Dry Cleaning

Sad, melancholic, nostalgic and soft.

A film about illusions and impossibility of escape. Description of failure and ambiguous expectation. French flavor and marks from Pasolini, empty universes and slices of love, game without innocence and failure of dreams.

A world, a small world where the work is only real refuge. Where the memories or the projects are shadows of a lost time and a bovaric certitude.

Delicate and tender, subtle and innocent, this film is a pledge for discover the sense of existence. The image of war with the other or with yourself, the fear like basic answer to the movement of time, the questions like skin of interior fog, the presence of temptation in the person of an androgynous teenager, the looks, deceptions or infidelity are elements of ordinary life. For everyone, "The Queens of Night" are key to a second chance, to a form of happiness. But always, the happiness is puzzle of illusions and the old rules are more strong that any form of seduction. In final, the corpse of a gorgeous dream like only "souvenir" of a perverse form of normality.

the idea is far to be now. the performances - decent. in fact, correct use of stereotype who was imposed by Teorema. the young seductive man. the wife remembering Madame Bovary. the husband on the top of solitude. provocative scenes and dialogues. not real surprising end. the only memory after few years after I saw it - the atmosphere. the ambiguous sexuality, the crisis of marriage and the last decision. and nothing more because the film is just occasion to intrigue, seduce and propose an idea who represents part of many couples fear.

To me, a romantically inclined gay man, this was a fascinating but ultimately unfulfilling tale of a `normal' French couple, Nicole and Jean-Marie Kunstler, who have grown unsatisfied with their settled, routine lives. The couple runs a dry cleaning business in an unexciting small French town. Their lives change when they go to a bar with some business associates and encounter Loïc and Marylin, a cross dressing brother/sister act. From the first, the couple is fascinated with the pair but particularly with Loïc, the sexually ambiguous brother, (played to perfection by Stanislas Merhar).

The couple is so enchanted with the pair that they take a weekend to the city where the performers are appearing next. When the sister decides to end the act and run away with her lover, the brother insinuates himself into the couples lives. The young man claims to be, and is by all indications, straight and soon takes the wife as a lover. The husband is also aroused by the boy but denies his attraction. Soon the boy is living in the couple's home and working in the Dry Cleaning shop and is showing a talent for that type of work. He even befriends the couple's child and helps him with homework and takes him skating.

Whether his good work arises from Loïc's desire to repay Jean-Marie or from some innate talent for dry cleaning is unclear. I think that Loïc feels guilty about cuckolding this man who has shown him nothing but kindness, genuinely likes the guy, and is aware of the man's attraction to him. He wants to make amends in any way that he can. Ultimately Loïc offers himself to Jean-Marie physically but is rebuffed.

Whether it's the husband's `homosexual panic' or his actually seeing his wife with Loïc during one of their trysts, Jean-Marie decides that Loïc must go. This leads to the final and I think dissatisfying concluding scenes.

Recently i watched some or many french movies about husband n wife relationship. i really dont understand or what i understand that what the hek is going on with french people? . or maybe its just movies. as movies represent its people too.

A movie about married couple with 2 kids and BOTH very busy with their dry cleaning business. seems normal till they enjoyed much in EXOTIC club. and then another young stud character came in their lives + home. which turns everything upside.

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the thing i dont understand is , a normal French married couple SUDDENLY invite a GIGLO to their business + home + lives after soo many years of marriage. even that young giglo has its own intentions to that couple after being dumped by his own gf. even a husband knows from a start that he WANTS and is getting into his wife pants but still OK with it ? . and that french wife? . she didnt think about her own children n family and suddenly want to leave everything for that guy. that is kinda too much.

never ever invite a horny young guy into home where a bored housewife is already on heat.

Saw a humongously uninspired French movie, Dry Cleaning (Nettoyage a Sec), that the advertisers swear won Cesar awards all over the place, but is just a hodgepodge of every foreign movie cliche that might strike an upscale audience as profound: a sexually ambiguous stranger insinuates himself into the lives of a married couple, engaging them in sexual games that bring them to the brink of self-destruction. She's desolate without the young man; the husband wrestles with his denial that he's also turned on by the stranger. Of course this is "art theatre," so we are to suppose that every straight man is really a gay man who hasn't found out yet. On the other hand the homosexual aspect of the story becomes the vehicle that carries the husband into his own corner of hell, an idea that seemed arty thirty-odd years ago (The Sergeant; The Children's Hour) but now is just insulting to gays. And of course the story is dotted with major and minor sexual interludes and taunts, but relationships are left to angry, dissatisfying silences between not-particularly-interesting characters. Story elements are offered that suggest the plot could go somewhere else but instead lead nowhere (the young man's sister leaves and conceivably might return looking for him; the young man has genuine talent as a dry-cleaner and might make a life for himself beyond his "drifter" existence; the married couple thinks about moving to Canada). I think the filmmaker has a long way to go in justifying why he wanted to make this movie -- what he thought would make this film extraordinary compared to some other story about dissolving marriage or sexual curiosity. Imagine La Strada if Anthony Quinn just sat around and brooded. If Thomas Mann had written Dry Cleaning it would be called Death in Suburbia: except that, speaking strictly for myself, I think it's the audience that dies.