Whisky

I recently saw this masterpiece of Latin American cinema. I've always taught that you don't need a big budget to make a big movie. Great movies relay on a great message, a solid statement. On this particular case "Whisky" from the beginning makes a point through its own images and pace. The viewer gets immersed in a routine, a horrible way of life of the main character (Jacobo Koller) that consists of living with no ambition, owning a horrible sock factory and going home with nothing... not a smile, not a desire, nothing, just the same routine over and over again. At the beginning when we see the same shots over and over, it seems like the movie is insisting upon itself, but is too important to state the point of the routine. We, as viewers get tired of watching this terrible life, imagine what it would be to live this life. When the main characters brother (Herman Koller) comes to Uruguay (a far more successful,and younger brother, that lives in Brazil), Jacobo asks Marta (an employee of his) to pretend she's his wife, probably to avoid criticism from his brother and to bare his brother's trip to Uruguay with someone else. Marta has the same features as Jacobo she lives a life of routine, with no surprises, nothing to take her out of her boredom. She's shy, and retrieved within herself, there will be a couple of scenes when we can see that probably Marta has been like this since she was a girl. Her relationship with Herman grows, she's in movement she wants something new. As for Jacobo he doesn't feel anything for life he's pessimistic, stubborn, a man with no dreams. The movie invites us to review our own life, are we going in a direction of routine and boredom? or are we looking for something new? Sometimes we can find that breath of life in the smallest of places, in the most unconventional of places, a book, a movie, a song, a trip, a person anything can give us something to live. Marta surely received that breath, and we all can.

Another reviewer's summary of this Uruguayan film is 'the psychology of failure' and I think that is probably a perfect description. This film is so subtle and understated that the vein of humour that runs through it - sardonic, dry and immaculately observed - will pass many people by. The mundanity of life, and the failure of some to see the fact that moments of happiness and relief can be wrestled from such an existence only by those with the vision and desire to do so, is reinforced by strands deliberately left untied. This film won't be for all tastes, but for those with the patience to watch beyond a slow (but necessarily so) opening act, it will prove to be a film worth watching.

A struggling Uruguayan businessman persuades his equally unglamourous assistant to pretend to be his wife in order to impress his estranged brother. If this conjures up thoughts of 'The Birdcage', or you imagine a riotous South American carnival of a film, you'd best prepare yourself otherwise, for 'Whisky' is characterised by almost exaggeratedly understated acting and a bone dry humour;, and its real subject matter is the psychology of failure. At start, it feels slow, but as one gets used to the characters, one sees more of the joke and sadness in the subtle plot. There are some resemblances to early Jarmusch, but even so, it's questionable whether one can make a wholly successful movie when quite so little explicit happens. In Uruguay, incidentally, they say "whisky" instead of "cheese" when a photograph is taken; but the deeper meaning of the film's title remains elusive at its end.

I couldn't disagree more with the last comment. Probably the best movie to come out of Uruguay in a long time. This is a beautiful subtle movie but definitely not for those who need to be told when to laugh or when to feel. Full of humor, full of sadness, and really smart. A great step towards maturity taken by the directors of "25 watts". I cant wait to see where they go with their third movie. Anyone has any idea? Again, if you need an applause sign to tell you what's good, you wont know what to do with this movie.

Give subtlety a try.

Keep it simple.

Following the more crowd-pleasing blockbusting antics of the likes of City of God and Amores Perros, it came as quite a surprise for this quieter, more restrained example of Latin cinema to perform so well on the 2004 international festival circuit.

The Uruguayan directors Pablo Stoll and Juan Pablo Rebella, following their previous effort 25 Watts (2001), once again centre their story in the small, provincial town of Montevideo. Jacobo Koller owns a modest sock factory that employs a few local women, including Marta. A year after his mother's death, his successful businessman brother Hermann visits from Brazil to attend the memorial. Jacobo requests that Marta pretends to be his wife while his brother stays. After the ceremony, the three take an impromptu trip to a small seaside resort.

While this premise may sound overly familiar from a million-and-one lightweight US sitcoms, the delivery is never short of fresh and intriguing. It rarely approaches the sort of twee sentimentality we might expect after reading a short synopsis. Almost nothing is said for the first half of the film as we observe the characters' drab, innocuous lives. And yet, despite this, the film somehow succeeds in upholding a surprisingly light and comic atmosphere. There are genuine moments of deadpan humour. The actors (schooled in the reticence of the national theatre) never force the comedy, in fact it is more often the camera that delivers the punchline; the constant repetition and rituals, the framing of the lanky Jacobo and squat Marta and a sudden romantic karaoke sequence that is all the more touching for its spontaneity.

Like the titular drink, Whisky is warm, satisfying and definitely suitable for repeat viewings.