It's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of y... Read allIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunto... Read allIt's the fall of 1969 and winds of a change are blowing across America. But on a remote family farm in the hills of Virginia, a storm of evil has been brewing for years. Now for a group of young people hitchhiking to a rally in D.C., a detour to the nightmare homestead of Staunton's will rip apart their young lives forever. A grisly secret is waiting. The raw terror i... Read all
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Featured reviews
Romero
Seriously though: I'm sure he encouraged his son to take this step into the film world. If it the right decision ... well only time will tell. Judging him after this movie wouldn't be fair. After all, not everyone can be a Romero ... A. Romero that is, and deliver a Masterpiece as his first big movie (Night of the living Dead).
While the characters are bland, the storyline confusing and quite some flaws in the story department, it's still more or less your standard fare backwoods horror movie. Nothing special, but not particularly bad either ...
I Didn't Need Another Derivative Film
This is my first encounter with director Cameron Romero, son of the legendary George Romero. I can't say it was the most impressive way he could have been introduced to me. While it had some decent moments, and what could have been an interesting subplot, the film came off as confusing, slow at times, and somewhat derivative.
I have seen the plot about a gas station attendant who leads a group to a dangerous house more than few times. I'm sad I had to see it again. There was some sort of story about skin grafting that went over my head... maybe because I found it hard to pay attention, or maybe because it fit in very loosely with the story. And the lack of nudity, while not a deal breaker in itself, condemned this "unrated" film to be not just boring but unredeemable for salacious horror fans.
Perhaps the biggest mystery is the film's time setting. If I had not read the box, I wouldn't have made the connection that this film was in the 1960s. Modern clothes were evident, and despite the family watching riot footage, it could have been an old program. Why the year matters to the story is beyond me. Sure, it eliminates the problem of ubiquitous cell phones... but what else? The film's one quote on the box has George Romero saying this is "as scary as it gets". If the only person you can get to endorse your film is your father, you may not be ready for the big leagues yet.
Been there, done that
Bring a pillow, you'll need it...
I managed to make it through a staggering 49 minutes of prolonged suffering as I watched "Staunton Hill". Then I just simply gave up out of sheer and profound boredom. Very little happened through the 49 minutes that I managed to endure, it was quite boring and uneventful.
There was some good enough scenes at the farmstead with some bloody and gore-filled visuals. But that hardly managed to lift up the less than mediocre overall result that the movie turned out to be.
The characters in the movie were not particularly interesting, and they were actually generic, one-dimensional and lacking personality and layers. As such, it felt like watching cardboard cut-outs of the characters waltz around on the screen.
I can in all honesty say that I have no intention of returning to "Staunton Hill" to see if the movie picks up or not. Because from what I saw from the 49 minutes deterred me permanently. If you enjoy horror movies, then there are far, far better choices readily available in the horror genre.
Nothing new under the sun
Did you know
- TriviaFilmed in only 6 weeks
- ConnectionsReferenced in The Making of 'Staunton Hill' (2009)
- SoundtracksDarkness Falls
Composer: Jesper Kyd
Produced, Mixed and Treatments: Jeff Blenkinsopp
Engineer: Chris Abell
Assistant Engineer: Alon Harish, Matt Gardner, Josh Ascalon
Guitars: James Chirillo
Upright Bass: Nick Scatmari
Drums: Victor Louis
Recorded at Dubway Studios NYC
Mixed at Ears NYC
Details
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- Cameron Romero's Staunton Hill
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Box office
- Budget
- $1,200,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color
- Aspect ratio
- 1.78 : 1





