IMDb RATING
6.5/10
2.9K
YOUR RATING
A Catholic boy tries to convert a terminally ill Jewish boy, so he will be able to go to Heaven.A Catholic boy tries to convert a terminally ill Jewish boy, so he will be able to go to Heaven.A Catholic boy tries to convert a terminally ill Jewish boy, so he will be able to go to Heaven.
John Gleeson Connolly
- Roger O'Malley
- (as John Connolly)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
6.52.9K
1
2
3
4
5
6
7
8
9
10
Featured reviews
A Tremendous First Effort
I just viewed Stolen Summer on DVD and this is a fine film for a first-time director. I am an avid movie watcher who likes everything from Kubrick to Kurosawa to Tarkovsky and it is easy to recognize that Pete Jones has incredible potential as a writer and filmmaker.
A touching story that was well acted, edited and paced. Even the child acting was fairly good. This was a very solid effort for a first-time feature on a tight budget.
Kevin Pollak is a very underrated actor.
Nice job all the way around! I hope we get to see more of Pete's stuff in the future.. it should be worth it.
A touching story that was well acted, edited and paced. Even the child acting was fairly good. This was a very solid effort for a first-time feature on a tight budget.
Kevin Pollak is a very underrated actor.
Nice job all the way around! I hope we get to see more of Pete's stuff in the future.. it should be worth it.
Believe it or not, this is a good movie.
Having finally seen `Stolen Summer' I was more surprised than anyone to find the film extremely fetching. I thought it was well made and well acted. It was written and directed by a total novice, Pete Jones, who won a contest- as silly as that sounds. There are scenes that can be called schmaltzy but they seem to fit in with the mood of the picture and feel deserved; they're not simply tacked on as emotional buttons like in lesser screenplays. I hate watching kids in movies because they usually go hand and hand with loud noises and special effects. However, this screenplay gives these kids some heavy-duty subject matter to explore and their performances are intriguing. One might complain the film doesn't have any visual flair or creative camera angles and such. I think the film captures the austere sluggishness of the 1970's rather well.
After reading the external reviews for this movie I had to write a comment. One would think all the nation's critics united against this film. One reviewer said `There are probably at least nine people who will sit all the way through the well-meaning but inert `Stolen Summer'. What's that mean? Did the guy watch twenty minutes of it and split? Are professional critics allowed to do that? I find that incredibly aggravating. I think all people involved in the film business are eventually driven to this kind of cynicism and contempt. I myself was rather turned off watching `Project Greenlight' on HBO. I realize making movies is an expensive enterprise but there's got to be a better way next time than what Jones went through. They had his you-know-what's in a vice the entire time and treated him like he was just touring Universal Studios for the day. I guess Hollywood is finally letting us in on their secret that any schmuck off the street can make a movie because in the end it's the executives who really make all the decisions. The director might as well devote his time to the catering concerns.
After reading the external reviews for this movie I had to write a comment. One would think all the nation's critics united against this film. One reviewer said `There are probably at least nine people who will sit all the way through the well-meaning but inert `Stolen Summer'. What's that mean? Did the guy watch twenty minutes of it and split? Are professional critics allowed to do that? I find that incredibly aggravating. I think all people involved in the film business are eventually driven to this kind of cynicism and contempt. I myself was rather turned off watching `Project Greenlight' on HBO. I realize making movies is an expensive enterprise but there's got to be a better way next time than what Jones went through. They had his you-know-what's in a vice the entire time and treated him like he was just touring Universal Studios for the day. I guess Hollywood is finally letting us in on their secret that any schmuck off the street can make a movie because in the end it's the executives who really make all the decisions. The director might as well devote his time to the catering concerns.
Heartfelt but Lacking
This movie was a wonderful movie until the last ten minutes when it falls completely flat on its face. The movie examines the unique and heartfelt friendship between the young son of an angry Irish Catholic and the young son of a Jewish Rabbi. Not only are the characters deeply explored, their differing faiths are thoughtfully examined throughout the film. It's a shame that the "powers that be" had to fold in the last ten minutes and give viewers bogus wishy-washy so-called theology that proves moviemakers are still afraid of moral absolutes. What a shame. Bonnie Hunt was so convincing as the dutiful wife and loving mother I wanted to adopt her. Kevin Pollak was incredible as the agonized father living with terminal illness.
Childhood innocence on the South Side of Chicago
I thought Stolen Summer was competently done. The director, Pete Jones, was blessed with great performances from well known performers like Bonnie Hunt, Aidan Quinn, Kevin Pollak, and Brian Dennehy. The film explores the differences between Catholicism and Judaism seen through the eyes of a child. The child protagonist takes on the challenge of making sure a Jewish child goes to heaven. The story is set on the South Side of Chicago in the mid-70's and since I grew up in roughly that time I enjoyed the talk about the White Sox of that era. The authenticity overall is accurate, but the film lacks a spark. Watching an 8-year-old try to figure out some of the intricacies of life is a great idea for a story. I just think that the plot lacked any real surprises.
10kwhetten
Two young boys of different religious faiths become friends when one in concerned about the other "making it into heaven."
This movie was one of the best movies that I have seen in a very long while. It was touching and very motivating. The two young boys in this film were fabulous actors and made the story so great. It was so easy to relate to the dynamics between the two families and to feel there pain and confusion. As a mother, I would want my children to be a part in viewing this movie in order to conjure up a open conversation about it's contents and morals. I would be concerned with anyone of any faith to not feel the same about this movie. Messages like the one presented in this movie are few and far between these days. I would recommend it for your whole family regardless of your ages or beliefs.
Did you know
- TriviaThis film was the result of Project Greenlight (2001), the first-time-director competition launched by Ben Affleck, Matt Damon, and Miramax, and was the subject of the HBO documentary of the same name, which aired in Winter 2002. The documentary revealed many behind-the-scenes snafus, which led to the mid-production firing of co-producer Jeff Balis.
- GoofsWhen Joe O'Malley and Patrick O'Malley are sitting together in the backyard, we see Patrick holding a beer. At the end of the scene, Patrick has no beer, and Joe is "ceremonially" handing him his first beer.
- Quotes
Joe O'Malley: Baseball should be the only thing on an eight year old boy's mind.
- SoundtracksFRIEND
Written by Rick Butler and Kristin Mooney
Performed by Kristin Mooney
Published by Hookmeister Music (ASCAP) and Moonward Music (ASCAP)
Courtesy of Static Music
- How long is Stolen Summer?Powered by Alexa
Details
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $134,736
- Opening weekend US & Canada
- $61,613
- Mar 24, 2002
- Gross worldwide
- $163,348
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content






