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The Truth About Cats & Dogs

  • 1996
  • PG-13
  • 1h 37m
IMDb RATING
6.3/10
30K
YOUR RATING
Uma Thurman, Janeane Garofalo, and Ben Chaplin in The Truth About Cats & Dogs (1996)
Home Video Trailer from 20th Century Fox Home Entertainment
Play trailer2:00
1 Video
37 Photos
Romantic ComedyComedyRomance

A successful veterinarian and radio show host with low self-esteem asks her model friend to impersonate her when a handsome man wants to see her.A successful veterinarian and radio show host with low self-esteem asks her model friend to impersonate her when a handsome man wants to see her.A successful veterinarian and radio show host with low self-esteem asks her model friend to impersonate her when a handsome man wants to see her.

  • Director
    • Michael Lehmann
  • Writer
    • Audrey Wells
  • Stars
    • Uma Thurman
    • Janeane Garofalo
    • Ben Chaplin
  • See production info at IMDbPro
  • IMDb RATING
    6.3/10
    30K
    YOUR RATING
    • Director
      • Michael Lehmann
    • Writer
      • Audrey Wells
    • Stars
      • Uma Thurman
      • Janeane Garofalo
      • Ben Chaplin
    • 114User reviews
    • 40Critic reviews
    • 64Metascore
  • See production info at IMDbPro
    • Awards
      • 2 nominations total

    Videos1

    The Truth About Cats and Dogs
    Trailer 2:00
    The Truth About Cats and Dogs

    Photos37

    View Poster
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    + 31
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    Top cast29

    Edit
    Uma Thurman
    Uma Thurman
    • Noelle
    Janeane Garofalo
    Janeane Garofalo
    • Abby
    Ben Chaplin
    Ben Chaplin
    • Brian
    Jamie Foxx
    Jamie Foxx
    • Ed
    James McCaffrey
    James McCaffrey
    • Roy
    Richard Coca
    Richard Coca
    • Eric
    Stanley DeSantis
    Stanley DeSantis
    • Mario
    Antoinette Valente
    Antoinette Valente
    • Susan
    Mitch Rouse
    Mitch Rouse
    • Bee Man
    La Tanya M. Fisher
    • Emily
    Faryn Einhorn
    • Child Model
    David Cross
    David Cross
    • Voice of Male Radio Caller…
    Mary Lynn Rajskub
    Mary Lynn Rajskub
    • Female Radio Caller
    • (voice)
    Bob Odenkirk
    Bob Odenkirk
    • Bookstore Man
    Dechen Thurman
    Dechen Thurman
    • Bookstore Cashier
    Victoria Edwards
    • Mother
    Lisa Marie Russell
    • Saleswoman
    Robert Brinkmann
    • Irate Director
    • Director
      • Michael Lehmann
    • Writer
      • Audrey Wells
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews114

    6.329.8K
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    Featured reviews

    9SKG-2

    Charming and moving

    Without a doubt, my favorite play ever written is CYRANO DE BERGERAC, by Edmund Rostand. People can tell me it's sentimental and mawkish, but I don't care; I absolutely love it. I've seen, I think, most, if not every, movie which has been inspired by it, from the 1950 version by Jose Ferrer(the movie is stagy and changes the play, but he's wonderful), to ROXANNE in 1987, Steve Martin's wonderful re-working of the play as romantic comedy, and best of all, the 1990 version starring Gerard Depardieu(how appropriate France's greatest actor should appear in it giving his best performance). Now comes this movie, which is inspired by it(as I understand it, writer Audrey Wells is a big fan as well) rather than being an outright remake of it, but it's still quite good.

    Admittedly, it all hangs on a rather thin premise; that Brian(Ben Chaplin) is unable to tell the voices of Abby(Janeane Garofalo) and Noelle(Uma Thurman) apart. But romantic comedies have had more outrageous concepts before, and no one complained about how realistic they were(like RUNAWAY BRIDE; does anyone believe that one?). And by switching genders, it's able to talk about how women are forced to conform to an impossible ideal of beauty. And yet, at the same time, the message comes through comedy, so you're not being hit over the head.

    Also, the performers are quite engaging. It goes without saying Janeane Garofalo is terrific in her first lead role. She's funny, as could be expected, but as she's had to fight the impossible ideal of beauty much of her career, you can sense something personal for her, and she brings that out without getting mawkish. Uma Thurman sends up the "dumb blonde" role without condescending to her. Plus, we like Noelle for the same reason we like Christian in the original; she's actually smarter about love than Abby is(when she says of Brian, "Plus, he's got this one, tiny little fault. He loves you."). Chaplin of course has the object of desire role, which is tough to play, but he brings humor and intelligence to it. And, of course, the dog is great.
    7Galina_movie_fan

    Truth Must Be Told: I like this romantic comedy that echoes "Syrano de Bergerac".

    Janeane Garofalo stars as Abby, a veterinarian who has her own radio show. She is a cultured, educated woman, who is smart, has a good sense of humor and makes a great living. The problem is that her self-esteem is low because she does not find herself attractive being 5'1 brunette who once upon a time while in college had gained 40 pounds. Well, she looked like she lost all of them and she was charming if you ask me (perhaps, it is solidarity of another 5'0 brunette ) but when she developed a relationship over the phone with one of the callers, she tells him that she is 5'10" statuesque blonde who is hard to miss. The blonde (Uma Thurman) happened to be her next-door neighbor, the aspiring model/actress who agrees to go on the date instead of Abby... It may sound like cliché, and the film has several holes in the plot but is very enjoyable thanks to wonderful performance by Janeane and to these words:

    "You know how someone's appearance can change the longer you know them? How a really attractive person, if you don't like them, can become more and more ugly; whereas someone you might not have even have noticed... that you wouldn't look at more than once, if you love them, can become the most beautiful thing you've ever seen. All you want to do is be near them."

