Arcadia
- Episode aired Mar 7, 1999
- TV-14
- 45m
On their first assignment after being reinstated to the X-Files, Scully and Mulder go undercover as husband and wife in a high-class planned community where several couples have gone missing... Read allOn their first assignment after being reinstated to the X-Files, Scully and Mulder go undercover as husband and wife in a high-class planned community where several couples have gone missing.On their first assignment after being reinstated to the X-Files, Scully and Mulder go undercover as husband and wife in a high-class planned community where several couples have gone missing.
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- Stars
- Übermenscher
- (as Roger Morrissey)
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Featured reviews
In "Arcadia", it was created by a selfish person for selfish reasons in order to elicit some amount of authoritative control over his environment. But, as Tulpas do, it developed a mind of its own and started to do what it wanted. As we see in this episode, once this Tulpa is set into motion, it is probably not going to stop until it accomplishes its prime directive, which is to kill any person who broke the rules- which is what makes this particular use of the Tulpa much more insidious than The Band-Aid nose man.
A Tulpa having a mind of its own is exactly the same as the Band-Aid nose man from season 10's "Home Again".
But where the Band-Aid nose man was providing a measure of justice for homeless people that were being abused by rich people acting "for the homeless but really acting for themselves", The Tulpa in this episode is following a strict set of rules that was created by the person who set it into motion.
We can also compare the Ubermenscher to the golem in Kaddish, but that was created under a completely different mythology. But where the golem was created from love, that is far from the case with this Tulpa.
It is also interesting that the Tulpa we meet here is almost totally composed of garbage. Whereas a golem is formed from dirt, and the Band-Aid nose man out of clay, this Tulpa was composed of a disgusting array of garbage, filth, coffee grinds, motor oil, and whatever else you might think occupies a landfill.
It was interesting to revisit the concept of the Tulpa in season 10, being used for a different reason than this one was created... but in the long run, they both just did whatever they wanted.
The solution for this Tulpa problem in "Arcadia" was drastic... in "home again", it is much simpler and less drastic... all that was required was a simple redesign and the person that created the Tulpa taking responsibility for it.
Because in the long run whether in Arcadia or home again, "we are responsible for what we make", whether that is a child, garbage, a piece of art, a piece of music. Sometimes just taking responsibility for the things that we are responsible for solves the problem of "runaway Tulpas"...
Mulder: Woman get back in here and make me a sandwich! (Scully throws her rubber gloves at his face) Mulder: DID I NOT MAKE MYSELF CLEAR!
In this Monster-of-the-Week episode you will instantly feel acquainted with The Association-esque tone --if a Bentley Little fan. Mulder & Scully move-in to the little 'burb undercover to investigate several disappearances at the idyllic planned community. To Mulder's amusement the tenants follow every extraneous order strictly, so he begins to defiantly protest as they scatter to correct it for him. Their fear is what one may call a tulpa; the concept of a being or object which is created through sheer discipline alone, come to enact some neighborly love one might expect from a starving cannibalistic tribe. Like most HOAs (or Frankensteinian Monsters for that matter) which fail as a result of the people involved, the tulpa eventually turns on it's creator.
As Mulder and Scully navigate their roles as "Rob and Laura Petrie," they quickly discover that the neighborhood is governed by strict rules enforced by an overbearing homeowners' association. The pacing of "Arcadia" is well-balanced, allowing for moments of levity interspersed with tension as the agents uncover the truth behind the community's dark secret. A particularly memorable scene occurs when Mulder and Scully confront the bizarre behavior of their neighbors, who are more concerned about lawn ornaments than the disappearances. This moment not only highlights the absurdity of suburban conformity but also underscores the episode's critique of societal norms.
Visually, "Arcadia" employs a bright and vibrant aesthetic that contrasts sharply with the sinister undertones of the narrative. Watkins's direction captures the picturesque beauty of the neighborhood while simultaneously revealing its underlying menace. The cinematography utilizes wide shots to showcase the manicured lawns and pristine homes, juxtaposed with darker, claustrophobic interiors where much of the horror unfolds. Critics have praised this visual storytelling for its ability to immerse viewers in a world where appearances can be deceiving.
The performances in this episode are particularly noteworthy, especially from Duchovny and Anderson, who showcase their comedic chemistry as they navigate their roles as a married couple. Duchovny's portrayal of Mulder is both charming and humorous, as he revels in the absurdity of their situation while maintaining his characteristic determination to uncover the truth. Anderson's Scully provides essential support; her skepticism grounds Mulder's theories while emphasizing her discomfort with their undercover roles. The dynamic between them is further enriched by moments of playful banter that highlight their deepening relationship.
"Arcadia" raises significant questions about conformity, control, and the darker aspects of suburban life. The episode critiques how individuals can become victims of societal expectations; it examines how personal relationships can be strained by external pressures such as community standards and conformity. Additionally, it highlights societal attitudes toward authority; characters like Mulder represent those who seek to expose hidden truths despite facing ridicule from skeptics. This exploration invites viewers to reflect on their beliefs regarding justice, morality, and the ethical implications surrounding personal choices.
"Arcadia" stands out as one of The X-Files' most entertaining episodes, successfully blending elements of comedy with social commentary while exploring complex themes related to conformity and individual agency. While it may not resonate with all viewers due to its lighter tone compared to typical episodes, it effectively maintains an engaging pace throughout its runtime. The exploration of these themes within a modern context encourages viewers to consider their perceptions of truth and morality in society while enjoying a richly layered narrative that showcases both character development and suspenseful storytelling. As it reflects broader societal concerns regarding conformity and individuality, "Arcadia" leaves audiences contemplating their own relationships with societal norms.
A few minutes in, and I wasn't too sure, ten minutes in, and I was captivated. Arcadia stands as one of the most unique things I have ever seen, in general, let alone just on The X Files.
It's almost as if The Stepford Wives was given a twist, and retold, why on Earth are the zany neighbours so scared of having anything out of place, and who are what is behind the strange disappearances?
It's the sheer oddity and strangeness of the story that works, it shows an unrivalled imagination.
Pacing is pretty much spot on, as is the sense of intrigue and mystery, but it's also the mix of wry humour that sets this one apart. We finally get to see how Mulder and Scully would behave if they were a couple, they'd not have an easy union.
Those incredible production values that started with The Movie, continue here, it looks sublime.
A top ten episode, 10/10.
Did you know
- TriviaInspired by a real-life incident for first year staff writer Daniel Arkin. He had moved into a gated community but was running late and was horrified to be fined $1000 for unpacking the removal vans past the designated hours.
- GoofsWhen Mulder is checking his watch to show they moved in by six o clock, the date says the 7th. However, when Scully is narrating the film she is taking of the house, she says the date is the 24th.
- Quotes
Gordy: So, how was your first night? Peaceful?
Mulder: It was wonderful. We just spooned up and fell asleep like little baby cats. Isn't that right, honey bunch?
Dana Scully: That's right, poopy head.
- ConnectionsReferenced in Alias: Welcome to Liberty Village (2005)