You, Me and Dupree

I have to say, You, Me and Dupree was pleasantly surprising. I had expected it to be something along the lines of Wedding Crashes, and I am pleased to say that You, Me and Dupree was nothing like it (although don't get me wrong, Wedding is a great movie). Dupree was in a sense predictable and certain scenes were drawn out, but the overall plot was cute and the movie itself had some memorable moments, including yet another great performance from Michael Douglas. You, Me and Dupree was a charming and delightful comedy that was at times predictable, and had the occasional irritating character, but was still worth the money, and worth seeing again. If you're looking for an easy going, light hearted movie with that isn't shallow, You, Me and Dupree I highly recommend.

'You Me and Dupree', the new comedy starring the Texas charmer Owen Wilson, represents two of the breeziest hours in film this year.

Quirky and funny 'You Me and Dupree' might be a film likely to catch you by surprise. It involves two newlyweds (Dillon and Hudson) and their oafish house guest Dupree (Wilson), who is turning their new world upside down.

I can't tell you what makes 'Dupree' tick so well, but something does. As far as plotting nothing seemed to be "filler" to me. Everything seems to drive the plot forward. Though it might just be "going through the paces" the film makes those paces as quick and lively as possible.

Performance wise, Wilson brings the right amount of charm needed for us to accept Dupree. Dillon and Hudson are solid in thankless roles. And Douglas creates a good supporting character of Hudson's father and Dillon's boss. I'd also like to point out the effortless comedic flow of 'The 40 Year Old Virgin' 's Seth Rogen also seen here.

In closing, 'Dupree' represents some very breezy summer fun in the air conditioned comfort of a theater.

In the Russo Brothers' disappointing You, Me and Dupree, Owen Wilson's Dupree expounds an existential philosophy of keeping one's own character, a "ness" tacked on to a first name, such as his best friend's (Matt Dillon) "Carlness." It's a good idea dramatically to remind us all of our uniqueness and the necessity to nurture and protect it from, say, marauding fathers-in-law (in this case Michael Douglas), who might want to efface our individuality as well as get us vasectomies.

Yet the philosophical theme doesn't fit this comedy as it might Chekov's. Dupree's warm-hearted house guest slacking tests the patience of Carl and new wife (Kate Hudson). I can't figure out what Carl's character is, much less know what's worth preserving. Duprees's immature, likable, sometimes witty persona is much easier to determine. Kate Hudson's Molly is even easier, however, because all she has to do is put up with the boys' adolescent behavior and show up now and then in a bikini or white panties with her yellow hair in a breeze to let us know she inherited all of her mom's (Goldie Hawn) good traits including the promise of fine comedic timing should a script offer the chance. This script offers stinky scatology and humorless masturbation instead.

Wilson is establishing himself as an accomplished light comedian with a regrettable tendency to play the same type of charming bumbler who always has a pithy remark to make himself the poetic soul of the piece. His recurring sides of wit and boyish mischief are keeping him in enough cash to keep him from his even more talented role as co-writer with director and buddy Wes Anderson. So, I ask myself, why doesn't he do only projects that suit his creative gifts—maybe because he's lost his sense of "Owenness."

Last night a friend coaxed me into seeing "You, Me and Dupree." Even though I have liked all four of its principal actors for years, I hadn't planned on seeing it last night or possibly ever. The reviews have been uniformly terrible, so I was expecting the worst. I sat in a movie theater that was perhaps one-third full, and I was waiting for the boredom to set in, which the critics said was coming—in spades.

Yes, Owen Wilson has bleached-blond locks, again, but that is probably the only accurate comment in any of the reviews that I saw, and I must have read at least ten of them, from various parts of the country. He was very good, as he was in the "Wedding Crashers." Kate Hudson was perky as always, and did a splendid job; and anyone who has loved her mother over the years will find Goldie's "clone" just as lovely as ever.

Matt Dillon did a terrific job, and was totally believable comically; and Michael Douglas was very good too, playing his character with aplomb. In short, it was a very funny movie, and quite refreshing given the alternatives; namely, movies that are loaded to the gills with special effects, which jar one's cranium to the uttermost.

It seems like the critics were in lock step in panning this film, which may be driving away audiences unfairly. Indeed, this may be a perfect example of the critics being wrong, dead wrong. Go see it in a theater, or buy a DVD when it comes out, and my guess is that you will not be disappointed one iota—and may actually love it. All four principal actors are perfectly balanced, and they are strong enough to be wonderful foils to one another.

This is an extremely lazy slacker comedy. Owen Wilson overdoes his 'aw shucks' charm as a good for nothing who stays on as a house guest with his reluctant best friend. There are some comic moments but the film as a whole simply doesn't work. Why would anyone put up with someone as self-centered and obnoxious as Dupree? The film doesn't even bother to try. Kate Hudson looks good but has little to do. In fact, Matt Dillon and Michael Douglas, all play second fiddle to Owen. With a weak script and few laughs, this is pretty poor stuff,only watchable if you are completely bored.

Overall 3/10