Tony makes a request to Johnny Sack on behalf of his cousin, and Adriana confesses to Chris.Tony makes a request to Johnny Sack on behalf of his cousin, and Adriana confesses to Chris.Tony makes a request to Johnny Sack on behalf of his cousin, and Adriana confesses to Chris.
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Featured reviews
"Long Term Parking" is one of the most striking and emotionally charged episodes of The Sopranos. The sense of impending doom looms over every moment, as the personal and professional worlds of Tony Soprano and his associates spiral further into chaos. This episode masterfully balances the brutality of the mafia with the human cost of its ruthless world, delivering an unforgettable experience.
Tony's reconciliation with Carmela provides a brief glimmer of hope, but it's overshadowed by the unraveling drama within the mafia. Tony's cousin, Tony Blundetto, and his actions in previous episodes set the stage for mounting tensions, but it's Adriana La Cerva's storyline that truly steals the spotlight. Adriana's years as an FBI informant finally reach their inevitable and tragic conclusion. What began as a subtle, simmering subplot comes to a devastating head, revealing just how brutal and unforgiving the mafia can be.
The episode starkly portrays the harsh reality of loyalty-or the lack thereof-in this world. As Christopher Moltisanti vents his frustrations about Tony Soprano, complaining about the mafia's hypocrisy and self-serving nature, it becomes clear that survival trumps any ideals of honor or trust. The shocking event that unfolds, centered on a character we've grown attached to, feels both heartbreaking and inevitable. It's a moment that leaves the audience reeling, a logical yet tragic culmination of the chaos that has built up over the season.
Adriana's fate is a reminder of how little agency anyone has in this world, especially women. The way she is used as a pawn by both the FBI and the mafia underscores the callousness and manipulation that dominate these power struggles. The FBI's treatment of their informants mirrors the ruthlessness of the mob, blurring the line between law enforcement and organized crime. Adriana, like so many others, becomes collateral damage in a game much larger than herself.
The cinematography enhances the tension and tragedy throughout the episode. The scene of a corpse washed up on a beach serves as a chilling premonition of what's to come, subtly setting the tone for the inevitable tragedy. Later, Adriana's final moments are framed against desolate, fallen trees, a visual metaphor for the destruction and isolation that defines her fate. These visuals are paralleled with Tony and Carmela's visit to a similar landscape, where they discuss her plans to build a new project. The contrast between Carmela's vision for the future and the shadow of impending doom hanging over Tony adds a layer of dramatic irony.
The episode doesn't just shock; it also deepens our understanding of the characters and their histories. The Sopranos consistently reveals new layers of its world, and "Long Term Parking" is no exception. It connects past events to the present, illustrating how the choices and betrayals of the past ripple into the future. It's this masterful storytelling that solidifies the show as a groundbreaking piece of television, often hailed as the first great series of the modern era.
In conclusion, "Long Term Parking" is a masterpiece of tension, tragedy, and violence. It balances shocking events with meaningful character development and expertly builds toward the chaos of the season finale. The episode is not just a standout in The Sopranos but a prime example of why this show is considered one of the greatest in television history.
Tony's reconciliation with Carmela provides a brief glimmer of hope, but it's overshadowed by the unraveling drama within the mafia. Tony's cousin, Tony Blundetto, and his actions in previous episodes set the stage for mounting tensions, but it's Adriana La Cerva's storyline that truly steals the spotlight. Adriana's years as an FBI informant finally reach their inevitable and tragic conclusion. What began as a subtle, simmering subplot comes to a devastating head, revealing just how brutal and unforgiving the mafia can be.
The episode starkly portrays the harsh reality of loyalty-or the lack thereof-in this world. As Christopher Moltisanti vents his frustrations about Tony Soprano, complaining about the mafia's hypocrisy and self-serving nature, it becomes clear that survival trumps any ideals of honor or trust. The shocking event that unfolds, centered on a character we've grown attached to, feels both heartbreaking and inevitable. It's a moment that leaves the audience reeling, a logical yet tragic culmination of the chaos that has built up over the season.
Adriana's fate is a reminder of how little agency anyone has in this world, especially women. The way she is used as a pawn by both the FBI and the mafia underscores the callousness and manipulation that dominate these power struggles. The FBI's treatment of their informants mirrors the ruthlessness of the mob, blurring the line between law enforcement and organized crime. Adriana, like so many others, becomes collateral damage in a game much larger than herself.
