The Truth About Cats & Dogs

A modern retelling of the Cyrano de Bergerac tale, except the genders are reversed. Janeane Garafalo is a veterinarian on a radio talk show who gives on-air advice to pet owners. However, she has a poor self-image about her looks, and cocoons herself away from possible relationships, in an effort to shield herself from inevitable disappointment and hurt.

If the movie has one weakness, it's the fact that Garafalo is cast as an ugly duckling. No way, folks; this woman is beautiful. Depending on whether one prefers petite brunettes or tall blondes, you may think she's even cuter than co-star Uma Thurman.

Both Garafalo and Thurman are splendid, and play off each other well in their awkward friendship/romantic rivalry situation. Thurman's ditsy wanna-be actress is very sympathetic; Garafalo's intellectual but emotionally guarded Dr. Abby at times is heartbreaking. Ben Chaplin as Brian, the object of their affections, turns in a good performance of his own. One scene where two of these actors interact with eyes only--no dialogue for at least 30 sec.--is extremely powerful.

Funny bits pop up at strategic moments. The banter between Abby and Brian is like a one-liner ping-pong match; their spontaneous wit is fun to ride along with (almost like a Neil Simon play). Brian's dog is one of the best animals in a flick that I've seen in a while, he did comedy as well as his human counterparts.

A good movie worth spending an evening on, especially as a date flick.

If it doesn't irk you when a plot hinges on inexplicable errors made by supposedly intelligent characters, then you may not be annoyed by 'The Truth About Cats and Dogs,' a romantic comedy starring Janeane Garofalo as Abby, a supposedly intelligent, supposedly insightful, and supposedly unattractive veterinarian who hosts a radio call-in show.

A shy photographer (Brian or Eric or something) calls in to the show having trouble with a large dog he's mounted on roller skates for a shoot. Oh, he's so cuuuute!!! Our heroine is in a tizzy. They make a date, but too insecure to face him herself, Abby sends her neighbor, Uma Thurman. How this plan is supposed to work to Abby's advantage, I can't say. Time after time Abby and Uma pass up opportunities to straighten out the confusion. It's a good thing too, because that gives them time to learn a valuable lesson about looks and love, which is: Nice guys don't care about looks. Uh huh.

But audiences do, saith the producers. Thus we have the famously fabulous Thurman cast against girl-next-door Garofalo, who is no slouch in the looks department. So, as Abby, she is frumped up from the start in dowdy, fat-girl clothes and flat hair. It's the oldest trick in pictures. As the credits slowly approach, Abby magically acquires better clothes, a more flattering hairstyle, and a makeup job that gives her lush lips and discernible cheekbones. I guess looks still count for something.

Without a doubt, my favorite play ever written is CYRANO DE BERGERAC, by Edmund Rostand. People can tell me it's sentimental and mawkish, but I don't care; I absolutely love it. I've seen, I think, most, if not every, movie which has been inspired by it, from the 1950 version by Jose Ferrer(the movie is stagy and changes the play, but he's wonderful), to ROXANNE in 1987, Steve Martin's wonderful re-working of the play as romantic comedy, and best of all, the 1990 version starring Gerard Depardieu(how appropriate France's greatest actor should appear in it giving his best performance). Now comes this movie, which is inspired by it(as I understand it, writer Audrey Wells is a big fan as well) rather than being an outright remake of it, but it's still quite good.

Admittedly, it all hangs on a rather thin premise; that Brian(Ben Chaplin) is unable to tell the voices of Abby(Janeane Garofalo) and Noelle(Uma Thurman) apart. But romantic comedies have had more outrageous concepts before, and no one complained about how realistic they were(like RUNAWAY BRIDE; does anyone believe that one?). And by switching genders, it's able to talk about how women are forced to conform to an impossible ideal of beauty. And yet, at the same time, the message comes through comedy, so you're not being hit over the head.

Also, the performers are quite engaging. It goes without saying Janeane Garofalo is terrific in her first lead role. She's funny, as could be expected, but as she's had to fight the impossible ideal of beauty much of her career, you can sense something personal for her, and she brings that out without getting mawkish. Uma Thurman sends up the "dumb blonde" role without condescending to her. Plus, we like Noelle for the same reason we like Christian in the original; she's actually smarter about love than Abby is(when she says of Brian, "Plus, he's got this one, tiny little fault. He loves you."). Chaplin of course has the object of desire role, which is tough to play, but he brings humor and intelligence to it. And, of course, the dog is great.

"The Truth About Cats and Dogs" may be a charming and (rare these days) profanity free comedy, but it reveals some unpleasant truths about Hollywood and maybe American society as a whole. Janeane Garofolo plays a veterinarian who dispenses advice about pets on a radio talk show. One male caller is so taken with her voice and personality that he asks her for a physical description and a meeting. Insecure about her looks, the petite brunette describes herself as a tall blonde, and when her admirer appears at the radio station, he is introduced to Uma Thurman, a tall blonde, who agrees to trade places with Garofolo. The message of this film is that the beauty within is more important than physical attractiveness, but the other unintended message is that physical beauty is not in the eye of the beholder but determined by how closely one resembles the seemingly bulimic fashion models plastered on magazine covers. Uma Thurman is a perfect match which is the same as saying she is, in Hollywood's eyes, perfect. I couldn't disagree more. Thurman is a bag of bones and, to my eyes, not at all attractive. Garofolo, who at one point in the film is called "ugly," is, in fact, the woman with the most appeal, physically and in terms of personality. She makes this movie worth remembering.

This film is an absolute gem, showcasing the incredible talents of Janeane Garofalo and highlighting the physical beauty of Uma Thurman (and Ben Chaplin). It is an incredibly well crafted and well-written film due to the efforts of director Michael Lehmann and author Audrey Wells. If there were ever any doubts as to the acting ability of Ms Garofalo this film will put them to rest. There are scenes in which she is positively luminescent as the 'voice on the radio' – Dr Abby Barnes. This film was to be a star vehicle for Uma Thurman: she has top billing both in the opening title sequence and in the closing credits. She also has the personal assistant, personal makeup and hair and even a personal acting coach! But she has worked on just 12 films since 'Cats and Dogs' was released and Ms Garofalo has completed 39! Janeane steals the show (again)! The story is derivative: Basically it is the Cyrano story; however, it is given new life and freshness by the appealing characters and plot twists. I must admit that I am a bit tired of Janeane Garofalo playing the 'ugly' girl roles. She is far from ugly and really should be playing the romantic characters more often. This really is an outstanding film – the scenes with 'Hank' steal the show and the late-night telephone conversation between Abby and Brian should not to be missed.