Cheeni Kum

aaah! after a long time, here's a romance i could finally relate to. tabu and amitabh capture the long lost magic of romance that follows no reason or rhyme or logic or time, BANG ON! when you watch them both on screen, you realize how much a seasoned actor can do to a role. special mention to tabu, for playing her role at the right tempo - at just the right pace.

balki handles the film with finesse, in the first half. the lines are witty, delivered straight-facedly by amitabh, in what could be one of his most romantic roles. zohra sehgal is sooooo sweet, you wish she was your mom.paresh rawal is strictly okay.

watch this film without having too many expectations. its a nice, frothy romantic comedy and if you keep that in mind, you won't be disappointed. i give it a double thumbs-up

Rarely do Bollywood movies live up to their hype. This one comes very close.

Amitabh Bachchan owns Spice6, the best Indian restaurant in London. To him, being a chef is more than a profession. It is an art, in fact, the greatest art of all. He personally ensures every dish that leaves his kitchen is up to his exacting standards. His employees respect him, but his angered outbursts send shivers down their spine. It is during one such outburst that he sees a dish, Hyderabadi Zafrani Pulao no less, returned by a customer (Tabu) because it's too sweet (and hence the recommendation to reduce sugar or Cheeni Kum). Enraged, he walks up to the table, and challenges Tabu to make it any better. She leaves without uttering a word, but brings in some Hyderabadi Zafrani Pulao the next day that even Amitabh finds delicious. He now owes her an apology, thus setting into motion a series of events that lead to attraction between the two, and finally love.

Although the age gap between Amitabh and Tabu is there to see, it is totally downplayed and doesn't even come into focus until later in the second half. Their exchanges are loaded with witty repartees and sarcastic remarks that leave the audience in splits. The tight script and screenplay make sure the movie progresses at a good pace although it was slow at times for my liking. I think the director fell for the Bollywood norm of making 2½ hour movies. Also, the movie loses its grip toward the end. The scenes are predictable and the melodrama avoidable. These are minor indiscretions of a first-time director, and in no way, reduce the overall appeal. If you ask me, it is certainly worth a second watch.

Amitabh is calm and composed. The role doesn't challenge him much, but he plays it with conviction. Tabu is brilliant. The last time I saw her was in Fanaa, and firmly believed she's insane. Not only did she pick the right movie here, she's ensured her character isn't sidelined. In fact, in several scenes, her character comes out on top of Amitabh's, and is credible thanks to her acting abilities. Zohra Sehgal, as Amitabh's mom, is on a roll. Swini Khara as Sexy, Amitabh's 7-year old neighbor is cute, and gets to deliver a few punch lines too. Paresh Rawal as Tabu's father is disappointing. His character is too clichéd and completely out of sync with the movie.

In sum, Cheeni Kum is no bitter pill. I rate it 4/5.

This movie is a novelty for India, a movie comprising mostly of intelligent, dialogue based humour rather than on situations (like Khosla ka Ghosla) or slapstick (most of the other Hindi movies that pretend to be comedies). Amitabh Bachchan is a crabby 64 year old chef / owner of an Indian restaurant in London. The first half depicts the growing relationship between himself and Tabu, a 34 year old woman from Delhi in London on a holiday. The second half primarily depicts Tabu's 58 year old father, Paresh Rawal's viewpoint on the relationship. There – that's it as far as the story goes…nothing more, nothing less… The true brilliance of the movie lies in the life / spark infused in even the simplest of situations or the simplest of characters. Whether it's the interaction amongst the chef's in the restaurant, the waiter hilariously nicknamed Colgate because of his protruding teeth and the jokes at their expense ('Iske Liye Dimaag Ki Zaroorat Hai, Daant Ki Nahin', he is gently admonished on one occasion), the Sardarji pharmacist and Amitabh's interactions with him, Amitabh's mom's fascination with the gym in the face of her sons obvious reluctance to go anywhere near it, his acerbic comments on his mom's cooking ('yeh Tihar Jail Waali Dal ?'), Paresh Rawal's love of cricket and Gandhism. I can go on and on. I was in near-hysterical splits on no less than 10 occasions. I'm still laughing as I remember some of the jokes….

