A satanic cult chooses an unwitting young girl as its new queen.A satanic cult chooses an unwitting young girl as its new queen.A satanic cult chooses an unwitting young girl as its new queen.
Christa Helm
- The Blond Blood-farm
- (as Christ Helm)
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I viewed this on Tubi, which is the kind of place you'd find movies of this ilk. Seventies exploitation to be sure, with all the baggage that that moniker entails. There's a wisp of a narrative, something about a housewife being selected by a devil-worshipping cult to be their queen. Attractive cast, especially lead actress Linda Christian, who capably handles the material, such as it is--and The Philadelphia Story it ain't! Since this was filmed in 1972, we get the usual barrage of groovy fashions and home furnishings, a treat for fans of retro stuff. The synth score is a double-edged sword, irritating in some scenes, but rather atmospheric in others, particularly the black mass scenes. These scenes are probably the most compelling in the whole film. Over-ripe monologues, moody lighting, and the previously mentioned score (augmented by some eerie Gregorian chants) all make for some effective viewing. The DP and cinematographer both must have had a purple fetish, because there are several scenes where that particular color is emphasized. Maybe the director was shooting for an art film aesthetic, with some of the kooky angles, shooting a dialogue scene through the gauzy veil of a poster bed, etc. Looks great in the Code Red transfer, and doesn't overstay it's welcome
The lovely Lisa Christian plays Maya, a sexually frustrated young woman married to the boring George (Paul Barry). Unbeknownst to them, their friend Arthur (James Procter) has gotten mixed up with a Satanic cult, and now this cult considers Maya essential to their plans, luring her & George to their lair by using a costume party as a cover.
Gerard Damiano, the adult film director best known for the iconic Deep Throat, also gave us this decidedly minor horror film that won't be very satisfying to sleaze lovers. (The whole cast actually stays clothed most of the time!). The plot, characters, and performances are all quite insipid, although John Francis still manages to be very amusing as the nefarious cult leader Dr. Muldavo.
The truly tacky makeup effects are courtesy of Tom Brumberger (Don't Go in the House), while other familiar names working behind the scenes include co-composer Arlon Ober (The Incredible Melting Man) and cinematographer Joao Fernandes (Friday the 13th: The Final Chapter). That music score is HILARIOUSLY awful!
Unfortunately, this is a rather dull affair that possesses an awful lot of padding for a film running a mere 70 minutes. It may be of some interest to very curious exploitation & horror aficionados, but it's not a movie I would really recommend.
Sandra Peabody of The Last House on the Left fame has a very small role as a cult member.
Four out of 10.
Gerard Damiano, the adult film director best known for the iconic Deep Throat, also gave us this decidedly minor horror film that won't be very satisfying to sleaze lovers. (The whole cast actually stays clothed most of the time!). The plot, characters, and performances are all quite insipid, although John Francis still manages to be very amusing as the nefarious cult leader Dr. Muldavo.
The truly tacky makeup effects are courtesy of Tom Brumberger (Don't Go in the House), while other familiar names working behind the scenes include co-composer Arlon Ober (The Incredible Melting Man) and cinematographer Joao Fernandes (Friday the 13th: The Final Chapter). That music score is HILARIOUSLY awful!
Unfortunately, this is a rather dull affair that possesses an awful lot of padding for a film running a mere 70 minutes. It may be of some interest to very curious exploitation & horror aficionados, but it's not a movie I would really recommend.
Sandra Peabody of The Last House on the Left fame has a very small role as a cult member.
Four out of 10.
A New York couple are lured to a masked party, held at the large house of an evil occultist who has set his sights on the wife.
Very low budget, bad acting and a plot that could be written on a postage stamp this ticks the boxes for viewers seeking 1970's grindhouse trash. One of the movie's strongest points is the ever present, eerie synth score. This combines well with several surreal, nightmare like sequences. Some of the make up is OK too.
Two things that I didn't like are -
1 - no nudity, which was unusuall for black magic films from this decade, and
2 - despite the title I never once heard the name "Satan" get a mention, instead some Lord Rakeesh, or something, is the demon to which the cult is dedicated. A name that I am not familiar with.
