The Best of Both Worlds
- Episode aired Jun 16, 1990
- TV-PG
- 45m
IMDb RATING
9.3/10
6.3K
YOUR RATING
Responding to a distress call on one of the Federation's outer-most colonies, the Enterprise arrives...only to find a big hole in the ground where the town used to be, and discovers the Borg... Read allResponding to a distress call on one of the Federation's outer-most colonies, the Enterprise arrives...only to find a big hole in the ground where the town used to be, and discovers the Borg are behind the attack.Responding to a distress call on one of the Federation's outer-most colonies, the Enterprise arrives...only to find a big hole in the ground where the town used to be, and discovers the Borg are behind the attack.
- Director
- Writers
- Stars
Rachen Assapiomonwait
- Crewman Nelson
- (uncredited)
Majel Barrett
- Enterprise Computer
- (voice)
- (uncredited)
Nyra Crenshaw
- Ops Ensign
- (uncredited)
Robert Daniels
- Enterprise-D Ops Officer
- (uncredited)
Debbie David
- Ensign Russell
- (uncredited)
Christopher Doyle
- Borg
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The first two seasons of Star Trek: The Next Generation ranged (in quality) from dreadful to uneven. There were some good stories being told and the characters were progressing somewhat, but nowhere near on a consistent basis. Fortunately, this Third Season is where Next Generation establishes itself as a very quality product.
Perhaps the biggest difference in this season is that there is a noticeable decrease in "clunker" episodes, as there really aren't any eps that are truly atrocious (a fairly common occurrence in the previous campaigns). Clearly, the writing was improved.
Another thing I liked about this season was that the stories were so varied. From single-arc mysteries to Data (Brent Spiner) creating offspring to over-arcing Roman plots, Season Three had a little bit of everything in a very nice mix. Of course, the return of the Borg at the end of the season may be the highlight, as Captain Picard (Patrick Stewart) faces his greatest challenge yet. Basically, some great diverse storytelling and pacing.
I'm not going to summarize or review specific episodes here, but suffice it to say that Season Three is when Next Generation really makes the leap from "not sure this is ever going to come around" to "this is quality television". I hate to point fingers or cast aspersions, but the common rhetoric for this change is that Gene Roddenberry was less involved in the scripts by this time. While Roddenberry was a great world-builder (not unlike George Lucas of Star Wars fame), his week-to-week scripts or ideas tended to be rather pompous or high-minded. They either really worked or crashed-and-burned magnificently. So, while the decline of Roddenberry was obviously something that no one in the Trek universe wanted to see happen, it may have unintentionally allowed the show's writers to "loosen the bonds" a bit, working out for the better.
Bottom Line: If you can hold out until this Third Season, you'll become hooked on Next Generation, as this is when the character development and stories finally entertain on an almost every-episode basis. My exact star rating would be 4.5.
Perhaps the biggest difference in this season is that there is a noticeable decrease in "clunker" episodes, as there really aren't any eps that are truly atrocious (a fairly common occurrence in the previous campaigns). Clearly, the writing was improved.
Another thing I liked about this season was that the stories were so varied. From single-arc mysteries to Data (Brent Spiner) creating offspring to over-arcing Roman plots, Season Three had a little bit of everything in a very nice mix. Of course, the return of the Borg at the end of the season may be the highlight, as Captain Picard (Patrick Stewart) faces his greatest challenge yet. Basically, some great diverse storytelling and pacing.
I'm not going to summarize or review specific episodes here, but suffice it to say that Season Three is when Next Generation really makes the leap from "not sure this is ever going to come around" to "this is quality television". I hate to point fingers or cast aspersions, but the common rhetoric for this change is that Gene Roddenberry was less involved in the scripts by this time. While Roddenberry was a great world-builder (not unlike George Lucas of Star Wars fame), his week-to-week scripts or ideas tended to be rather pompous or high-minded. They either really worked or crashed-and-burned magnificently. So, while the decline of Roddenberry was obviously something that no one in the Trek universe wanted to see happen, it may have unintentionally allowed the show's writers to "loosen the bonds" a bit, working out for the better.
Bottom Line: If you can hold out until this Third Season, you'll become hooked on Next Generation, as this is when the character development and stories finally entertain on an almost every-episode basis. My exact star rating would be 4.5.
The away team beams down--only to discover that the city they went to see is gone! And, by gone, I mean that there is a giant crater where the place USED to be...! The Federation thinks this is the work of the Borg--as who else could do this?!
Soon, the ship is visited by a high muckity muck from the Federation as well as a young hot-shot, Commander Shelby--who is being assigned as #3 on the Enterprise. Well, she'll be needed, as when the Borg attack, they take Picard and now Riker is in charge. Can they reclaim the Captain and how will Shelby deal with the Borg when she and an away team beam aboard their vessel? Unfortunately, it looks like getting Picard back isn't gonna happen, as when they see him, he's all covered in mechanical crap, as he's been altered and is now one of the Borg.
This is the first part (and a season cliffhanger) of a wonderful and incredibly exciting two-part series on the Borg. This is a sure sign that the series has FINALLY hit its stride and its a sign of better and better shows starting with season four. A must-see.
