Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.Aspiring songwriter Violet Sanford, after getting a job at a women-run NYC bar that teases its male patrons, comes out of her shell.
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Summary
Reviewers say 'Coyote Ugly' targets teens with themes of ambition and self-discovery. Violet, an aspiring songwriter, moves to New York and works at Coyote Ugly bar. The predictable plot and clichés receive mixed reviews. Piper Perabo and John Goodman's performances are divisive. The soundtrack is praised, while bar scenes are seen as either entertaining or gratuitous. Overall, it's a light-hearted, feel-good film for its audience.
Featured reviews
Producer Jerry Bruckheimer seems to have an innate sense of what makes money in cinema. He seldom makes a film that isn't profitable and has numerous blockbusters on his resume over the past 30 years (American Gigolo, Flashdance, Beverly Hills Cop, Top Gun, The Rock, Con Air, Armageddon). Bruckheimer is a populist producer. He is more concerned with giving audiences what they want than he is about producing films of any artistic value or substance. In that regard, `Coyote Ugly' fits right in.
This film is energetic, entertaining, scintillating and fun to watch. The story is "Flashdance" lite, and is reminiscent of the popular but vacuous `Cocktail' with Tom Cruise, only with a decent plot woven in. Violet Sanford (Piper Perabo) is a young aspiring songwriter who leaves South Amboy, New Jersey traveling to New York City to be discovered. When things don't go as planned, she takes a job as a bartender in a raucous singles bar where the sexy female bartenders dance provocatively on the bar to the shrieks of the rowdy patrons below. Of course, there is a love story to go along with the quest for fame, completing the populist formula.
Bruckheimer defies the conventional Hollywood big budget approach by using an ensemble cast of veritable unknowns and a first time director. Other than John Goodman in a minor role, and supermodel Tyra Banks who hasn't done much acting, most of the actors have extremely short resumes. This gives the film a freshness and energy that comes from the cast's exhilaration at just being on the set.
Piper Perabo is an incredible find. She is not simply acting in this film, but living the role. Just like her character Violet, this film is her big break so her ability to understand the character and the role is implicit (another stroke of Bruckheimer genius). Perabo is an excellent actor with tremendous ability and potential. It is likely that this film will be the launch pad for a bright career. Maria Bello also gives a fabulous performance as Lil, the tough and successful owner of the nightclub. Australian actor Adam Garcia has great chemistry with Perabo as Violet's love interest. His pleasant demeanor and good looks have many people comparing him with Mel Gibson, although it remains to be seen whether he can handle roles that are more substantial. John Goodman provides one of the film's best moments when he gets up on the bar and dances as Violet auctions him off to the screaming women in the crowd.
The DVD is packed with interesting special features about the making of the film. It also includes a DTS audio option, which I like better than Dolby Digital 5.1. The soundtrack is pulsating and explosive and pumps the film up with excitement.
This is not great filmmaking, but it is great entertainment. It is an amiable film that sparkles with energy and is easy to watch. I rated it a 7/10. Many people were surprised by how much they enjoyed it, but I'm never surprised when I like a Jerry Bruckheimer film. He knows how to push our buttons.
This film is energetic, entertaining, scintillating and fun to watch. The story is "Flashdance" lite, and is reminiscent of the popular but vacuous `Cocktail' with Tom Cruise, only with a decent plot woven in. Violet Sanford (Piper Perabo) is a young aspiring songwriter who leaves South Amboy, New Jersey traveling to New York City to be discovered. When things don't go as planned, she takes a job as a bartender in a raucous singles bar where the sexy female bartenders dance provocatively on the bar to the shrieks of the rowdy patrons below. Of course, there is a love story to go along with the quest for fame, completing the populist formula.
Bruckheimer defies the conventional Hollywood big budget approach by using an ensemble cast of veritable unknowns and a first time director. Other than John Goodman in a minor role, and supermodel Tyra Banks who hasn't done much acting, most of the actors have extremely short resumes. This gives the film a freshness and energy that comes from the cast's exhilaration at just being on the set.
Piper Perabo is an incredible find. She is not simply acting in this film, but living the role. Just like her character Violet, this film is her big break so her ability to understand the character and the role is implicit (another stroke of Bruckheimer genius). Perabo is an excellent actor with tremendous ability and potential. It is likely that this film will be the launch pad for a bright career. Maria Bello also gives a fabulous performance as Lil, the tough and successful owner of the nightclub. Australian actor Adam Garcia has great chemistry with Perabo as Violet's love interest. His pleasant demeanor and good looks have many people comparing him with Mel Gibson, although it remains to be seen whether he can handle roles that are more substantial. John Goodman provides one of the film's best moments when he gets up on the bar and dances as Violet auctions him off to the screaming women in the crowd.