The cinematography enhances the tension and tragedy throughout the episode. The scene of a corpse washed up on a beach serves as a chilling premonition of what's to come, subtly setting the tone for the inevitable tragedy. Later, Adriana's final moments are framed against desolate, fallen trees, a visual metaphor for the destruction and isolation that defines her fate. These visuals are paralleled with Tony and Carmela's visit to a similar landscape, where they discuss her plans to build a new project. The contrast between Carmela's vision for the future and the shadow of impending doom hanging over Tony adds a layer of dramatic irony.
The episode doesn't just shock; it also deepens our understanding of the characters and their histories. The Sopranos consistently reveals new layers of its world, and "Long Term Parking" is no exception. It connects past events to the present, illustrating how the choices and betrayals of the past ripple into the future. It's this masterful storytelling that solidifies the show as a groundbreaking piece of television, often hailed as the first great series of the modern era.
In conclusion, "Long Term Parking" is a masterpiece of tension, tragedy, and violence. It balances shocking events with meaningful character development and expertly builds toward the chaos of the season finale. The episode is not just a standout in The Sopranos but a prime example of why this show is considered one of the greatest in television history.
This is my favourite episode of the Sopranos. It is so suspenseful, emotional and devastating. Every award garnered was so well deserved. Beautiful, beautiful writing.
The FBI increase the pressure on Adrianna after finding some incriminating CCTV footage.
This is a classic and emotional episode of The Sopranos.
Long Term Parking is a very straightforward story by the standards set in Season 5, as it moves several aspects of the show narrative significantly forward, develops a number of characters and involves some painfully emotional moments that are brilliantly realised.
I cannot reveal too many plot details without spoiling, but characters like Christopher, Adrianna, Tony, and Carmela are centre stage in a number of memorable moments that have been building in character arcs since quite early in the show.
Visually the storytelling is incredibly good, such as the use of landscape, trees and iconic moments like the gas-station scene.
All actors are at the peak of their powers, particularly James Gandolfini, Drea de Matteo, and Michael Imperioli. Whilst supporting performances by the likes of Frank Pellegrino, Steven Van Zandt, Vincent Curatola are perfect.
This is a classic and emotional episode of The Sopranos.
Long Term Parking is a very straightforward story by the standards set in Season 5, as it moves several aspects of the show narrative significantly forward, develops a number of characters and involves some painfully emotional moments that are brilliantly realised.
I cannot reveal too many plot details without spoiling, but characters like Christopher, Adrianna, Tony, and Carmela are centre stage in a number of memorable moments that have been building in character arcs since quite early in the show.
Visually the storytelling is incredibly good, such as the use of landscape, trees and iconic moments like the gas-station scene.
All actors are at the peak of their powers, particularly James Gandolfini, Drea de Matteo, and Michael Imperioli. Whilst supporting performances by the likes of Frank Pellegrino, Steven Van Zandt, Vincent Curatola are perfect.
Amazing, heartbreaking, incredible acting Just 10/10 and now i understand the importance of this show in the next years of tv breaking bad don't exist without the sopranos.
Did you know
- TriviaAfter he moves back in with Carmela, Tony is watching the film It's A Gift (1934) while eating ice-cream. This is the same film he watches in the Season 3 episode "The Telltale Moozadell" as he lays in bed eating cake. This is perhaps a signal to Carmela that nothing really has changed with Tony.
- GoofsThe amount of champagne in Tony's glass changes when he tells AJ to slow down and savor it.
- Quotes
Christopher Moltisanti: That's the guy, Adriana. My uncle Tony. The guy I'm going to Hell for.
- ConnectionsFeatured in The 56th Annual Primetime Emmy Awards (2004)
- SoundtracksBarracuda
(uncredited)
Written by Ann Wilson, Nancy Wilson, Michael DeRosier and Roger Fisher
Performed by Heart
Details
- Release date
- Country of origin
- Official site
- Language
- Filming locations
- Punta Dura - 34th Avenue, Long Island City, New York, USA(Nuovo Vesuvio)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 57m
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
- 16 : 9
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