The Baby Sitter

Lottie Slocum (Thelma Ritter) is the baby sitter who is questioned by the police over the killing of Clara Nash.

The murder has aroused press interest and Lottie revels in it. When she talks about the incident to friend Blanche, it becomes clear that Lottie might be a fantasist.

She disliked Clara Nash who she regarded as a floozie and was infatuated with her older husband.

It might be Lottie is covering up for something or someone.

It was well acted but for a long time it was frivolous. You know where it is going when a certain person later shows up.

Silly Lottie.

Thelma Ritter was an amazing supporting actress...so much so that she was nominated six times for the Oscar! Although she never won, she always made every film better with her wonderful acting. While not as famous, Mary Wickes was also marvelous. When I saw either in a film, I was guaranteed to enjoy it. However, this is not true in "The Baby Sitter", an episode of "Alfred Hitchcock Presents" that really disappointed.

The episode begins after Mrs. Nash was murdered. Lottie (Ritter) definitely did not like the woman and now that the police are investigating her murder, Lottie is enjoying all the attention she's receiving...because apparently she is the last known person to have seen her as she was babysitting Nash's son. Unlike Mrs. Nash, Lottie really likes Mr. Nash....her ex-husband. She feels sorry for him and she entertains ideas, crazy ideas, that now he might be interested in her! Well, it turns out that he is...just not the way she hoped.

The episode gives Ritter a great chance to act...her acting was NOT a problem here. The problem was the script. The surprise twist you expected at the end came as no surprise and it just seemed like a very lazy episode...lazy as well as disappointing.

Two of the most distinctive and adored character actors of all time and both of them scene-stealers yet together they are in 'perfect sync'. If you are a Ritter fan she has more speaking lines in this little playlet than she does in some of her most famous movies and does a range from wise-ass classic street smart to a kind of Bronx Blanche Dubois.

Robert Stevens directed a lot of Hitchcock Presents and Hitch was very happy with him. He knew how to get a lot of mileage out of little touches - notice the emphasis on sweets, ice cream sodas, chocolate cake, food etc. in The Babysitter. Thelma Ritter finishes a romantic novel and next to her is a plate of chicken bones when the final scene is enacted. Stevens reached his highpoint in 50's and 60's anthology series such as Suspense and Hitchcock. Never made it big after. He had an 'economical' flare for the '26 minute' playlet format. He also would add little Hitchcock touches at times.

This is pretty lightweight stuff. Thelma Ritter plays a babysitter who works for a pretty wealthy family where there is a lot of tension between the husband and wife. She feels that the man is getting short changed in the family and frequently pokes her nose in where it doesn't belong. She has another old maid type sidekick who is always asking questions and tormenting her. Unfortunately for her, her bad judgment really works against her. She fancies herself as a soul mate or even the next wife of this man. She crashes and bashes her way in and out of situations that would make one cringe. Of course, most of what she has is in her head. This isn't a very good episode.

What? Thelma Ritter as a "thoroughly classless mess?" As far as I'm concerned, Ritter lifts every film or TV show she's in, including this one which I just watched. Her comic timing, delivery, and poignancy can't be beat. I find her believable in every scene here. I think the previous commenter is objecting more to the script than the performance. As far as Ritter goes, I think she is one of the most underrated actresses of our time. Her performance in the opening of "All About Eve" is amazing. As is her performances in the Doris Day/Rock Hudson movies. She was also great in "Rear Window" and "The Misfits." She was nominated for six Academy Awards.