Cissie Enright is not exactly thrilled with the idea of poisoning the real estate man. But her sister, Joanna, insists that it's the only way.Cissie Enright is not exactly thrilled with the idea of poisoning the real estate man. But her sister, Joanna, insists that it's the only way.Cissie Enright is not exactly thrilled with the idea of poisoning the real estate man. But her sister, Joanna, insists that it's the only way.
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Two spinsters (Carmen Matthews and Dorothy Stickney) and have agreed to sell their house to a property developer (Ray Collins) but, regretting it, plan to kill him.
This episode is a very light hearted black comedy, as is clear from the incidental music. No psychological tension or heart-stopping suspense here, just a fun ride. The pace is maintained throughout - it never drags. The three main actors are all well suited to their roles. Carmen Matthews' part is similar to the one she played 4 episodes earlier (Kill with Kindness), though here she is a little more human, and the story itself is much more satisfying.
I didn't find the story predictable, and there was at least one surprise turn in the plot.
As with many of these episodes, this is one where you really could do without the obligatory "no-one must get away with a crime" epilogues which I dread even before Hitchcock opens his mouth. Still, it's better there than in the story itself.
So, sit back and enjoy...
This episode is a very light hearted black comedy, as is clear from the incidental music. No psychological tension or heart-stopping suspense here, just a fun ride. The pace is maintained throughout - it never drags. The three main actors are all well suited to their roles. Carmen Matthews' part is similar to the one she played 4 episodes earlier (Kill with Kindness), though here she is a little more human, and the story itself is much more satisfying.
I didn't find the story predictable, and there was at least one surprise turn in the plot.
As with many of these episodes, this is one where you really could do without the obligatory "no-one must get away with a crime" epilogues which I dread even before Hitchcock opens his mouth. Still, it's better there than in the story itself.
So, sit back and enjoy...
A pair of sisters decide to play a devious game when the man who bought their house arrives for a visit. They serve up something extra special in their tea and cookies, in order to keep their home in the family.
Enjoyable black comedy that benefits from the three characters. Their acting is great. There's no murder, well only an attempted poisoning, but it's a change from a serious tone.
Enjoyable black comedy that benefits from the three characters. Their acting is great. There's no murder, well only an attempted poisoning, but it's a change from a serious tone.
Another fine episode by Frances Cockrell, who also brought lots of imagination and homicide to BATMAN a decade later.
Carmen Matthews and Dorothy Stickney, two superior stage and film actresses, are appropriately cast as the Enright sisters, about to lose the old homestead. In steps heartless, calculating Mr. Brenner (Ray Collins, just before his PERRY MASON days), ready to take control of the place and literally throw them into the street.
What to do? In the usual Hitchcock style, MURDER 101. He deserved it anyway, right? The thing Hitch must have recommended time again to his writers was to ALWAYS end an arguement with cold blooded murder. At least it spiced things up.
The two spinsters begin deliberations as to the best way to eliminate their guest, and eventually Brenner is sitting paralyzed and at their mercy. Didn't he like the tea and cookies?
Carmen Matthews, a Hitchcock favorite, much like Robert H. Harris, is again perfectly cast as the warm and gentle villain, and the brains of the outfit who is quite the cook. Wait for the ending...
Jules Bricken did a very good job directing this talented trio, and with experience; he also directed several episodes of Boris Karloff's macabre series, THRILLER. In the 60s Bricken produced one of the greatest WW II films ever, THE TRAIN, starring Burt Lancaster.
Best of SEASON 2, remastered Universal dvd box set (2006). These box sets are wonderful, usually containing 4 dvds.
Carmen Matthews and Dorothy Stickney, two superior stage and film actresses, are appropriately cast as the Enright sisters, about to lose the old homestead. In steps heartless, calculating Mr. Brenner (Ray Collins, just before his PERRY MASON days), ready to take control of the place and literally throw them into the street.
What to do? In the usual Hitchcock style, MURDER 101. He deserved it anyway, right? The thing Hitch must have recommended time again to his writers was to ALWAYS end an arguement with cold blooded murder. At least it spiced things up.
The two spinsters begin deliberations as to the best way to eliminate their guest, and eventually Brenner is sitting paralyzed and at their mercy. Didn't he like the tea and cookies?
Carmen Matthews, a Hitchcock favorite, much like Robert H. Harris, is again perfectly cast as the warm and gentle villain, and the brains of the outfit who is quite the cook. Wait for the ending...
Jules Bricken did a very good job directing this talented trio, and with experience; he also directed several episodes of Boris Karloff's macabre series, THRILLER. In the 60s Bricken produced one of the greatest WW II films ever, THE TRAIN, starring Burt Lancaster.
Best of SEASON 2, remastered Universal dvd box set (2006). These box sets are wonderful, usually containing 4 dvds.