    7/10
    9drkjedi1-2

    I'm impressed by the comments here.

    This is a lovely, funny and well done romantic comedy. I have to admit I am impressed by the folks who continue to say they felt JG was too pretty to be Abby and that it just didn't ring true to them because of that fact. Well I'm here to tell you folks that this movie is closer to the truth than you realize. One of the things that DOES make this film soo good is that Abby is truly a lovely woman but is surrounded by main stream media and what it says beauty is, namely, Noelle, played admirably by Uma Thurman. Yes Abby is a beautiful woman, but as a woman who looks nothing like all the adds on TV or magazines like JG it is easy to see why she would think she isn't. And honestly I know way too many men who would pass her by in favor of the Noelles of this world. I have a beautiful friend who is very similar to JG and she has had the same problems Abby has in this movie because of perceived images of beauty. THAT is the message this film is trying to make that Abby is beautiful and the media has put too much emphasis on stereotypes. No I don't think they should have hired an UGLIER actress that is simply ridiculous, the film was not about an ugly woman but a beautiful woman who has fallen into the trap of "THINKING" she is unattractive! Watch the movie again folks, you'll see what I mean.
    Chrysanthepop

    The Truth About This Movie

    I tend to dislike most of the serious romantic movies like 'Titanic' etc. They're just not my kind to be honest. Love many of the classics like 'Sabrina'. I would have enjoyed 'The Truth About Cats & Dogs' a lot more if there was a little more comedy to it. It's an okay (and forgettable) movie with some decent performances and a few good moments but at some point it seems to drag. Perhaps a little editing would have helped. On the one hand I can understand why Jeanine Garofalo is cast as the 'ugly' girl (she looks far from ugly) but, in my humble opinion, she's not portrayed as an 'ugly' girl but rather as a woman who thinks of herself as unattractive. Yet, I thought that the Lehman really went a little too far, at times, by focusing on her 'ugliness' e.g. by showing people on the street calling ugly at her character. In contrast, Uma Thurman looks a lot less attractive than usual and she's portrayed as the 'hot' one. To an extent 'Lehman' does succeed in showing the stereotypical beauty that's created by the media (Thurman's character) and what would be considered as less attractive (Garofalo's character). Garofalo is very likable. Her on screen personality here does not differ much from her other roles but she succeeds in what she set out to do. Thurman is a little over the top at times but otherwise makes a great comparison to her female co-star. The two actresses share a very warm chemistry. Ben Chaplin is quite alright and fortunately he doesn't do the American accent. In a nutshell, it's a average film that could have been better.
    7Meredith-7

    It would never happen- but sweet

    This film is really sweet, even more so if you are an animal lover. The three leads are all perfectly cast, with Janeane Garofalo doing an absolutely excellent job as the radio show vet whose self-conscious about her image. This film really does stretch credibility, but then most romantic comedies tend to due to their very nature. The dog has to be one of the cutest I have seen in a film- probably because he is a real dog rather than the little dogs that many comedies seem to favor. A very pleasant way to spend 90 minutes.

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    Related interests

    Meg Ryan and Billy Crystal in When Harry Met Sally... (1989)
    Romantic Comedy
    Will Ferrell in Anchorman: The Legend of Ron Burgundy (2004)
    Comedy
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Janeane Garofalo, a shade over five feet tall, sometimes had to stand on a box just to be in the same frame with 6-foot co-star Uma Thurman.
    • Goofs
      When Brian is taking photographs of Abby, he switches from a tripod-mounted camera to a hand-held camera. When he does this, he doesn't change the flash to the new camera (The flash hot shoe is shown to have nothing connected.), yet the flash still fires. The flashes in question are studio flash heads powered from a remote pack. They are fired via a PC sync cord which can be clearly seen attached to the PC sync socket on the left hand side of each body.
    • Quotes

      Brian: You know how someone's appearance can change the longer you know them? How a really attractive person, if you don't like them, can become more and more ugly; whereas someone you might not have even have noticed... that you wouldn't look at more than once, if you love them, can become the most beautiful thing you've ever seen. All you want to do is be near them.

    • Crazy credits
      In the opening scene, when Janeane Garofalo is about to get on the elevator, as the credits come to an end, Micheal Lehmann's credit is crushed by the elevator doors.
    • Connections
      Featured in Siskel & Ebert: Celtic Pride/Mystery Science Theater 3000: The Movie/Mrs. Winterbourne/The Substitute/Fear/Sweet Nothing (1996)
    • Soundtracks
      The Bed's Too Big Without You
      Written by Sting

      Performed by Sting and Roger Charlery (as Ranking Roger)

      Produced by Hugh Padgham and Sting

      Courtesy of Epic Records and A&M Records, Inc.

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    FAQ18

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    Details

    Edit
    • Release date
      • April 26, 1996 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Sự thật về chó mèo
    • Filming locations
      • Santa Monica Promenade, Santa Monica, California, USA(Cliffside park scene. Opening and closing sacenes.)
    • Production companies
      • Twentieth Century Fox
      • Noon Attack
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $34,861,807
    • Opening weekend US & Canada
      • $6,769,363
      • Apr 28, 1996
    • Gross worldwide
      • $34,861,807
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 37m(97 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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