Place of Shadows

Alfred Hitchcock pleads for Christian forgiveness in this short story.

Ray Clements (Mark Damon) is an angry young man. He arrives at a monastery claiming to be Floyd Unser. A man who was a friend of Dave Rocco. A criminal who stole a lot of money from Clements.

Clements wants more than his money back, he plans to kill Rocco for ruining his life which also caused the death of his father.

The monk tries to talk Clements out of murder. Turn to his inner religion. The monk even gives the money back that Rocco too from him.

Other monks tell Clements about the consequences of taking a life. Something Clements realises when the real Unser turns up.

It is a case of no honour among thieves but also about redemption and forgiveness. It is all a bit hokey.

A gangster has been badly injured and is being cared for in a monastery. While there, a young man played by Mark Damon comes, determined to get back some money that was taken from him. He also blames the man for the death of his father, who died, ashamed of his son. There is a third party, a small time crook. Much of the story reveals that the young man has roots in the Catholic church and the Abbott tries to convince him that what he is doing is wrong. Another monk says, "If you look into the face of a man you have killed, you will never be the same again." The young man decides to depart after observing vespers and having a bit of his youth tug at him. Unfortunately, there is a third man after the money, and things get complicated. The weakest thing in the episode is a quick decision made by police officer, Claude Akins. Just a bit too convenient. That aside, it works pretty well.

On early commentaries Hitch implied that the faster technology on making TV sets in near future the viewers could be throw things straight into the tube to hit the actors, presenters and others people just in case if they dislike the offer, performance or something like that, surely a joke, however wasn't a bad idea if it becomes possible.

Awesome episode about a young man Ray Clements (Mark Damon) arrives at train Station (once more Hitch applies his favorite key element, the night train) looking for a monastery where got shelter for a man who stolen his money, he was driven there by Brother Gerard (Sean McClory) and submitted to old father Vincente in charge of the order, Clements told to kindly Father the whole story, unless his real name, he presenting himself as Floyd Unser, the smart Father Vincente exposes to young boy that his physical aspects doesn't fit on the accurate description of Unser.

Distressed for be debunked by the upstanding Father at last Clements explains such hoax, the father delivers to her all money stolen to him, hence he can pay his debts and clean your name however Clements claims that his father died for deep grief, thus he ought revenge his father's dead, nonetheless Clements was raise under Christian's teaching the money recovered wasn't enough to erase his beyond repair lost.

Here Hitchcock sets out nothing about religions or something, it's a matter of awareness that all concerning the human being itself, his principles, beliefs and so on, the episode has a special meaning on the upshot!!

Thanks for reading.

Resume:

First watch: 2021 / How many: 1 / Source: DVD / Rating: 8.

Mr. Clements has traveled through a snow storm in order to make his way to some monastery. He claims to be Mr. Unser, a friend of Rocco. As for Rocco, he was injured in some accident and the monks were taking care of him. So why does Clements come to this place using a phony name? It's because Rocco robbed him and helped destroy his life...and he plans on killing the man! But the monks see through this and don't give him this opportunity for revenge. So what's next? See the show.

This is a fair episode about revenge...not bad but no especially memorable. Which, for most anthology programs, is the norm.

Religiously themed show, featuring pretty boy Mark Damon, an unusual appearance for the series. Damon's youthful Clements travels to a monastery to wreak revenge on a man housed there who stole money from him. Father Vincente, the authoritative Everett Sloane, tries to talk him out of it through their shared religious background. Clements wavers, but will he give it up.

It's not a very riveting entry. Only a little suspense builds as we wonder what the lad will do. But the casting of an innocent-looking Damon pretty much telegraphs the outcome. Still, the ending is subtly ironic if you think about it. Note too, that Brother Jared's appeal to Clements is made on humanitarian grounds, not explicitly religious as might be expected. That way the episode avoids sectarian entanglements with its audience. And I agree with the reviewer who observes that these early episodes appear very cheaply produced. My guess is the money went into casting as it does here with movie vet Sloane. Fortunately, story and acting were uppermost in this superior dramatic series.