The Big Goodbye

Some of the best episodes of TNG are the holodeck episodes. While this episode provides a great introduction to it, there are quite a few glaring flaws that prevent this episode from being a must see.

The Enterprise is sent on a diplomatic mission where Captain Picard has to master a difficult language to ensure that Starfleet and the new race establish cordial relations. However, he is stressed and tired from all of his efforts.

In need of some rest and relaxation, he enters the holodeck, where he chooses to engage in his favorite program, a noirish thriller, where he plays a detective named Dixon Hill, in 1940's San Francisco.

Unfortunately for him, this world is turned upside down, after the enterprise is scanned by aliens., leading to a malfunction within the normally safe holodeck that can potentially injure or kill Picard.

While this episode is a ton of fun, the problem with it, is that there are quite a few glaring plot holes. I've never really liked the idea of the holodeck safety being turned off. Seems a bit absurd. Like if someone programmed my XBOX to kill me everytime I died in a video game.

Still, it is a fun episode, and Lawrence Tierney, who was in many film noirs over the course of his career, also stars in it. I'd give it a recommend.

"The Big Goodbye" from Star Trek: The Next Generation is a delightful episode that takes viewers on a journey back to the 1940s through the magic of the Holodeck. This episode, directed by Joseph L. Scanlon and penned by Tracy Tormé, stands out as one of the highlights of the first season, mixing sci-fi with film noir in a way that's both entertaining and innovative.

From the outset, the episode captures the essence of classic detective stories with its attention to detail in period costumes, set design, and even the vintage cars on the street. The guest stars, particularly Harvey Jason as Felix Leach, bring an authenticity and charm that elevate the episode's atmosphere. Their performances are spot-on, perfectly capturing the tropes of noir cinema with humor and style.

Patrick Stewart shines as Captain Picard, who steps into the shoes of detective Dixon Hill with an enthusiasm that's infectious. His interactions with the holographic characters, especially the playful banter with Data, provide some of the episode's best moments. Gates McFadden as Dr. Beverly Crusher also gets a chance to showcase her comedic skills, notably in a scene where she struggles with high heels, adding a light-hearted touch to the narrative.

However, the episode isn't without its flaws. The writing for some of the regular characters, like Tasha Yar and Geordi LaForge, feels underdeveloped. Tasha, in particular, is notably absent from key scenes where her presence as security chief would be expected. Additionally, while the episode won a Peabody Award, it misses an opportunity to delve into the social issues of the 1940s, which could have added depth to the narrative.

The Holodeck's malfunction adds tension and a bit of mystery, but it also raises questions about the technology's reliability, which becomes a recurring theme in Star Trek. This plot device here is used effectively to explore the boundaries between reality and simulation, a concept that would influence many future Star Trek stories.

"The Big Goodbye" is a fun, engaging episode that showcases the potential of the Holodeck as a storytelling tool. Its blend of sci-fi and noir elements, combined with strong guest performances, makes it a memorable watch, though it could have been enhanced with deeper character involvement and social commentary. Deserving of its recognition, it's a testament to how Star Trek can blend genres to create something uniquely entertaining.

Writing in 2021, it is great to see that I am not the only person taking a retrospective look at Star Trek, the Next Generation. When this series was first released in 1987, a little less than twenty years after the end of the Original Series, many people thought that, without Captain Kirk and his crew, it couldn't really be Star Trek. However, original creator Gene Roddenberry, was fully invested in the casting, writing and overall look of the new series, so let's see how it shaped up:

A superb Holodeck episode which further excursions into this ultimate fantasy world will struggle to match. The enthusiasm with which the writers, set dressers, costume designers and cast (both regular and guest) inhabit this stylised, 1940s detective "noir" is palpable.

We, the audience, bought into it then and buy into it now: the overall quality of the episode easily overcoming its absurder moments and some rather glaring plot holes.

Dr Crusher gets to do some real doctoring. She actually seems to care about the injured guest crewman Whalen (aka Mr Redshirt) and works hard to save him. If only other writers had done her character justice like this.

The philosophical question of what happens to these imaginary characters when the holosuite is switched off is a serious science fiction trope to which Patrick Stewart does justice with some serious actor-ing. He manages to suffuse the words "I don't know" with all the immensity of the infinite unknown. Of course, the writers get their own back on him in the final scene with one of most ridiculous pieces of long-winded alien gibberish ever set to page but his Shakespearian training means that the "Klaxon speech" is delivered perfectly.

(Senior Trekker scores every episode with a 5)

And thus, it is born, the holodeck - which, outside of time travel, has got to be Star Trek's go-to plot device (who am I kidding, this is kind of a time travel story). But as cynical as that sounds, I'm sure this was pretty cool back in '88 before it became (almost) groan-inducing. And really, it's one of the reasons I dig the Enterprise-D. the wish-fulfillment possibilities are endless.

Anyhoo, stressed out while prepping for a diplomatic mission, Jean-Luc uses the holodeck to disappear into a detective novel; which means trading in a starship set for a dingy P.I. office, period suits (which everyone wears the hell out of) and '40s cliché dialogue. Naturally, the computer wigs out, a man is shot with no access to sickbay, and in walks the big bad guy (Lawrence Tierney, lending his signature terrifying toughness to the show).

Despite the mild silliness and the completely uneven pacing, I do like this episode. The pulp environment is a fun one and it does give Data an opportunity to overdo the period mannerisms while Dr. Crusher tries to blend in as a dame. And it's kinda nice to see Picard get really excited about something.

7/10

While preparing for an intricate diplomatic mission, Picard takes some time to relax in the holodeck as his favourite literary character, private eye Dixon Hill. Of course, things go wrong which threatens not only the captain, Data, Crusher and a 'redshirt' but also the mission.

Finally, the series explores the potential of the holodeck by delivering a story that blends sci-fi Trek silliness with countless film noir homages. Great support from Tierney and Miller and plenty of comedy courtesy of Spiner's Data imitating every gangster movie you've ever seen. Not only does it ask questions as good sci-fi should but it's also a huge amount of fun.