Shower

This film is moving without being sentimental - meaningful without being pretentious. It tells a simple story of a family in danger of falling apart as the encroachments of technology and an advancing society make the family-run business increasingly untenable.

The acting is wonderful - though none of us in the west are likely to have heard of these actors, we should have long ago - they play their characters with honesty and reverence - these are flawed characters, each with major weaknesses, but with such utter humanity and kindness that it's impossible not to become engaged in the story.

We need more films like this - we need more western filmmakers creating films such as this.

I LOVE this movie! Beautifully funny and utterly believable characters. Each scene richer and more wonderful than the last. Every aspect of this movie is filled with wit and humour and love and depth. A complex and engrossing story, too. This movie is filled with love, humour, and intelligence. Totally great!

Shower keeps within itself in so many ways. Almost all of the movie takes place in an old- time bathhouse, with the denizens supplying the humor, pathos, and emotional touches. The love and friendship between the proprietor and his retarded son is deep and moving. The way the older brother is drawn into this tiny world seems unforced and persuasive. The plot is meandering, full of surprises and ironies, and touched overall by a sense of what I'd have to call neighborliness in the relations and conflicts of the performers. This is a film I pull out when I want to believe in the world again.

This was a very enjoyable film. A humorous, but poignant look at family, and the obligations that come with it. The story of a man who comes home from his life in the city to his fathers bath house in a small Chinese village. There he learns to appreciate, even cherish the very things he left home to get away from. The film is as visually beautiful as it is emotionally beautiful.

On the basis of the preview I'd seen, I went to "Shower" expecting a sweet little comedy; what I found was a profoundly touching drama of family life told in some of the most lush photographic images I've ever been privileged to see. In addition, later reflection made me appreciate the abrupt cuts to scenes from the past (in the arid countryside of Northern China, and in the high plain of Tibet): isn't this how memory often works? One moment I'm here, the next I'm in a landscape from the past, just like that....

I would not only strongly recommend this film, I would place it among the two or three finest films I've seen in my 60 years.

By the way, a couple of years ago another Asian "comedy" was released in the United States as "Shall We Dance?" (Japanese). Just as with "Shower," the preview gave not the slightest indication of the depth of that film, which turned out to be a subtle psychological study (albeit chock full of funny moments). Is there a fear, on the part of distributors, of making films appear too "important" or "deep" to appeal to U. S. viewers?