Spread

Not much of a Kutcher fan here, so obviously my expectations for this movie were quite low to begin with. I have to admit I was a little surprised to find that I actually enjoyed the plot and that it's apparently more than just nudity, once you get underneath that layer. Ironically one of those movies that make you rethink parts of your own life, and what really matters. I am a sucker for happy, sappy endings, but in its own way I think this ended perfectly.

Nothing new here. A story that happens ever day to people that you won't particularly care about.

The first half is slow moving soft porn and the second half is devoted to watching shallow people live shallow lives. People doing the same thing over and over again and yet somehow expecting different results.

If you can get past that everything else was adequate.I just don't see why they would assemble all those people and all that talent to tell us a story about people that were neither bad enough nor good enough for anybody to even take notice of.

Rent something else.

I was surprised to find so many descriptions for this movie describing it or tagging it as a comedy... by my reckoning it's more of a light drama expressing the costs of inconsiderate over-indulgence. The players and performers all did their job as one would hope in any movie, but emptiness in the script and storyline left me wishing I'd spent my time more productively. I can't speak to any sense of realism in it, but perhaps there are worldly examples I'm simply unaware of. I did enjoy a few aspects of it, but there's little in the way of empathy that one can generate for the characters within as they're all between 'hollow & insensitive' and 'dishonest & abusive'.

My suspicion is that it will have greater appeal for younger audiences, mainly because some of the scenes portray rampant levels of decadence that they'll be more likely to appreciate than those of us in our 40s.

After reading a few reviews, I expected this movie to be a mildly pornographic rom-com. As the credits scrolled, however, I was surprised to find that this movie was not only well made and well casted, but the story behind well thought out too. Although some aspects of the story were clearly unreal (like the glamour and ease with which Ashton Kutcher picked up women), I thought that some things portrayed in Spread were rather accurate. One idea, which Nicky (Kutcher) mentions several times, is how people run to LA to pursue their dreams- but how the reality is that nothing is quite as magic as it seems. Most movies, having been made in Hollywood, would not necessarily incorporate this into the story. But this movie daringly features not only this but other controversial issues, and is therefore quite thought provoking. On the surface I can see why people thought the scenes of sexual nature were unnecessary, but really, the sex was part of the story. It was showing what Ashton Kutcher, who plays a gigolo, did to survive. And it showed how meaningless it all way for him. Overall I really enjoyed this film, and think that it carries a much deeper meaning than one would presume.

Spread is an unusual little film. I say 'little', as it's essentially a low budget character-driven drama that is some how being commercially packaged as a rom-com. A quick glance at the credits reveals that this isn't your average Kutcher vehicle: it's directed by Scotland's David Mackenzie of "Young Adam" and "Hallam Foe" fame.

Make no mistake, the Kutcher we see at the start of the film is very familiar: arrogant, uptight and utterly beautiful. But as the run-time flies past, we somehow warm to his character even though he's getting more sex than most of us will get in a lifetime. And here's the good news: Kutcher's performance is fairly astounding. He manages to reveal the humanity in his deeply flawed character with notable subtlety and a distinct lack of cliché. Kutcher's (many) sexual relationships portrayed in the film are brutally realistic: the modern and perhaps unromantic realities of casual sex are not dressed-up in any cheap Hollywood moralising. This is also evident in the overall tone of the film: there are many moments that could have descended into schmaltz, but a sharp edge it maintained on just about every line of dialogue.

Kutcher fans: beware. This is a real departure for the actor, but thank goodness: it's a movie with all the superficial gloss of Hollywood and all the invention of an indie flick.