IMDb RATING
4.6/10
8.7K
YOUR RATING
Quasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.Quasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.Quasimodo goes into action when a magician seeks to steal one of the bells of Notre Dame.
- Awards
- 2 wins & 12 nominations total
Jason Alexander
- Hugo
- (voice)
Paul Kandel
- Clopin
- (voice)
Charles Kimbrough
- Victor
- (voice)
Kevin Kline
- Phoebus
- (voice)
Michael McKean
- Sarousch
- (voice)
Demi Moore
- Esmeralda
- (voice)
Haley Joel Osment
- Zephyr
- (voice)
Jane Withers
- Laverne
- (voice)
Jim Cummings
- Archdeacon
- (voice)
Frank Welker
- Achilles
- (voice)
- …
April Winchell
- Lady DeBurne
- (voice)
Nicholas Guest
- Villager
- (voice)
- …
Featured reviews
A previous commentator remarked that this monstrosity of a DTV sequel could only be watched in chunks. I found it interesting that my experience with this movie involved blowing chunks.
I know that's an awfully immature way to describe my experience with Hunchback II, but that's exactly what this thing did to the original Hunchback. It took the very dark (for Disney, at least) original and removed everything from it that made it mature and compelling. The only thing to remain fairly untainted by this incarnation of the film was the one element that was out of place in the original...the gargoyles. They were right at home in this one. That's a bad sign...it's indicative of the overall decline in the film's maturity level.
The first film centered around our protagonists' struggle against Frollo, whose lust for power and for Esmerelda provided a conflict more psychological than would have been found in an average Disney movie. This centers around a guy who wants to steal a big, fancy bell from the bell-tower along with his lovely assistant (who happens to fall in love with Quasimodo along the way). That's it. And people say the first film would have sent Hugo spinning in his grave! The returning characters are not immune from this either. They were at least somewhat well rounded out in the first film, but they have become two-dimensional cardboard cut-outs of themselves.
In fact, pretty much every aspect of the film has become flat. The music has regressed from the choral chants which were so appropriate to the movie's setting and the songs which so perfectly fit the moods and characters in the film to more-or-less generic Disney movie music (if I remember correctly; I've tried to block several aspects of the movie from my memory). There's no use commenting on the "artwork"; it's the same DTV schlock that we've become used to seeing from Disney's TV animation unit. The difference between it and the artwork from the original is like the difference between a child's messy crayon drawing and finely-rendered computer animation.
So, how to sum up? What can I say here that hasn't been said in previous reviews of this and other Disney DTV sequels? Ending with the plea for Disney to stop the insanity would be futile, seeing that sequels are in the works for "Mulan" and "The Jungle Book" (that one should break my will to live). I suppose it's just best to keep our eyes peeled for more of these imposters to the throne of what was once Disney quality. (Heck, these aren't imposters...they're not even trying to masquerade as quality films!)
I know that's an awfully immature way to describe my experience with Hunchback II, but that's exactly what this thing did to the original Hunchback. It took the very dark (for Disney, at least) original and removed everything from it that made it mature and compelling. The only thing to remain fairly untainted by this incarnation of the film was the one element that was out of place in the original...the gargoyles. They were right at home in this one. That's a bad sign...it's indicative of the overall decline in the film's maturity level.
The first film centered around our protagonists' struggle against Frollo, whose lust for power and for Esmerelda provided a conflict more psychological than would have been found in an average Disney movie. This centers around a guy who wants to steal a big, fancy bell from the bell-tower along with his lovely assistant (who happens to fall in love with Quasimodo along the way). That's it. And people say the first film would have sent Hugo spinning in his grave! The returning characters are not immune from this either. They were at least somewhat well rounded out in the first film, but they have become two-dimensional cardboard cut-outs of themselves.
