Intermission

I really enjoyed "Intermission" which is set in Dublin. It has a great cast who play lovable losers who take themselves too seriously. Their antics make for a funny and entertaining film. There are a number of different plot lines but the characters are all connected somehow. In some ways it's like a comic version of Babel. Dubliners seem to have a limited vocabulary and every adjective seems to begin with F, so it's not a family film. But it's fast paced and should make you laugh.

The film starts when John (Cillian Murphy) decides he needs a break or intermission from Deirdre, (Kelly Macdonald) his girlfriend. She then makes John jealous by going off with Sam (Michael McElhatton), a married bank manager. Sam's wife of 14 years (Deirdre O'Kane) having been dumped embarks on a program of revenge, including sex with John's best friend, Oscar (David Wilmot). Jerry (Colm Meaney) is a police detective who likes beating people up and listening to Celtic music. He convinces a TV producer to make a documentary about his life. John and Oscar both work in a supermarket where their boss Mr. Henderson (Owen Roe) is a pompous twit. Deirdre's sister Sally (Shirley Henderson) was recently humiliated by a former boyfriend and sports a impressive mustache. Lehiff (Colin Farrell) is a thug who wants to rob Sam's bank. He is a friend of John and together they plan a bank robbery. Finally, there's Mick (Brian F. O'Byrne), a bus driver who is fired from his job and joins the gang. It's all good fun.

Intermission starts with a bang and just keeps going, following the intertwined lives of its characters who are in search of either love, money or fame. This darkly funny Irish film speeds along, delivering numerous memorable scenes and a variety of interesting characters.

The dialog is sharp and the story carefully laid out. The direction shows a true love a film making - a desire to make something lively and entertaining and funny, yet truthful and touching.

Despite the multiple story lines and players, Intermission holds together, arriving at its final destination at just the right time. Not an ounce of fat to be found here, this is a well-crafted film.

You may develop a slight case of whiplash while watching "Intermission," but it will be a small enough price to pay for the pleasure of the experience. This is a fascinating film that ingeniously weaves together a myriad of overlapping stories whose common thread is life among the Irish working class.

The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.

Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).

The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.

And you'll barely feel that whiplash.

I really enjoyed this movie. I laughed and laughed. It held me intrigued and wasn't a chore to watch or follow the story line. This movie dared to do what many others don't - very un-PC in places. Good on them for making such a refreshing movie. Sure we've seen many elements of the story line before and could anticipate many of the outcomes but I don't think this detracted from it at all. Great to see so many well known actors in different roles too. And demonstrating their acting talent by creating believable Irish accents. I did wonder if Colin Farrell had to practice his mother tongue after being in the USA for so long - seems he did OK though. I would definitely watch this again and recommend it whole heartedly to others.

I guess the fact that it has a great cast and a lot of black humour is what makes it so fun. But it has a good script, nice sound and that thick accent is funny as hell.

As some other guy here said, movies that show a lot of interconnected subplots that elevate the level of intimate knowledge about the characters is unlikely to get old, at most it is in danger of being done to death.

Bottom line: this is an Irish "Crash". I found it well done and funny, although a bit slow at times and you have to strain your ears a bit if English is not your mother tongue. However, I advice against translations, as you risk getting something an illiterate 10 year old thought he heard, like I did :(