And I haven't even mentioned Amitabh and Tabu – their running joke around the umbrella, the ruthless way she teases him the first time he tries to ask her out, their almost every conversation was beautifully constructed. The movie also captures amazingly well the highs and lows of falling in love. Will she come or wont she ? Will she say yes ? The mood swings, the heartache and the sheer exhilaration and joy when its all OK, when you're with your newfound love.

I think one of the casting coup's of the movie was Tabu. I watched this movie with a school friend of mine (Prashant) and we discussed her at length after the movie. The parts of the conversation I can print here involved her sheer beauty, her classic features (high cheekbones, eyes) and her subtleness…her understated yet enigmatic presence. She brings reality and a certain mystique to her character, makes acting seem so easy. I don't think there is another Bollywood actress who could have done justice to her role.

However, this doesn't detract in any way from any of the other performances in the movie. Everyone was excellent – from Amitabh to Paresh Rawal to each chef / waiter in the restaurant, Amitabh's neighbour and his daughter (a nice sub-plot here and at last we get a real child who talks like today's kids actually do, unlike the saccharine mumblings of the girl in TaraRumPum). The music, with the title song playing constantly in the background, the settings (even Qutab Minar looks beautiful in the movie), everything, like spices, enhance the brilliance of the dialogue.

Take a bow, Mr Balki (an ad maker and first time director). The entire audience gave a standing ovation when the movie ended. Is movie main kuch bhi kum nahin tha !

I watched this immediately after jhoom barabar jhoom, and was very glad I did. JBJ was an AWFUL pile of bakvaas, and Amitabh's appearances in that movie were pointless and embarrassing (why was he trying to look like Stevie Ray Vaughan?) Cheeni kum was a very good movie. A little slower than it could have been, and maybe Amitabh's character was a little bit TOO "cheeni kum", but overall it was an intelligent and well put together film. There were several things not done as well as they could have been, including the shameful underutilization of Paresh Rawal, but overall this was a good try. It was certainly one of Amitabh's better roles of the last couple of years. Zohra was outstanding as was Swini Kehra, and the film examined the central issue well. Almost as well as the outstanding Dil Chahta Hai. After KJo cr*p like KANK, SLB's bloated rubbish (Black, Devdas) and the David Dhawan conveyor belt of pathetically unfunny "comedies", films like Cheeni Kum restore my faith in Hindi cinema. The central jodi was very plausible, and Tabu's character gave as good as she got, except for the scene at the restaurant with the fish (where her capitulation seemed out of character). I just wish that was at least one Cheeni Kum for every Jhoom Barabar Jhoom. Plus I want to see more of Zohra before she leaves us, and more of the excellent Swini.

The title exactly sums sums up the film. Yes, it is not too sugarcoated but it has does not have much taste either. While the movie is appealing and a delight to watch in the first half and slowly seems to change track in the second half, things get a little too messy in the last third after Buddha goes to India to meet Neena's father. The first half works as a romantic comedy where Balki introduces the love story of the two interesting protagonists, Buddha (Amitabh Bachchan) and Neena (Tabu) There are some very funny feel good scenes. The comedy between Amitabh and Tabu works well and Zohra Sehgal is absolutely hilarious. Once Buddha lands in India things go haywire. Was the screenwriter suffering from writer's block and pressured to meet a deadline? Did he not find any other way to get Neena's father to accept the proposal or for Buddha to finally manage to convince Mr. Verma without showing all that forced melodrama? Tabu is charming and has amazing screen presence but her character isn't exactly well-written as a result of which her performance suffers. In the last third she is barely given importance. This is among her weakest performances but in all fairness to her, the script does not give her enough scope to make the character more appealing. Amitabh Bachchan returns to his angry man mode (again) and he severely hams at many scenes. Zohra Sehgal is a delight to watch and Swini Khara is wooden (her voice sounds a little monotonous but her non-verbal expressions are good at times) Why did the writer choose to give a little girl a nickname like 'Sexy' (forced humour?)?. Paresh Rawal gives a forgettable performance. In addition to that, there are some very passable songs (but nothing great) and the locations are nice to look at. Anyway, 'Cheeni Kum' mainly suffers because of bad writing and poor direction. I wouldn't want to watch it again.