Insomnia

Why does Hollywood re-make European films? Because they are so great. And this is no exception. I saw the Pacino version first then searched out this European original. Despite the bad press of the Pacino version, I did enjoy it very much.

However, this version is darker, raw and allows the view to see and feel more. A must see for those who have seen the American take of this film. A must see for those who love well acted European cinema.

I don't wish to recommend which version you should watch first, yes the story is known the second time around, but it is the character differences, how the films were made, and the use of dialogue (or not) that are important... surely. Enjoy.

I was REALLY impressed by 'Insomnia', the directorial debut from Norwegian Erik Skjoldbjaerg. If this movie is any indication of his talents he is one writer/director to watch! I have yet to see Christopher Nolan's Hollywood remake of this movie but I would be extremely surprised if it manages to equal it, let alone top it. (And I absolutely loved 'Memento') At first you think you're going to see something you've seen a hundred times, a mismatched "buddy" cop movie or your standard serial killer mystery, but the movie quickly enters unfamiliar territory and manages to subvert expectations. Apart from Stellan Skarsgard ('Breaking The Waves', 'Ronin') the cast was unknown to me, but they are all first rate, and I couldn't say there was a bad piece of acting throughout. But Skarsgard, a woefully underrated actor, steals the whole show with an utterly brilliant and compelling performance that shows a depth rarely seen by Hollywood actors, especially in thrillers. 'Insomnia' is a fantastic movie that I cannot fault. The less you know about it the better. Whatever you do, SEE this movie! Highly recommended, especially for those sick and tired at how most thrillers made these days are so predictable and formulaic. It doesn't have to be so, and 'Insomnia' proves it!

An excellent psychological drama about a cooly repressed detective unable to own up to causing the accidental death of his partner, at the same time he is persuing an author suspected of killing his young girlfriend. The detective story isn't important here - the detective has no trouble locating the killer, understanding his motives, or "solving" the crime. What is interesting is the detective's inablility to deal with his problems and face life truthfully, metaphorically illustrated by his inability to block out the sunlight and sleep. Stellan Skarsgard gives a very good performance as the detective struggling to keep control of himself and the situation. As he becomes more and more tired, his life and his desires race out of control, and his need to maintain his facade causes him to make decisions that take him to the edge of catastropy.

This film is understated in a way that the 2002 Al Pacino remake missed the boat on. It takes place in Norway, and the director resisted the temptation to show us a travelog of cute Norwegian villages. Most of the action takes place in non-descript rooms, suffused with the cold grey light of the arctic sun. The acting is understated and viewers are left to understand motivations without explicit explanation. The film is engrossing from beginning to end, and I'll never understand why Hollywood feels it needs to try to do better - it rarely can.

Insomnia is a criminal thriller shot in the classic Scandinavian style, a combination we're only seeing rather recently. When a teenaged girl turns up dead in a landfill, a homicide team is sent up from Oslo to back up the local police, who are ill-equipped to handle such a murder owing to its infrequency. Above the Arctic Circle, the lead detective is like a fish out of water - the 24-hour daylight drives him crazy and he is desperate to get out.

The scenes have a cold, bare feel to them, like the shooting locations (Tromsø and environs) and the protagonist/antagonist, Jonas Engstrøm (Stellan Skarsgård). Stark is a good word - but it is effective, and also beautiful. Bjørn Floberg also turns in a solid performance as the prime suspect. I found Skarsgård's female foil (Gisken Armand) a bit cloying but that's not enough to bring the whole film down.

Skarsgård's intensity is impressive and captivating, and the dynamic between his character and the others (he is Swedish, they are Norwegian) helps keep you interested. It's interesting to see how being a murder cop hardens a person - whether that person is Norwegian, Swedish, or American doesn't matter.

I would definitely recommend this film. It's a powerful and beautiful work that deserves to be seen.

I used to love going to the video store because there were always so many films I wanted to see, but as my tastes became more refined, my trips to the video store have become more difficult. It's not easy to find movies who's foundation are based on cinematography and atmosphere, but this movie is just that. This movie is slow and drawn out, and if you need lots of dialogue to keep you interested in a film, this one won't work for you. But if you like eerie scenes with quiet reserved characters and a sound track that is as slow and quiet as the pacing is, then this movie is will be perfect for you. The acting leaves nothing to be desired, the story is well written, the sound track is perfectly mood enhancing, the sets are breath taking, and the cinematography is immaculate. Slow, moody, harsh, and absolutely beautiful. One of the best films I've seen in a long time.