Soon, the ship is visited by a high muckity muck from the Federation as well as a young hot-shot, Commander Shelby--who is being assigned as #3 on the Enterprise. Well, she'll be needed, as when the Borg attack, they take Picard and now Riker is in charge. Can they reclaim the Captain and how will Shelby deal with the Borg when she and an away team beam aboard their vessel? Unfortunately, it looks like getting Picard back isn't gonna happen, as when they see him, he's all covered in mechanical crap, as he's been altered and is now one of the Borg.
This is the first part (and a season cliffhanger) of a wonderful and incredibly exciting two-part series on the Borg. This is a sure sign that the series has FINALLY hit its stride and its a sign of better and better shows starting with season four. A must-see.
The starship Enterprise engages the Borg.
This is an exciting episode with strong character moments.
Part 1 of 'The Best Of Both Worlds' has one of the best character driven plots and probably the most memorable ending of TNG.
The majority of the focus is on a wonderfully tense dynamic between Riker and the ambitious Commander Shelby. These scenes help develop an excellent arc for Riker that builds towards a huge decision in the episode's final scene.
At the same time there is a lot of Borg exposition that sets the scene well and establishes them as plausible threat.
It is also a memorable episode for Captain Picard as it kicks off one of his most famous arcs that follows him through the series, plus a movie and the recent Star Trek: Picard show.
The visuals at the time were fantastic and still hold up to today's standard. The Borg effects, makeup and costumes are some of the most memorable of the franchise. The opening opening matte backdrop and reveal are also very good. All this is enhanced by a very dramatic and effective soundtrack.
All performances are excellent with all characters having moments to contribute. Patrick Stewart, Jonathan Frakes and Elizabeth Dennehy standout.
This is often mentioned as the greatest TNG episode. It certainly is one of the strongest and on first viewing it works fantastically well, particularly when it was first broadcast. However, I find that it's key moments do not have the same clout on a repeat viewing.
This is an exciting episode with strong character moments.
Part 1 of 'The Best Of Both Worlds' has one of the best character driven plots and probably the most memorable ending of TNG.
The majority of the focus is on a wonderfully tense dynamic between Riker and the ambitious Commander Shelby. These scenes help develop an excellent arc for Riker that builds towards a huge decision in the episode's final scene.
At the same time there is a lot of Borg exposition that sets the scene well and establishes them as plausible threat.
It is also a memorable episode for Captain Picard as it kicks off one of his most famous arcs that follows him through the series, plus a movie and the recent Star Trek: Picard show.
The visuals at the time were fantastic and still hold up to today's standard. The Borg effects, makeup and costumes are some of the most memorable of the franchise. The opening opening matte backdrop and reveal are also very good. All this is enhanced by a very dramatic and effective soundtrack.
All performances are excellent with all characters having moments to contribute. Patrick Stewart, Jonathan Frakes and Elizabeth Dennehy standout.
This is often mentioned as the greatest TNG episode. It certainly is one of the strongest and on first viewing it works fantastically well, particularly when it was first broadcast. However, I find that it's key moments do not have the same clout on a repeat viewing.
Talk about sending off your third season in a blaze of glory. The Borg is easily TNG's greatest enemy (to say nothing of its imaginative conception), and "The Best of Both Worlds' brings them to the forefront, wiping out colonies and attacking the Federation. But it opens with Riker's inner turmoil over accepting a captaincy and leaving the finest ship in the fleet. Meanwhile, Shelby's creating tension by assuming his role and subtly edging him out. This is great character drama.
Once the Borg make their move, it's all action, and it lays the groundwork for this crew's best movie ("First Contact"). It takes nerve to throw your captain to the hands of the enemy and then scrawl "To Be Continued".
Outstanding television.
10/10
Once the Borg make their move, it's all action, and it lays the groundwork for this crew's best movie ("First Contact"). It takes nerve to throw your captain to the hands of the enemy and then scrawl "To Be Continued".
Outstanding television.
10/10
Now that is how you do a To Be Continued! Wow! This is an amazing cliff hanger, even though I have already seen it, it still hits hard. This episode is kind of a slow build, most of the first half is about setting the stage, but things really get exciting in the second half, and by the climax I was on the edge of my seat. All of the characters are great in this, but, I think I'd say Riker is the MVP. When the pressure is on he shows that he would make a great Captain in his own right. They don't make tv shows like this any more. The Borg are terrifying villains. I love it.
Did you know
- TriviaThis is the first episode which established Earth as being in sector 001.
- GoofsThe Enterprise crew first learns that New Providence had been destroyed. But why have the ship's scanners not realized it much earlier?
- Alternate versionsFor timing purposes (to allow more ad time), BBC America cut part of Riker and Troi's conversation in Ten Forward (including the part about being "seasoned").
- ConnectionsEdited from TrekCulture: 10 Greatest Final Lines In Star Trek Episodes (2022)
- SoundtracksStar Trek: The Next Generation Main Title
Composed by Jerry Goldsmith and Alexander Courage
Details
- Runtime
- 45m
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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