This is entirely tongue in cheek. It involves a couple of elderly sisters. One of them quite dominating and the other rather passive. Enter a man played by Ray Collins (Lt. Tragg from Perry Mason). He wants their property and won't take no for an answer. They decide that they should kill him. The entire episode is a series of efforts to do away with the man while he sits there and listens. He is paralyzed for much of the episode. As time goes along, the sister that seems like the mouse begins to assert herself. It leads to a satisfying conclusion. It's best if you don't take this one too seriously.
The byplay between the two sisters and Collins' pleading are quite comical. I think a great deal of charm comes from the two women's cold bloodedness. They don't seem to care that they are about to murder someone, only how to do it.
The byplay between the two sisters and Collins' pleading are quite comical. I think a great deal of charm comes from the two women's cold bloodedness. They don't seem to care that they are about to murder someone, only how to do it.
"Conversation Over a Corpse" is the second 'Alfred Hitchcock Presents' episode directed by Jules Bricken. Bricken only directed three episodes, but all three are well worth the look and one in particular is a lot better than some of the episodes directed by the most frequent directors. Bricken may not have been one of the best directors for the series, but deserved more of a chance and didn't get enough of one in my personal view.
Of the three episodes of Bricken's, my vote for the best is "Conversation Over a Corpse". One of the best episodes of an uneven Season 2 and the first great episode of the season. Is it a high point of 'Alfred Hitchcock Presents?' No it isn't. But when it comes to entertainment value and atmosphere, "Conversation Over a Corpse" is one of the most entertaining in a dark way and most atmospheric, again in a way that chills in its own way.
It is at its weakest with Hitchcock's contribution in one of the few times of the series where his epilogue wasn't necessary and felt tacked on.
That's the only fault that could be found by me. It's well made, shot and lit with a good deal of atmosphere. It's not opulent as such but again it's not that kind of episode, neither is it cheap or simplistic. The music is some of the best of the series up to this point, the episode has a darkly comic tone and so does the style of the music (so one of the few to be scored perfectly). Bricken directs with a good deal more confidence and distinction, it was not bad at all in the previous episode but there was never anything exceptional whereas while not ground breaking there was nothing to find fault with.
Writing is very clever and darkly funny, as well as deliciously ironic, some of the funniest and most intelligent of the season and one of the main reasons as to why "Conversation Over a Corpse" is one of the standouts of Season 2. While not suspenseful as such perhaps, the story is still incredibly compelling, very atmospheric (especially the darker moments) and never stops entertaining. Cissie is a fascinating character.
Loved the interplay for the characters and other than the writing and the ending, that wasn't expected, the episode is worth seeing for the performance of Dorothy Stickney. Have not seen dottiness this entertaining or unsettling in goodness knows how long.
Summing up, great. 9/10.
Of the three episodes of Bricken's, my vote for the best is "Conversation Over a Corpse". One of the best episodes of an uneven Season 2 and the first great episode of the season. Is it a high point of 'Alfred Hitchcock Presents?' No it isn't. But when it comes to entertainment value and atmosphere, "Conversation Over a Corpse" is one of the most entertaining in a dark way and most atmospheric, again in a way that chills in its own way.
It is at its weakest with Hitchcock's contribution in one of the few times of the series where his epilogue wasn't necessary and felt tacked on.
That's the only fault that could be found by me. It's well made, shot and lit with a good deal of atmosphere. It's not opulent as such but again it's not that kind of episode, neither is it cheap or simplistic. The music is some of the best of the series up to this point, the episode has a darkly comic tone and so does the style of the music (so one of the few to be scored perfectly). Bricken directs with a good deal more confidence and distinction, it was not bad at all in the previous episode but there was never anything exceptional whereas while not ground breaking there was nothing to find fault with.
Writing is very clever and darkly funny, as well as deliciously ironic, some of the funniest and most intelligent of the season and one of the main reasons as to why "Conversation Over a Corpse" is one of the standouts of Season 2. While not suspenseful as such perhaps, the story is still incredibly compelling, very atmospheric (especially the darker moments) and never stops entertaining. Cissie is a fascinating character.
Loved the interplay for the characters and other than the writing and the ending, that wasn't expected, the episode is worth seeing for the performance of Dorothy Stickney. Have not seen dottiness this entertaining or unsettling in goodness knows how long.
Summing up, great. 9/10.
Did you know
- TriviaThird of six appearances in "Alfred Hitchcock Presents" for Carmen Mathews, only four weeks after her previous appearance.
- GoofsMr. Brenner states that Joanna Enright tried to kill him with an ax. She was wielding a cleaver, not an ax.
- Quotes
Joanna Enright: Maybe we could take him out in sections.
Cissie Enright: Sections? Oh. But wouldn't that be terribly untidy? I mean, mama's rug.
- ConnectionsVersion of Alfred Hitchcock Presents: Conversation Over a Corpse (1987)
- SoundtracksBen Bolt (Oh, Don't You Remember)
(uncredited)
Lyrics by Thomas Dunn English
Music by Nelson Kneass
Performed by Dorothy Stickney
Details
- Runtime
- 30m
- Color
- Aspect ratio
- 1.33 : 1
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