In fact, pretty much every aspect of the film has become flat. The music has regressed from the choral chants which were so appropriate to the movie's setting and the songs which so perfectly fit the moods and characters in the film to more-or-less generic Disney movie music (if I remember correctly; I've tried to block several aspects of the movie from my memory). There's no use commenting on the "artwork"; it's the same DTV schlock that we've become used to seeing from Disney's TV animation unit. The difference between it and the artwork from the original is like the difference between a child's messy crayon drawing and finely-rendered computer animation.
So, how to sum up? What can I say here that hasn't been said in previous reviews of this and other Disney DTV sequels? Ending with the plea for Disney to stop the insanity would be futile, seeing that sequels are in the works for "Mulan" and "The Jungle Book" (that one should break my will to live). I suppose it's just best to keep our eyes peeled for more of these imposters to the throne of what was once Disney quality. (Heck, these aren't imposters...they're not even trying to masquerade as quality films!)
I'm not saying it's one of the better Disney sequels but I think the rating's a bit unfair. In my defense, it's been a long time since I saw the first one and I don't remember much so I can't say how true it was but I am disappointed that Esmeralda was a mere supporting character and the kid was annoying. This is one of those typical Disney films that hardly offer anything new but I still enjoyed some moments of it which is why I'd rate it slightly higher than the average rate. I liked the chemistry between Quasi and Madeline. The songs are quite bad but typical Disney. I liked the little goat character too but he was a minor. I liked the way Paris was animated and how they left the streets wet and shiny after the rain (attention to detail). The ending was very choppy and abrupt (it's only a one-hour film). However, I didn't see it as an abysmal film and having read some of the comments, I think many people are being a little too harsh.
Now, I rented Hunchback of Notre Dame 2 in good hopes because I loved the first one. I was a little curious to see how the second one would end the story. While this could definitely be entertaining to children, for adults the story is way too predictable and the songs just aren't as magical as the first. Now, I'm not completely bashing the movie because it's not terrible. I did like how Quasy found a person who loved him for him and it was a very happy ending. Just again, I don't want to spoil anything, but the plot is just pretty much what you've seen before and if you watch this you'll see again. For the kids I highly recommend because it teaches good values. Otherwise for adults, it's not really for us.
4/10
4/10
"Walt Disney Television Animation"? Yes, well, like most of their (ill-advised) made-for-video sequels, "The Hunchback of Notre Dame II" was produced by Walt Disney's TV cartoon division; the most glaring difference between their cinematic animation and their small-screen animation comes from one look at "Tarzan" and the subsequent TV series, but this here movie is still a disgrace - both for purists (note that the credits don't mention Victor Hugo) and for those of us who liked the 1996 movie, which is in fact one of the House of Mouse's better 1990s efforts.
The 1996 movie is one of the House of Mouse's better 1990s efforts because it had a stronger story and better characterisation than some of the ones that came before it, although Alan Menken and Stephen Schwartz weren't operating at the height of their powers ("The Bells Of Notre Dame" and "Topsy Turvy" excepted). Neither of them were involved with this followup, and the songs are the first problem with the movie; they feel like they were put in to expand the running time - still titchy at a mere 63 minutes. Too bad the script couldn't have been developed properly; they might not have needed to pad it. (Carl Johnson's score is better, though not up to his work on "Gargoyles." Then again, most Walt Disney Television stuff isn't up to their work on "Gargoyles." But I digress.)
The storyline has the happier Quasimodo, Phoebus and Esmeralda (now married with a son called Zephyr [voiced, for some reason, by Haley Joel Osment] - pause for purists to choke on whatever they're eating) getting ready for Le Festival d'Amour, which the H of ND is unlikely to celebrate, he being single. Enter a circus and the ringmaster's lovely assistant Madellaine, who nurtures an interest in our hunched hero... except that the magician is behind it. And the story is as tedious in its predictability as the animation is just tedious, making the waste of the voice cast all the more regrettable (all the main cast members from the movie return [barring the late Mary Wickes - Jane Withers, who shared Laverne with Miss Wickes last time, assumes the role in its entirety this time], and Michael McKean gives the movie some real energy as the villain, a more charismatic magician than David Blaine if a less trustworthy one - "I'd kiss me," he says into his mirror, "but I might fall in love!")... Madellaine has a dream of being a tightrope walker, and I bet you can't guess what she finds herself doing in the course of the movie.
