In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.
- Awards
- 1 win total
Philip Haldiman
- Denny
- (as Phillip Haldiman)
Carolyn Minnott
- Claudette
- (as Carolyn Minnot)
Mike Holmes
- Mike
- (as Mike Scott)
Kari McDermott
- Party Member #2
- (as Kari McDermont)
Jennifer Vanderbliek
- Party Member #3
- (as Jen Vanderbliek)
Bennett Dunn
- Party Member #4
- (as Bennet Dunn)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This film is completely worth seeing. A friend of mine recently said it was as if a deer made a movie about human interaction, unable to comprehend what it is to be a human being. It is hilarious.
It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
It is also funny how many people actually see this as a real movie, and take the acting, story, and dialogue seriously. It's a sad testament to the state of intelligence of some, but that doesn't detract from the movies awful redemption.
There was no way this was made as a 'black comedy' on purpose. The ineptness present in ALL aspects of the film could only come about through an attempt to put Tommy's own high-school angsty experiences (probably) on tape. When the reviews trashed the movie, he pulled a Paul Ruebens "I meant to do that". The denial of the films obvious serious beginnings add even more hilarity. Tommy, we are laughing at you, not with you. Thank you for that.
Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
This film tells the story of a man who will be marrying his girlfriend of seven years. However, his girlfriend seems not to settle for what she has.
I would not have known about this film if not for "The Disaster Artist". Seriously, the sets are bad, the lighting is bad, the camera angles are bad, the camera is mostly static, the acting is horrible, and the story is just bad. The plot is so thin that it almost appears to be a soft core film. It is worse than a B film. It is so bad that I laughed out loud several times, such as the infamous bottle throwing scene, or when Jack throws the girlfriend on the sofa, or the fight in the party. And could they have at least filmed on a real rooftop, instead of the fake computer generated scenery? The acting is so bad, most of the characters are wooden, except the mother who has a quite a character. The film is so bad that it becomes good. I do recommend it.
I would not have known about this film if not for "The Disaster Artist". Seriously, the sets are bad, the lighting is bad, the camera angles are bad, the camera is mostly static, the acting is horrible, and the story is just bad. The plot is so thin that it almost appears to be a soft core film. It is worse than a B film. It is so bad that I laughed out loud several times, such as the infamous bottle throwing scene, or when Jack throws the girlfriend on the sofa, or the fight in the party. And could they have at least filmed on a real rooftop, instead of the fake computer generated scenery? The acting is so bad, most of the characters are wooden, except the mother who has a quite a character. The film is so bad that it becomes good. I do recommend it.
I can't think of anything good to say about this movie, other than I enjoyed every single second of it. It's actually so bad that it entertains effortlessly.
Possibly the most entertaining CRAP film of all time, beating out "From Justin to Kelly," and every movie starring Steven Segal. Note: you must be in the presence of a large heckling audience and/or under the influence to enjoy this movie. Although Tommy "What the hell am I saying?" Wiseau may be lauding his film as reminiscent of Tennessee Williams, the closest it comes to anything I've seen by Williams is that I had to get up to pee three times during it. Crap writing, Crap acting, Crap directing...but the movie as a whole? So deliciously crap that it can only be considered CRAPTASTIC!
Nobody seems to know where Tommy is from, although the consensus seems to be somewhere in Eastern Europe. So I have decided to consider his point of origin, Ridiculouslovania.
Have we been sending out the wrong signals? Is this really what Ridiculouslovanians think about us? I never stand three feet from my friends and toss a football. Never. Unless I am making fun of "THE ROOM."
Nobody seems to know where Tommy is from, although the consensus seems to be somewhere in Eastern Europe. So I have decided to consider his point of origin, Ridiculouslovania.
Have we been sending out the wrong signals? Is this really what Ridiculouslovanians think about us? I never stand three feet from my friends and toss a football. Never. Unless I am making fun of "THE ROOM."
Did you know
- TriviaAccording to Greg Sestero, Tommy Wiseau submitted the film to Paramount Pictures, hoping to get them on board as distributor. Usually, it takes about two weeks to get a reply from such a studio. This movie, however, was rejected within 24 hours.
- GoofsMark asks Lisa "what's going on" with "the candles [and] the music", but neither music nor candles are present.
- Crazy creditsCraft Service - L.A. & S.F. Fast Food
- Alternate versionsIn the DVD and theatrical versions of the film, when Johnny throws his TV out the window in the climax, it is obvious that it is daytime when the TV smashes to the ground despite taking place at night. However, in the Blu-ray transfer, a partial "day for night" filter was added.
- ConnectionsFeatured in Tim and Eric Awesome Show, Great Job!: Tommy (2009)
- SoundtracksYou're My Rose
Performed by Kitra Williams
Written by Kitra Williams and Wayman Davis
Music written and arranged by Wayman Davis for Nu-Rhythmn
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $549,602
- Gross worldwide
- $5,267,139
- Runtime
- 1h 39m(99 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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