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The Outer Limits
S2.E12
All episodesAll
  • Cast & crew
  • User reviews
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IMDbPro

Keeper of the Purple Twilight

  • Episode aired Dec 5, 1964
  • TV-14
  • 51m
IMDb RATING
6.9/10
493
YOUR RATING
The Outer Limits (1963)
DramaFantasyHorrorMysterySci-FiThriller

An overworked Earth scientist gives away his emotions in exchange for two alien equations needed to build a disintegration gun.An overworked Earth scientist gives away his emotions in exchange for two alien equations needed to build a disintegration gun.An overworked Earth scientist gives away his emotions in exchange for two alien equations needed to build a disintegration gun.

  • Director
    • Charles F. Haas
  • Writers
    • Milton Krims
    • Stephen Lord
    • Leslie Stevens
  • Stars
    • Robert Webber
    • Warren Stevens
    • Gail Kobe
  • See production info at IMDbPro
  • IMDb RATING
    6.9/10
    493
    YOUR RATING
    • Director
      • Charles F. Haas
    • Writers
      • Milton Krims
      • Stephen Lord
      • Leslie Stevens
    • Stars
      • Robert Webber
      • Warren Stevens
      • Gail Kobe
    • 11User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos1

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    Top cast6

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    Robert Webber
    Robert Webber
    • Ikar
    Warren Stevens
    Warren Stevens
    • Prof. Eric Plummer
    Gail Kobe
    Gail Kobe
    • Janet Lane
    Curt Conway
    Curt Conway
    • Franklin Karlin
    Edward Platt
    Edward Platt
    • David Hunt
    • (as Edward C. Platt)
    Vic Perrin
    Vic Perrin
    • Control Voice
    • (voice)
    • (uncredited)
    • Director
      • Charles F. Haas
    • Writers
      • Milton Krims
      • Stephen Lord
      • Leslie Stevens
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    6.9493
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    Featured reviews

    4hung_fao_tweeze

    Outer Limits slides back into mediocrity

    My biggest complaint with season 2 of OL is that the production staff seem to have no clue how to do plausible science fiction. They impose conditions and motivations into a script that ultimately prove to make the discerning viewer feel cheated out of a good story. After the excellent 'The Inheritors I and II', 'Keeper Of The Purple Twilight' avalanches right back into the banality of the rest of season 2.

    It is a great title though, isn't it. It is never satisfactorily explained however. It really doesn't seem to mean anything perhaps.

    So, the basic story is a dedicated scientist is seeking certain equations to help him complete his death ray and he is having no luck on his own. He is frustrated and emotionally sick over the stress of the situation. Along comes an alien to help but his motivations are bizarre. Basically he is supposed to provide the equations so that the death ray is produced on Earth and this would open the door for the rest of his species to come in and take over the world. It's sort of a warped hostile version of 'The Day The Earth Stood Still'. On top of this, the 'logical' alien advises the scientist he will provide the equations if he can have the scientists emotions. Well, I didn't see that coming - and, quite frankly, seems completely insipid. As you can surmise, the emotions don't sit well with the alien - blah blah blah.

    I found myself wanting desperately for this episode to foray into something original or simply end. It finally ended. The only thing I managed to take away from this episode was the impressive alien configurations. These were worthy and could hold up to anything from the first season although that 'crushed velvet(?)' uniform was a bit laughable. And did I detect crotch zippers on the pants of the soldier aliens?? Did you see the claws on those guys? Logistically, urinating could be an adventure I would bet.

    Overall: A dreadful episode slightly saved by the eerie alien costumes
    StuOz

    Outstanding

    An alien gets human emotions and struggles to understand the human emotion known as love. Warren Stevens must deal with the confusing alien...not to mention his confused wife!

    Great story, guest stars (mainly Warren Stevens), location filming, score, and eight foot aliens that still look cool in this century! I have just read a negative review on this episode, mainly about the "confusing story", and am rather surprised that some disliked this episode.

    Some women of this century will find the hour sexist, some Get Smart (1965-70) fans will struggle with seeing "The Chief" acting straight, but to me, this is an almost perfect hour that defines The Outer Limits.
    8Sleepin_Dragon

    Very good episode.

    Professor Eric Plummer is busy working on a powerful and deadly weapon, he is approached by a shape shifting alien being named Ikar arrives, and offers to trade his scientific genius, for Plummer's human emotions.

    This deserves a higher rating, it's a fine sci fi story, great characters, interesting themes and some nice action sequences.

    I loved the way Ikar confronted Janet, seeking understanding of what emotions are, and how they work, it's quite an uncomfortable scene.

    I was worried about Janet and her character early on, but she developed well, and actually played a significant part in the conclusion.

    I liked Ikar's design, and those of the giant alien beings. Nice location work, and some decent looking sets too.

    Robert Webber and Warren Stevens both deliver in my opinion, acting in such a way, devoid of emotions must be difficult to do, the pair do it so well, Ikar is a great character.

    Thumbs up.

    8/10.
    7Hitchcoc

    Don't Get Emotional!

    This is one of those episodes that require us to accept an alien force that has capabilities to withdraw sense from a human. It's one thing to be a vanguard for populating another world (much science fiction and especially The Outer Limits hangs on this possibility. When the alien come to the desperate scientist, who is on the verge of a nervous breakdown, one can understand that he would do what he could to gain access. But the fact that an interplanetary culture has no knowledge of emotions but has the ability to absorb someone else's, makes everything more fantasy than sci fi. The story is a pretty good one. Ikar comes from a beehive culture, not unlike the Borg from Star Trek: The Next Generation. Every entity has his or her own purpose. When he ingests the emotions of the scientist and goes about testing out his newfound toys, it becomes really sort of silly. I decided to let that go and evaluate the story as presented. It is suspenseful and interesting and maintains the attention. It is heavy handed with a kind of human proselytizing, showing how superior we really are. Television in the sixties couldn't seem to shake this sermonizing.
    3AaronCapenBanner

    Human Emotions

    Warren Stevens stars as a scientist named Eric Plummer who has been despairing about completing complex equations needed to manufacture an anti-magnetic disintegrator when he is unexpectedly approached by an alien named Ikar(played Robert Webber) who will give him the help he needs if he can borrow his emotions, a concept unknown to his species. Of course the emotions wreck havoc on the orderly mind that his race prides itself on, which threatens everyone involved, in particular Eric's girlfriend Janet(played by Gail Kobe) as the aliens plan to invade the Earth, and wont let the compromised Ikar stop them...Dreary, all-too predictable and arch episode only has memorable monsters to distinguish it in any way, despite the colorful title.

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    Storyline

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    Did you know

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    • Trivia
      The same gates used for the facility entry were used at the beginning of "Demon With The Glass Hand."
    • Goofs
      The glowing alien eyes are overlaid images, apparent when they move separately from the heads directly behind them.
    • Quotes

      Control Voice: [Opening Narration] There is no limit to the extension of the curious mind. It reaches to the end of the imagination, then beyond into the mysteries of dreams, hoping always to convert even the dreams into reality, for the greater well being of all mankind.

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    Details

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    • Release date
      • December 5, 1964 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Production companies
      • Villa Di Stefano
      • Daystar Productions
      • United Artists Television
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 51m
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1
      • 4:3

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