It's all such a complete waste; sometimes a mildly diverting waste, but a waste nonetheless - it pains me to say that Victor, Hugo and Laverne (a highpoint of the first movie) have the low point with the movie's most horrible musical number. But Jennifer Love Hewitt fans can enjoy her vocal performance as Madellaine, plus the song she sings over the closing titles; Kylie Minogue she isn't, fortunately for us all.
However, the fact that the copyright notice reads "2000" and not "2002" should tell you everything.
The 1996 movie is one of the House of Mouse's better 1990s efforts because it had a stronger story and better characterisation than some of the ones that came before it, although Alan Menken and Stephen Schwartz weren't operating at the height of their powers ("The Bells Of Notre Dame" and "Topsy Turvy" excepted). Neither of them were involved with this followup, and the songs are the first problem with the movie; they feel like they were put in to expand the running time - still titchy at a mere 63 minutes. Too bad the script couldn't have been developed properly; they might not have needed to pad it. (Carl Johnson's score is better, though not up to his work on "Gargoyles." Then again, most Walt Disney Television stuff isn't up to their work on "Gargoyles." But I digress.)
The storyline has the happier Quasimodo, Phoebus and Esmeralda (now married with a son called Zephyr [voiced, for some reason, by Haley Joel Osment] - pause for purists to choke on whatever they're eating) getting ready for Le Festival d'Amour, which the H of ND is unlikely to celebrate, he being single. Enter a circus and the ringmaster's lovely assistant Madellaine, who nurtures an interest in our hunched hero... except that the magician is behind it. And the story is as tedious in its predictability as the animation is just tedious, making the waste of the voice cast all the more regrettable (all the main cast members from the movie return [barring the late Mary Wickes - Jane Withers, who shared Laverne with Miss Wickes last time, assumes the role in its entirety this time], and Michael McKean gives the movie some real energy as the villain, a more charismatic magician than David Blaine if a less trustworthy one - "I'd kiss me," he says into his mirror, "but I might fall in love!")... Madellaine has a dream of being a tightrope walker, and I bet you can't guess what she finds herself doing in the course of the movie.
It's all such a complete waste; sometimes a mildly diverting waste, but a waste nonetheless - it pains me to say that Victor, Hugo and Laverne (a highpoint of the first movie) have the low point with the movie's most horrible musical number. But Jennifer Love Hewitt fans can enjoy her vocal performance as Madellaine, plus the song she sings over the closing titles; Kylie Minogue she isn't, fortunately for us all.
However, the fact that the copyright notice reads "2000" and not "2002" should tell you everything.
Of course I don't expect Disney direct-to-video sequels, with their little budgets, to look and feel as spectacular as the originals. In fact, of all of them that I have seen, I still think Beauty and the Beast Enchanted Christmas looks the most like a theatrical motion picture, probably because it was not staffed out to any Japanese animation factories (though it does have some stiff moments that look like they were left to the junior animators.)
Being as I am not a Disney collector, I must say my interest is in the characters and the story, which plays a little like a long Saturday morning cartoon - very easy and predictable. (I guess they figure that if there's no trip to the movie theater, adults won't have to sit through these sequels if they don't want to.) But even for someone my age (29) it had some unexpected and touching moments, not to mention a nifty joke or two. I also just can't get over how sweet Quasimodo can be when Tom Hulce plays him. That in itself is worth a viewing. I also dig Madelaine. She's not yer typical Disney chick. I even risk saying she's right up there with Belle on the cool meter. She and Quasimodo have some great scenes.
