Gargoyle

I was apprehensive as it was a Sci-Fi Channel movie, which often means cheapness and bad writing and acting. But actually, for one it is actually not too bad, not good by all means but unlike others it does have redeeming qualities. The Van Helsing-prologue is rather brief but sets the tone well, the score is reasonably atmospheric, the Romanian locations are simply gorgeous and with references to past horror films(Ghost of Frankenstein, Nosferatu) and Vampire lore there is some evidence that some research was done. Some have said the acting was better than average, some have said it was really bad. I'd say it was a mixed bag. I found Michael Parre and Sandra Hess likable leads, and Tim Abell was fun as Lex, but the best was Fintan McKeown in the most sympathetic role of the film and he does well with it. However, there are some let downs, I never did find the priest character believable for a second, the (beautiful) female scientist likewise, and the teacher was annoying and does some unbelievably stupid things. Here come the bad things about Gargoyle's Revenge however. The gargoyle(s) are much too fake, the haphazard camera work completely betrays this, and they don't come across as menacing or interesting. The murders are poorly done also, again the camera work dilutes the sense of terror the scenes should do, if not enough to clearly see how artificial the decapitations, mutilations and gore look. The script is cheesy and very unnatural and aimless in its flow and structure. The story was decent in idea but falls short in execution, a couple of intriguing scenes like the prologue and the ferris wheel, but the murders and the contrived ending aren't so good, a lot of the telling is dull and predictable and overall Gargoyle's Revenge could have done with much more atmosphere. The action scenes are repetitive, while the characters are not just clichéd but either underdeveloped(the female scientist), annoying(the teacher) or both(the priest), only Father Soren properly doesn't suffer from either. Overall, not good but not terrible either. 4/10 Bethany Cox

I'll say it right away: I'm a sucker for monster movies. Also for the bad ones. Yes, even the really bad ones. And technically and theoretically "Gargoyle" is a bad one. No doubt about that. Hey, Jim Wynorski directed this one, so what can one expect, right? But I've started to like this guy a lot over the recent years. He made great campy horror-flicks during the 80's ("Chopping Mall", "Return of the Swamp Thing"), and during these last years I saw some of his newer, nonsensical monster movies. And I had loads of fun with them. Great thing with his newer monster-flicks, is that he puts so many crazy ideas and subplots in them, that you never get bored. Okay, most of the time it doesn't lead to anything, but it's still fun. Plus, he often even rips-off various plot elements or characters from his own movies, to re-use them in new flicks of his. These are the mysterious Ways of Wynorski. Anyway, here we got: Ancient Gargoyles with their offspring being born from "Alien"-like cocoons, a Roumanian setting with lots of castles, two CIA detectives investigating the strange goings-on and mutilated bodies, a terrorist-kidnapping, a drug-lord running a sinister voodoo-nightclub, rival drug-dealers, a Dracula-worshiping cult (mentioned only), two competitive priests (of which one has a secret agenda), a gorgeous-looking cutie with a degree in history/folklore/archeology (or something), Michael Paré, a spectacular car-chase with continuity errors, Michael Paré cranking up a smile at the end while laughing at a joke, one final "this ain't over"-shot. And some other things. So how can you not have fun with it? The CGI used for the gargoyle is surprisingly tolerable and even reminded me at times of those good old stop-motion effects back in the old days. Thinking about it, this film is a far better movie then, for example, "Pterodactyl" (2005) - another one of those flying CGI beasts of terror movies - because in "Gargoyle" at least there's an attempt at a story. Hell, put "Gargoyles" next to the recent, utterly abominable "Harpies" (2007), and you'll see "Gargoyles" for the genuine Wynorski Masterpiece that it is. Of course it's complete nonsense. But it's Wynorski-nonsense, and that's about the same as pure fried gold.

In this movie, the gargoyles deserve to take the earth. It feels like they're the only one taking this whole movie seriously.

The premise of the film is gargoyles which are mythical creature; they fall somewhere between demons, bats, dragons but just looks like a meaner Dracula in the bat form from Van Helsing. These gargoyles then meaninglessly kill a lot of people. And, it's up to our hero to save the day and the world.

The CGI is awesome and it's stuff right out of "Van helsing" with the bat/human flying creature and the countless spawns flying around. The sets are awesome. The action scenes and car chases are tight.

But, the acting is really bad. The way the movie is between the action scenes is really bad. Also, the story is really bad. But, the gargoyles are really mean and they do some really cool stuff.

The main action here's lethargic way of dialog makes him seem dumb; the blond girl doesn't look sexy enough or forceful enough - she just feels ordinary and without an interesting character; the girl who plays the scientist doesn't really act like one.

This is really low on quality in the genre of monster movies - except for the monster itself.

Not really worth watching.

You know that mouthwash commercial where the guy has a mouth full of Listerine or whatever it is and he's trying really hard to keep from spitting it up into the sink? That's a great metaphor for this movie. I kept watching, even though it was really difficult. But keeping mouthwash in your mouth will leave you with a minty fresh feeling. This movie left me with a bad taste in my mouth. I should have spit it out when I had the chance.

The premise is corny enough to be fun. For the first time in like a thousand years, Gargoyles have returned to Romania, and all of the priests who knew how to fight and kill these things are long dead. It's up to Michael Pare and some other secret agents to get to the bottom of things before the Gargoyles run amok. Unfortunately, the premise is completely lost in bad dialog and less than enthusiastic acting on the part of the human leads. The best acting is done by the CG Gargoyles.

In the end, this movie feels like a poor man's Van Helsing. If you check your brain at the door, this might get you through a dreary Monday night. I gave it 3 out of 10 stars.

Gargoyle (2004)

** (out of 4)

An infamous kidnapping leads to CIA agents to Romania where they think it'll just be your typical crime. Pretty soon they realize that they're dealing with something much worse in a flying gargoyle, which was a mythical creature in the land that was obviously based on facts.

Jim Wynorski is one of my favorite directors of "B" movies like this one and there's no question that he keeps this film moving along a lot better than most would have. If you're a fan of these low-budget type of movies then you'll be familiar with Wynorski's work and for the most part GARGOYLE is a fun enough movie to make it worth watching.

With that being said, if you're looking for some sort of art film then you're going to be depressed by the time this ends. I actually thought the opening sequence was the highlight of the film as the director wastes no time in introducing us to our monster. The older setting actually looked really good and it really made me wish that the entire movie was set in the past. The CGI gargoyle obviously doesn't look like something you'd see in a Spielberg movie but I thought it was fun.

The film really does suffer whenever the monster isn't on the screen. I just believe that movies like this are always better when there's a fun monster and when it's on the screen. I thought Michael Pare and Sandra Hess were both fun in the lead roles and they certainly made the film easier to watch. The supporting characters weren't all that memorable and at 97-minutes the film does go on a bit too long.