Conspiracy
- Episode aired May 7, 1988
- TV-PG
- 46m
After diverting to a secret meeting with an old friend and some of Starfleet's finest commanders, Picard finds the Horatio blown to bits just hours after the meeting and he returns the Enter... Read allAfter diverting to a secret meeting with an old friend and some of Starfleet's finest commanders, Picard finds the Horatio blown to bits just hours after the meeting and he returns the Enterprise to Earth looking for answers.After diverting to a secret meeting with an old friend and some of Starfleet's finest commanders, Picard finds the Horatio blown to bits just hours after the meeting and he returns the Enterprise to Earth looking for answers.
- Lieutenant Natasha 'Tasha' Yar
- (credit only)
- Wesley Crusher
- (credit only)
- Enterprise Computer
- (voice)
- (uncredited)
- Youngblood
- (uncredited)
Featured reviews
Undoubtedly the best episode from season one
This episode's only flaws: its special effects are very dated and almost laughable by today's standards, and it relies on Jonathon Frakes's acting (groan) a bit too much.
Do All Old Starfleet Guys Look the Same?
Wish that there had been a sequel
As the conspiracy widens, Capt. Picard and Ryker return to Earth and come face-to-face with the "mother" of the conspiracy, setting the stage for one of the most dramatic and jaw-dropping scenes in Trek history.
'It's too bad that the producers didn't decide to continue with a follow-up episode that would tie up some of the loose ends from this memorable show.
Great stuff
So I put it to you Sampat - how is it not Star Trek? That's a load of rubbish. This show made Star Trek what it is today.
And this episode DOES relate to space. In fact, it's a prelude to what should have been a future space adventure episode relating to these beings. Instead they were replaced by the Borg.
The episode is very enjoyable. There's some dodgy direction in the fight scenes, but outside of that it's a joy to see the actors begin to gel with their characters. I could always remember this episode from when I was younger due to the beeping of the beacon sent out - chilling stuff.
Also, watch out for horror specialist Michael Berryman (Pluto in The Hills Have Eyes) making a guest appearance. 9/10
A Unique Story But With Messy Telling
The special effects and practical effects, while only seen in greater detail in the latter half of the episode, are a bit rudimentary compared to todays standards, however considering that this was created in the late 80's, and for a television show no less, it meets expectations. Even incorporating tricky stop-motion to capture certain movements which would not be easy to do otherwise.
Where this episode is lacking however is in the way it is told. The story is great, but the whole episode feels like it's trying to fill the time with long drawn out scenes, and whole minutes of the episode feel like they should've been left on the cutting room floor, and instead been filled with more interesting exposition or a more dramatic rising action.
All in all the episode is one of the better ones from season 1, and definitely is worth a watch, although as many reviewers pointed out, it does contain some light gore elements, so very young children should probably sit this one out.
Did you know
- TriviaClose-up shots of the Starfleet HQ banquet were live mealworms. The actors really ate chow mein.
- GoofsWhen the fight with the admiral first starts, and Riker sees what he's up against, he calls for emergency help on his communicator, but it takes a long time for Worf and La Forge to show up. When they do, Riker is unconscious, but when the admiral says that he slipped, they don't question that it was Riker's voice that called for help.
- Quotes
Counselor Deanna Troi: Have you ever been for a real moonlight swim?
Lt. Cmdr. Data: One can swim in moonlight?
Counselor Deanna Troi: How about you, Mr. Worf?
Lieutenant Worf: [shakes his head] Swimming is too much like... bathing.
- ConnectionsFeatured in Star Trek: The Next Generation: The Schizoid Man (1989)
- SoundtracksStar Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
Details
- Runtime
- 46m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1






