Martin & Orloff

This film was shocking right from the opening sequence, and it's refreshing to see that New York's premiere comedy group hasn't lost anything in the translation from the stage to the screen. The writing is razor-sharp and undeniably witty. The performances are a scream, especially the mellow Walsh as the crazed shrink. Roberts is fabulous as the bewildered Martin, and the supporting cast is equally strong, especially when they are joined by the occasional celebrity in a cameo. This is a fast, funny and thoroughly enjoyable film.

I just watched this movie for the first time the other day and it was hilarious! Having read the script beforehand, I was expecting much and I wasn't disappointed. However I'm not gonna lie, there were a few TINY details written in the original script that I liked but that I didn't see, but most viewers haven't read the original script so that doesn't matter. If you're a UCB fan than you'll especially love this movie (if you don't know what UCB stands for then you're not a fan), but even if you're just a regular joe who loves crazy off-beat comedies, this is still a MUST-SEE! Unless you're a producer or just a friend of a producer, you have to wait until September to buy this movie, but don't worry it's worth the wait.

I'll be honest: I had high hopes but low expectations for this film. As guilty as that makes me feel, it's true. The movie, however, was better than even my expectations. It's not for everyone, but that's the beauty of independent film. It allows for off-beat, darkly comic writing and the casting of actors like the superb-as-always, H. Jon Benjamin. It would probably be enjoyed most by those who are already fans of the "Upright Citizens Brigade" (all of whom appear, in addition to writer-stars Ian Roberts and Matt Walsh), but I would still recommend it to non-fans, if only for the unique and memorable cinematic experience it will provide them. (Even my mother, who doesn't "understand" most of my comedies I show her, enjoyed herself.) I make no guarantees, but it definitely deserves a shot.

I gotta say, Martin & Orloff was probably one of the greatest comedy's I have ever seen. The entire fact that the plot dealt with suicide and yet I was cracking up the great duration of my time spent in the theater definatly proves a point. The movie, in my eyes was a master peice, how I wish I wasn't dyslexic so my message could hold more validity with fewer spelling errors. In short, it kick ass, major, major ass.

I really wanted to enjoy "Martin & Orloff," which saddles its first-rate cast with third-rate material. I liked the opening scenes, which made me think that M&O would be a black comedy about a suicidal man trying to readjust to normal life--the scene where Ian Roberts cleans copious amounts of his own blood off his bathroom floor packs a wallop. Unfortunately, the movie soon abandons that idea to focus on the old "psychiatrist who's crazier than his patients" cliché. I could *almost* forgive the psychiatrist and his pals being over-the-top, cartoonish freaks, but the portrayal of the Chinese food mogul and his henchmen as insulting racial caricatures was enough to ruin the film for me. The best aspect of "Martin & Orloff" is seeing David Cross do an early version of his "Arrested Development" character.