The DVD is packed with interesting special features about the making of the film. It also includes a DTS audio option, which I like better than Dolby Digital 5.1. The soundtrack is pulsating and explosive and pumps the film up with excitement.
This is not great filmmaking, but it is great entertainment. It is an amiable film that sparkles with energy and is easy to watch. I rated it a 7/10. Many people were surprised by how much they enjoyed it, but I'm never surprised when I like a Jerry Bruckheimer film. He knows how to push our buttons.
Coyote Ugly is a 2000 comedy-drama that follows a shy aspiring songwriter who starts to come out of her shell after getting a job at a woman-run New York bar.
This is one of those movies that is actually a lot better than it sounds on paper. It tells a decent story about how you should at least try, rather than just believe that you can't do something.
Piper Perabo stars as Violet Sanford, a girl from New Jersey who dreams of becoming a professional songwriter, but lets her stage fright get in the way of trying to get her name out there. Violet moves to New York where she stumbles upon a job at a bar where the women call the shots which helps Violet earn a living, but also helps her step out of her comfort zone.
It's not the best movie, but I've always enjoyed it. The cast is good, the characters are likable and if you're into popish country music then you'll probably like the soundtrack. If you've never seen this before, it's worth a watch.
This is one of those movies that is actually a lot better than it sounds on paper. It tells a decent story about how you should at least try, rather than just believe that you can't do something.
Piper Perabo stars as Violet Sanford, a girl from New Jersey who dreams of becoming a professional songwriter, but lets her stage fright get in the way of trying to get her name out there. Violet moves to New York where she stumbles upon a job at a bar where the women call the shots which helps Violet earn a living, but also helps her step out of her comfort zone.
It's not the best movie, but I've always enjoyed it. The cast is good, the characters are likable and if you're into popish country music then you'll probably like the soundtrack. If you've never seen this before, it's worth a watch.
Not much to say about this one. The film is mostly about watching sexy girls dance on a table. Not much of a storyline, just enough to say the movie has a plot. The singing in the film is nice to listen to, but the movie is basically eye candy, the acting is shallow and sometimes cringe worthy. The plot and lines are predictable and cliché. If you're looking to watch a B movie with hot girls basically pole dancing on a table then this is the film for you.
I was not disappointed with "Coyote Ugly". It made me feel good and we need this kind of film these days with all that's going-on.It was no worse than "Flashdance" or "Footloose" which also had little storyline and average acting. I enjoyed it and it was what I had expected.Many of you gave it negative criticisms; what did they expect from a film about a young girl coming to the city? This was a simple story about a young shy girl with dreams trying to make it in show business; which is hard if you don't have the right connections.The dance numbers and bar scene were very realistic. As a New Yorker, I was happy to see that she wasn't mugged or worse as many films about New York portray.I'd like a sequel.
This movie is not bad today really bad movies are made and people don't say something at least it has a good message and the characters are nice the movies right now are only about how many empty references you put in a movie.
Did you know
- TriviaLeAnn Rimes did all of the singing for Piper Perabo.
- GoofsPiedmont is in South Dakota not North Dakota.
- Quotes
Lil: I'm married to that bar. Hell, I'd, uh, I'd sleep there, if I had the guts to walk around barefoot. But that's me, you know. I'm the original coyote. Just a small town gal trying to make it in the big bad city.
Violet: Small town gal?
Lil: Piedmont, North Dakota. You ever tell anyone that, I'll kill ya.
- Alternate versionsUnrated extended cut restores scenes (ca. 6 minutes) that were deemed "unsuitable" for the American market and threatened the desired PG-13 rating. Added back was additional/extended footage in virtually every dance scene, a shopping scene with Cammie and Violet and a sex scene with Violet and Kevin.
- SoundtracksFly (Without Supercat)
Written by Charles Stan Frazier (as Charles Frazier), Matthew Murphy Karges (as Matthew Karges), Mark McGrath, Rodney Sheppard and McG (as Joseph "McG" Nichol)
Performed by Sugar Ray
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Details
Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $60,786,269
- Opening weekend US & Canada
- $17,319,282
- Aug 6, 2000
- Gross worldwide
- $113,916,474
- Runtime
- 1h 40m(100 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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