I did miss some of the musical aspects of the first film. But the song "Ordinary Miracles" has stuck with me pretty good. I think the score just needed more recorders in it. :-) That's what I really missed, that 1490's kind of sound.
And so for all the positives, I have to look past the harsher lines and colors, some lack of detail (though I have to mention the backgrounds were pretty nice), and absence of big-budget digital post production. I've done enough animation myself to know how much work went into this little movie, and what counts to me is that the characters are all there, satisfying to see again. It also fills a little hole left in my heart by the first movie. Without giving away what happens: it was very sweet, to say the least.
No, Hunchback of Notre Dame II is not for film critics, but I think all you regular people will enjoy it!
Being as I am not a Disney collector, I must say my interest is in the characters and the story, which plays a little like a long Saturday morning cartoon - very easy and predictable. (I guess they figure that if there's no trip to the movie theater, adults won't have to sit through these sequels if they don't want to.) But even for someone my age (29) it had some unexpected and touching moments, not to mention a nifty joke or two. I also just can't get over how sweet Quasimodo can be when Tom Hulce plays him. That in itself is worth a viewing. I also dig Madelaine. She's not yer typical Disney chick. I even risk saying she's right up there with Belle on the cool meter. She and Quasimodo have some great scenes.
I did miss some of the musical aspects of the first film. But the song "Ordinary Miracles" has stuck with me pretty good. I think the score just needed more recorders in it. :-) That's what I really missed, that 1490's kind of sound.
And so for all the positives, I have to look past the harsher lines and colors, some lack of detail (though I have to mention the backgrounds were pretty nice), and absence of big-budget digital post production. I've done enough animation myself to know how much work went into this little movie, and what counts to me is that the characters are all there, satisfying to see again. It also fills a little hole left in my heart by the first movie. Without giving away what happens: it was very sweet, to say the least.
No, Hunchback of Notre Dame II is not for film critics, but I think all you regular people will enjoy it!
Did you know
- TriviaThis film boasts an unusually star-filled cast for a low-budget direct-to-video cartoon. In fact, all of the characters who reprise in this sequel are played by the same actors except for Laverne, Djali, and Achilles. Laverne actress Mary Wickes passed away in 1995 shortly before completing her work in the original. Jane Withers, who finished Wickes' work on that film (uncredited), voices the character in this one. Mary Kay Bergman committed suicide in 1999 so Djali was voiced by Frank Welker, who played the baby bird in the first film, while also taking over for Achilles. Bob Bergen, the original voice of Achilles, is the only living actor to not return for the sequel for a character that returned.
- GoofsWhile working as a metaphor for the movie's "beauty is within" message, La Fidele bell is an impossible object: with the interior covered in gold and jewels, it would be both impractical (nobody would see it, and church decorations are meant to be seen) and useless, since the acoustics would be terrible, not to mention the clanger of the bell would damage the decoration every time it rang.
- Quotes
Madellaine: [seeing La Fidele for the first time] Oh, it's beautiful.
Quasimodo: Yes, you are. I-I mean, yes, she is! La Fidele, that is. That's her name, La Fidele. "The Faithful One."
[lifting La Fidele up to reveal the inside to Madellaine]
Quasimodo: But she's even more beautiful on the inside.
[Madellaine gazes eagerly]
Quasimodo: I'll-I'll show you.
- Crazy creditsAs with the original first film, no opening credits aside from the film's title are shown.
- ConnectionsFeatured in Troldspejlet: Episode #26.8 (2002)
- SoundtracksLe Jour D'Amour
Written by Randy Petersen and Kevin Quinn
Arranged by Carl Johnson
Performed by Jason Alexander, Tom Hulce, Paul Kandel, Charles Kimbrough, and Jane Withers
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- The Hunchback of Notre Dame 2: The Secret of the Bell
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 8m(68 min)
- Color
- Aspect ratio
- 1.66 : 1
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