The Girl in the Park

Haunted by the disappearance of her 3 year old daughter 15 years ago, Julia Sandburg (Sigourney Weaver) can't find any joy even with his son Chris (Alessandro Nivola) and his fiancé Celeste (Keri Russell) being pregnant. She helps Louise (Kate Bosworth) when she steals a pair of sunglasses and gives her some money later on. Louise awakens something in Julia, but it is obvious that Louise can't be trusted. Julia feels a connection to Louise and it soon becomes a question of whether Julia is actually her child Maggie.

It's a slow moving indie. Sigourney Weaver brings her A game. Her performance keeps the attention in a tense understated manner. Kate Bosworth is well cast in this. She has a blend of innocence and vulnerability as well as something darker underneath. It's not certain what her true motives are most of the time. One can really see the pain on Weaver while not being able to pinpoint Bosworth's character. There is this uneasy tension throughout as Julia adopts the mother role to Louise. There are some missing scenes in this movie. My logic mind kept asking the movie to do a paternity test ala Maury.

This drama features solid acting all around, but Sigourney Weaver carries the emotional load and shines as the central character, Julia.

As the film begins, Julia has a singing career. She and her husband live in New York and have two children, Chris and Maggie. One day while in the park, Julia turns her back for only a moment and her daughter is gone. It's a visceral scene. A parent's nightmare.

The story fast forwards to sixteen years later. One can imagine some of what transpired during those years: the guilt, the disruption, the agony, the grief. Julia is now divorced and living alone. Her previously happy demeanor is replaced with profound sadness. She has recently moved back to the city, which might offer challenges. Though she has an office job, she is socially dysfunctional. Then a young woman comes into her life and shakes it up.

This is a story about hope and the loss of hope. I found it to be very engaging. My only complaint is about an echo in the sound quality that is distracting in many scenes.

This movie is one that I have watched many times, often with a cup of tea. I'd say this movie is for those who want to watch something full of suspense, drama and questions.

I could re-watch this constantly yet for some I can see that it can be considered to be too 'slow' for certain audiences.

The movie was well done by the various actors and actresses and its obvious that a lot of research was prepared before the final publication of the movie - such as the emotions to do with bereavement, not knowing the truth and not being able to let go of the past.

It's well worth a watch!

What a surprise. Collipol's comments were right on. I guess people either hated this or loved it. I think it's really about how much we all want love fulfilled, how we cope with catastrophic loss, how far we are willing to go to fill that empty space, and how far the people who love us are willing to support us. Weaver made a wonderful transition from happy mom to a cold, disconnected woman, and back and forth again. Any woman with a "favorite child" or a personal and crippling loss can empathize - but I am astounded by the story and the performances.

The young woman who suckers Weaver is off-putting at first, an instant irritant, but by the end of the movie you really want her to love her new "mom" and you really want Weaver to have the daughter she never got to grow up with. It doesn't matter anymore whether she is or she isn't for reals, they become what they both want. Several scenes touched me so deeply I was stunned. It would have been so easy to make this a thriller, or maudlin, or predictable, but the director did not. It was engaging, mysterious, warm, frightening, very sad, sweet, and very deeply moving. The end was perfect; subtle and let you absorb it all on your own. I thoroughly enjoyed every performance - they all were extremely well thought out, well executed, beautifully written and they all added together for a delicate and meaningful story. Do it again! Please.

My only criticism of this film is in the casting of the son, Chris. He is shorter than Sigourney Weaver and this is genetically impossible. That said, all the actors did a great job. And just HOW did SW look so convincing as both a thirty and a fifty-year old? Some credit to the make up department, sure - but it was the subtle change in the set of her jaw, the rigidity of her body vs fluidity in the early scenes ... The fact that the secondary characters aroused curiosity added to the atmosphere - someone els has complained that their potential stories were not developed. But this was all part of Julia's withdrawal from the World, her loss of interest in anyone after she lost her child.