 18 b****** months it took that lot to sort it out. 18 b***** months on strike pay. That's how big a f***** deal it is mate."

You don't have to be a fan of brass bands to enjoy "Brassed Off", but it couldn't hurt. The music is a central focus of the film, but not as a compromise to the story of a town in turmoil. Coal mines being shut down in the name of progress puts many men out of work which naturally also jeopardizes the existence of the colliery band. The music combined with brilliant storytelling (and editing) is merely a platform for some superb acting, particularly from Pete Postlethwaite.

Having lived all my life in a large metropolitan city, I cannot relate first hand to the plight of a small town community. Despite that, I found the story intriguing even though it may seem the outcome is somewhat predictable.

Having just purchased the DVD, I found the brief write-up on the box to be way off the mark. It touts this film as some kind of romantic and hilarious comedy, never once even grazing past the real subject matter of the film. This is another perfect example of the continued miscalculated promotion of a truly well crafted film that "Muriel's Wedding" also fell victim to. I'm not sure what the promoters were thinking, but if you set someone up for a hilarious romantic comedy and what they receive is a thoughtful serious and sometimes depressing film, are they going to be happy just the same? There are graciously some light moments and humourous turns in this otherwise sombre subject matter, but this film doesn't have a happy ending. But it sure does have a moving one. Postlethwaite's performance hits you in an unexpected way and you'd have to have a heart of stone to not be moved by it.

Any success that the film enjoys now that's it's strictly on video, is likely to come from very strong word of mouth. I had been told how good it was and enjoyed it immensely. Now that I've seen it twice, and thus been twice moved, I wait for a reasonable time to pass so that I may watch and enjoy it again as I am bound to do.