Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.Thirteen-year-old fledgling writer Briony Tallis irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit.
- Director
- Writers
- Stars
- Won 1 Oscar
- 52 wins & 150 nominations total
Felix von Simson
- Pierrot Quincey
- (as Felix Von Simson)
Charlie von Simson
- Jackson Quincey
- (as Charlie Von Simson)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
My wife and I went to see the movie last night and were totally blown away by the whole experience. So brilliantly directed and acted. The movie time just flew by and we were drawn in and captivated by each dramatic moment. Never having read the book or been an expert on WW2, I had a truly open mind on what to expect and I'm not one of those who count every rivet or go looking for technical inaccuracies however small. This was truly a masterpiece of cinematography. We were treated to wonderful performances, lavish sets, shocking and thought-provoking moments and haunting themes. I had the privilege of being an extra in the Redcar, Dunkirk scene and once seen in its full glory and effect on the big screen I was simply in awe and glad to have been a part of it. Walking along Redcar beach from now on will never quite be the same again. I am quite sure that the movie will win a number of awards within the next 12 months, but that is not what really matters. Movies are there to entertain, tell a story and affect you emotionally and by God this did it in spades! If you have not seen it yet, you must!
Comprising recognisable, realistic and outstandingly beautiful performances, set within an uncomfortably believable and heartbreakingly tragic story, it will leave a mark, a scar, a wound on your soul; especially if you have an ounce of humanity, understanding and empathy for the circumstances within which it is told.
In 1930s England, Robbie is the son of a cleaning woman who has fallen in love with his mother's master's daughter (his childhood friend). On the same night where they reveal their love to each other, Robbie is accused by the woman's younger sister of a rape he didn't commit. Robbie is sent to jail and off to fight World War II... and for the remainder of the film, the two lovers try to reunite while the younger sister comes to term with the horrible mistake she made that tore her family apart.
Let me be honest up front: I had a very minimal interest in this film. I was mildly interested by its Oscar aspirations (7 nominations) and then I was slightly more interested when my friend Chelsea expressed interest (with whom I ended up seeing it). A chick flick starring Keira Knightley (who, to me, is a younger, classier Winona Ryder)? Not my first choice. Although, I went to go see "I Know Who Killed Me", so my instincts aren't always he greatest. Anyway, point being -- I saw this film half-heartedly and really liked it.
The beginning is really strong and interesting, and surprisingly funny. The involvement of a certain curse word (one of the more notorious ones) plays a big part and was funny in a somewhat awkward way. After the opening, the tone of the film turned decidedly darker... which you'd expect with a film about war and rape, I guess. Emotionally the film runs strong all the way through, working with loneliness and casualties of war (there's a scene later on with a dying French soldier that doesn't shy from showing the realities of war).
Worth singling out is a very long continuous shot (maybe 8 or 9 minutes) of English troops on the shores of France. We see troops singing, troops destroying jeeps, troops shooting horses and much more... to get this all in one shot is a major feat. The last long shot I recall is in "Children of Men", which ran about maybe 6 minutes but with much less going on to coordinate. The choreographer (or whoever) deserved the Oscar if anyone did, although in the end it only won a single award -- for best original soundtrack (which I don't recall as being a particularly stand-out score).
I think the film closed rather weakly after all the quality emotion (I can't really explain more without revealing things). But it's still a good film, only maybe losing a point from this closing. If you're a fan of period pieces or tough romance stories (this is no romantic comedy) this is for you. I don't know if I could watch it again -- it's good enough but a bit emotional. But I'm glad I saw it at least once and you should see it too.
Let me be honest up front: I had a very minimal interest in this film. I was mildly interested by its Oscar aspirations (7 nominations) and then I was slightly more interested when my friend Chelsea expressed interest (with whom I ended up seeing it). A chick flick starring Keira Knightley (who, to me, is a younger, classier Winona Ryder)? Not my first choice. Although, I went to go see "I Know Who Killed Me", so my instincts aren't always he greatest. Anyway, point being -- I saw this film half-heartedly and really liked it.
