All Things
- Episode aired Apr 9, 2000
- TV-14
- 45m
Scully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been ... Read allScully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been admitted at the hospital. Meeting with him again causes Scully to re-examine the decisions... Read allScully is finishing up the autopsy of a person at a hospital. A file mix-up involving the autopsy folder and another patient's x-ray leads Scully to discover a former lover of hers has been admitted at the hospital. Meeting with him again causes Scully to re-examine the decisions she has made in her life, leading to her where she is to today.
- Director
- Writers
- Stars
- Nurse #2
- (as Elayn Taylor)
- Hospital Visitor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The Sky is Broken
This is a great insight into Scully's past and psychological make up
Excellent Dramatic Writing
It's theme is reconciliation, balance and faith in the intuition of the human heart. It contains some of the details for the California setting, with its quiet references to the rich layers of East versus West, and I could watch it multiple times and not tire of its craftsmanship.
A former lover and mentor to Dana Scully is reintroduced into her life, while she is performing her routine duties, and she reconciles with him, after he confesses his own shortcomings.
There is a series of short walks and introspection where time seems to stand still, and a medical miracle to balance the skeptical attitudes of some characters.
While its abstract narrative and slower pacing may not appeal to all viewers, it stands as a thoughtful meditation on love, loss, and self-discovery
Anderson's direction demonstrates a keen sense of visual storytelling, employing symbolic imagery and dream-like sequences to convey Scully's inner turmoil. The use of soft lighting and fluid camera movements creates an ethereal atmosphere that complements the episode's introspective tone. One of the standout sequences is a montage accompanied by a hauntingly beautiful musical score, illustrating Scully's reflection on pivotal moments in her life. This artistic approach, though ambitious, may feel too abstract for viewers accustomed to the show's more straightforward narrative style.
The script, also penned by Anderson, takes a contemplative approach, focusing heavily on character development rather than external conflict. This narrative shift allows for a rare exploration of Scully's emotional landscape, which has often been overshadowed by the series' paranormal investigations. Anderson delivers a nuanced and heartfelt performance, capturing Scully's vulnerability and strength as she grapples with existential questions. However, the episode's pacing can be uneven, with certain scenes lingering longer than necessary, potentially diminishing the overall impact.
One of the episode's strengths is its thematic exploration of synchronicity and spirituality. Scully's encounters with symbols and moments of serendipity suggest a universe guided by unseen forces. Anderson skillfully integrates these elements without becoming overly didactic, inviting viewers to ponder the mysteries of fate and choice. The absence of Mulder for much of the episode, while initially jarring, allows Scully's journey to take center stage, emphasizing her autonomy and growth.
"All Things" is a bold and introspective entry in The X-Files canon, showcasing Gillian Anderson's talents both in front of and behind the camera. While its abstract narrative and slower pacing may not appeal to all viewers, it stands as a thoughtful meditation on love, loss, and self-discovery. Anderson's creative vision and exploration of Scully's character add depth to the series, making this episode a memorable and meaningful departure from the show's usual structure.
We knew she'd brains and now we get to see what's in her heart.
Did you know
- TriviaGillian Anderson's first draft of the screenplay was 15 pages too long and had no fourth act. Chris Carter and Frank Spotnitz stepped in to help fashion it into an X-Files episode. Indeed, one of Spotnitz's major contributions was the ambiguous opening where it is implied that Mulder and Scully have finally slept together.
- GoofsYou can see the string pulling the apothecary sign.
- Quotes
Scully: Time passes in moments... moments, which, rushing past, define the path of a life just as surely as they lead towards its end. How rarely do we stop to examine that path, to see the reasons why all things happen, to consider whether the path we take in life is our own making or simply one into which we drift with eyes closed. But what if we could stop, pause to take stock of each precious moment before it passes? Might we then see the endless forks in the road that have shaped a life and, seeing those choices, choose another path?
- ConnectionsFeatured in The X-Files: Trust No 1 (2002)