Yes, this is trashy but it is still far more enjoyable that most of the horror movies being churned out in the 21st Century.
Bored architect turned devil worshipper Arthur (James Procter) lures sexually frustrated housewife Maya (Lisa Christian) into the bosom of a Satanic cult who believe that a union between her and their malevolent leader, Dr. Muldavo (John Francis), is the key to incredible Satanic powers. Maya's hubby George (Paul Barry) has other ideas and, dressed as a jester, uses a magical glowing sword to infect Muldavo's face with a life-sapping omelette.
According to another reviewer here on IMDb, Legacy of Satan, directed by Gerard Damiano of Deep Throat fame, is rumoured to have begun life as a hardcore feature, but was trimmed of its explicit sexual content to make it suitable for release as part of a grind-house double-bill; it's not all that hard to believe, the film definitely having the look and feel of a 70s porno—all grainy cinematography, trippy visuals, and lo-fi synth music, with a decadent, sexually charged atmosphere, a nonsensical plot, and an untalented cast of complete unknowns. The film's short running time and choppy editing also go a long way to support the theory.
However, if there was ever a XXX version, it has long since vanished into the mists of time, and all we have been left with is this dreadfully boring, shambolic wreck of a film, a Satanic horror with no tension, no scares and very little blood. Clearly Damiano considered himself something of an artist, and did his best to bring a hallucinatory beauty to the film through the use of coloured light and strong shadow, but his handling was way too heavy-handed to be effective, the result being a garish mess as opposed to a stunningly creative piece of cinema. Arlon Ober and Mel Zelniker's experimental electronic score proves to be just as much an assault on the ears as Damiano's visuals are on the eyes.
According to another reviewer here on IMDb, Legacy of Satan, directed by Gerard Damiano of Deep Throat fame, is rumoured to have begun life as a hardcore feature, but was trimmed of its explicit sexual content to make it suitable for release as part of a grind-house double-bill; it's not all that hard to believe, the film definitely having the look and feel of a 70s porno—all grainy cinematography, trippy visuals, and lo-fi synth music, with a decadent, sexually charged atmosphere, a nonsensical plot, and an untalented cast of complete unknowns. The film's short running time and choppy editing also go a long way to support the theory.
However, if there was ever a XXX version, it has long since vanished into the mists of time, and all we have been left with is this dreadfully boring, shambolic wreck of a film, a Satanic horror with no tension, no scares and very little blood. Clearly Damiano considered himself something of an artist, and did his best to bring a hallucinatory beauty to the film through the use of coloured light and strong shadow, but his handling was way too heavy-handed to be effective, the result being a garish mess as opposed to a stunningly creative piece of cinema. Arlon Ober and Mel Zelniker's experimental electronic score proves to be just as much an assault on the ears as Damiano's visuals are on the eyes.
This movie looks and sounds like a home movie, except longer and more tedious. The lighting is amazingly bad. Characters' heads cast shadows on other characters' faces a lot. Impressively bad all-synthesizer score. The vampire wears a 1970s pink ruffled shirt and everybody has 1970s hair. But the editing has got to be the worst of the lot. There are long pauses between the lines of dialog. Characters pause and stare at each other or at their own feet for long periods, then hold perfectly still while they recite their lines. Between that and the muffled sound track it's difficult to follow the story. After an hour of utter tedium, there is a silly fight scene which begins when the hero shows up with a toy sword with a glowing blade.
If you were looking for a picture that's so bad there's amusement value in it, _Plan 9 from Outer Space_ would be a better choice.
Check out IMDB's list of the director's other work.
If you were looking for a picture that's so bad there's amusement value in it, _Plan 9 from Outer Space_ would be a better choice.
Check out IMDB's list of the director's other work.
Did you know
- TriviaShot in 1972 and released much later.
- ConnectionsFeatured in 48 Hours: The Last Take (2008)
- How long is Legacy of Satan?Powered by Alexa
Details
- Runtime
- 1h 8m(68 min)
- Color
- Aspect ratio
- 1.85 : 1
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