The beginning is really strong and interesting, and surprisingly funny. The involvement of a certain curse word (one of the more notorious ones) plays a big part and was funny in a somewhat awkward way. After the opening, the tone of the film turned decidedly darker... which you'd expect with a film about war and rape, I guess. Emotionally the film runs strong all the way through, working with loneliness and casualties of war (there's a scene later on with a dying French soldier that doesn't shy from showing the realities of war).
Worth singling out is a very long continuous shot (maybe 8 or 9 minutes) of English troops on the shores of France. We see troops singing, troops destroying jeeps, troops shooting horses and much more... to get this all in one shot is a major feat. The last long shot I recall is in "Children of Men", which ran about maybe 6 minutes but with much less going on to coordinate. The choreographer (or whoever) deserved the Oscar if anyone did, although in the end it only won a single award -- for best original soundtrack (which I don't recall as being a particularly stand-out score).
I think the film closed rather weakly after all the quality emotion (I can't really explain more without revealing things). But it's still a good film, only maybe losing a point from this closing. If you're a fan of period pieces or tough romance stories (this is no romantic comedy) this is for you. I don't know if I could watch it again -- it's good enough but a bit emotional. But I'm glad I saw it at least once and you should see it too.
Well, from the trailers I could tell this would be an epic film before I was even able to see it. I managed to attend a gala screening of the film last night and I thought it was amazing. Despite my constant dislike to Keira Knightly, I was unable to disapprove of her acting in this film. She has improved massively since the first pirates film. The film itself has an intriguing plot line which keeps you hooked throughout. The film includes humour at the start and fascination by the end. I loved watching this film and I enjoyed the smartness of the story. The film is cleverly done with jumps in time and different perspectives of events throughout which will leave you understanding the motives of each character more. The music is composed beautifully, the orchestral tunes accompanied with the clatter that a typewriter makes creates a beautiful piece of music that fits perfectly with the film itself. I have since begun to read the book, the only thing that the film lacks is the character depth that a book can write about but a film simply can't explain. I feel that the film shows what happened but the book is able to explain a little more as to why the events occurred. Overall the film was beautiful, brilliant and emotional.
The superb Ian McEwan book translated into cold beautiful images by the startling Joe Wright and scriptwriter Christopher Hampton. The result is a series of powerful rushes and abrupt stops. A pacing that, perhaps, is a bit too self conscious for its own good doesn't help us to connect the emotional dots. I had the feeling I had lost something in the love story of the protagonists - something that didn't happen to me reading the book. By the time the "injustice" takes place I was taken by the pain of the injustice but not by Knightley and McAvoy's liaison. Their love story is left to its own devices. The beauty of the images is overwhelming and the assuredness of Joe Wright at his second feature after the, much better, "Pride and Prejudice" keeps you going. The score tends to be monotonous and irritating but in spite of all that I intend to see "Atonement" again and I would recommend it with just the above mentioned reservations.
Did you know
- TriviaDirector Joe Wright had wanted Keira Knightley to play the role of Briony in her late teens, but Knightley immediately liked the character of Cecilia, and also wanted to get away from playing girls on the brink of womanhood and play a more mature character for once.
- GoofsAny apparent continuity errors in the fountain scene - the position of the vase, the tennis shoes, Robbie's sitting position, Cecilia's strap slip, the buttons on her blouse etc. - are not what they seem: we are seeing the same event in different ways through different pairs of eyes.
- Quotes
Cecilia Tallis: I love you. I'll wait for you. Come back. Come back to me.
- Crazy creditsThe title types itself out like on a typewriter.
- ConnectionsFeatured in Friday Night with Jonathan Ross: Episode #13.1 (2007)
- SoundtracksClair de Lune
Written by Claude Debussy
Performed by Gordon Thompson
Courtesy of Sanctuary Records Group Ltd
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Expiación, deseo y pecado
- Filming locations
- Stokesay Court, Onibury, Shropshire, England, UK(Tallis home)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $50,927,067
- Opening weekend US & Canada
- $784,145
- Dec 9, 2007
- Gross worldwide
- $129,266,061
- Runtime
- 2h 3m(123 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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