Donnie Darko's little sister Samantha and her best friend Corey are on a cross-country road trip, but soon find themselves entangled in a dangerous glitch in the time-space continuum.Donnie Darko's little sister Samantha and her best friend Corey are on a cross-country road trip, but soon find themselves entangled in a dangerous glitch in the time-space continuum.Donnie Darko's little sister Samantha and her best friend Corey are on a cross-country road trip, but soon find themselves entangled in a dangerous glitch in the time-space continuum.
Bridger El-Bakhi
- Billy
- (as Bridger J. El-Bakhi)
Candy Richardz
- (Self-Cafe)
- (credit only)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I am an oddball in that I have NOT seen "Donnie Darko" yet I watched "S. Darko". This is because I have an odd obsession--to see as many of the films from the Bottom 100 list on IMDB as I can. I also decided NOT to see the original film because from what I read, folks who loved the original (and it seems to have a cult-like following) absolutely hated this sequel...and I wanted to see if the sequel might be better if you never saw the first. So is this film bad enough to be #88 on the list? No...while it IS a terrible film in many ways, there are definitely many worse films that this one...not exactly a glowing endorsement.
The biggest problem about the film are the two female leads. Both play characters who are annoying jerks....and any film with annoying jerks in the lead faces an uphill battle. In addition, the acting of many (including one of the male leads) is terrible. They or the director seem to think that talking monotone and emoting very little is the epitome of cool. Instead, I just found the acting (like the characters) to be super-annoying.
As far as the plot goes, there are a lot of weird dream-like warnings about some pending apocalypse in a rural town in the American West (it was filmed in Utah). The special effects were very interesting...but the story was confusing and silly.
Overall, a film that I didn't like at all but TECHNICALLY it isn't completely terrible.
The biggest problem about the film are the two female leads. Both play characters who are annoying jerks....and any film with annoying jerks in the lead faces an uphill battle. In addition, the acting of many (including one of the male leads) is terrible. They or the director seem to think that talking monotone and emoting very little is the epitome of cool. Instead, I just found the acting (like the characters) to be super-annoying.
As far as the plot goes, there are a lot of weird dream-like warnings about some pending apocalypse in a rural town in the American West (it was filmed in Utah). The special effects were very interesting...but the story was confusing and silly.
Overall, a film that I didn't like at all but TECHNICALLY it isn't completely terrible.
I was honestly shocked that this film was actually worse than I was expecting it to be. It really seems like the writer and director got hired for the job, watched about half of the first film before they got bored, and then set off to make something roughly similar. Awful dialogue, careless (and painfully obvious) anachronisms, and some jaw-droppingly bad CG effects. I'd be willing to bet they had more money to make this than Richard Kelly had to work with on the original, and none of it's up on the screen. Maybe it cost them a lot of money to license "Hobo Humpin' Slobo Babe" by Whale.
*cough* Anyway, as far as cash-grab sequels go this has to be one of the all-time worst. A suggestion: tape an episode of "One Tree Hill" or "Gossip Girl," then put on some red-and-blue 3D glasses, and pretend one of the cast members is saying stuff like "Remember the future" and "My farts taste like cherries." Then watch the show on rewind for about twenty minutes and do it all over again. Repeat for 102 minutes total, and you've had roughly the same experience. Utterly shameful.
*cough* Anyway, as far as cash-grab sequels go this has to be one of the all-time worst. A suggestion: tape an episode of "One Tree Hill" or "Gossip Girl," then put on some red-and-blue 3D glasses, and pretend one of the cast members is saying stuff like "Remember the future" and "My farts taste like cherries." Then watch the show on rewind for about twenty minutes and do it all over again. Repeat for 102 minutes total, and you've had roughly the same experience. Utterly shameful.
Oh my gosh. Why? I just don't get it. This has got to be one of the worst sequels ever made. Lets look at the list and take a look at everything wrong with this film. And by the way let me say i AM a big fan of Donnie Darko.
1. The acting is almost unbearable. 2. The story sucks... well if you even want to call it a story. 3. its so confusing and does not even come together in the end. 4. The characters are extremely unlikable if you liked these characters my heart goes out to you... but you have no brain. 5. SO MUCH LAME CGI There you go the top five list of why this movie is so awful. I give this film a F.
1. The acting is almost unbearable. 2. The story sucks... well if you even want to call it a story. 3. its so confusing and does not even come together in the end. 4. The characters are extremely unlikable if you liked these characters my heart goes out to you... but you have no brain. 5. SO MUCH LAME CGI There you go the top five list of why this movie is so awful. I give this film a F.
Before anyone gets on their high horse saying I am one of those Donnie Darko fans not giving this new movie a chance, I gave this film a chance and spent the five bucks to rent it straight away after learning it existed.
The only good thing about this film is that it ended. OK, that may be harsh, the film's colour and surrounding landscape it unfolds in is pretty cool but that is it. The only other interesting elements, whether technical in filming style or plot-wise of this film, were ripped straight from the first film. What was cool in Donnie Darko is merely imitation here.
The plot is weak and has logic holes which fail the Donnie Darko/tangent universe test from the first film. As fans of the original we cannot help but compare the two films because s.Darko centres on characters and memories from the first one and rotates on the principles that drove the original as well. How can you not compare the two? What almost borders on insulting in this film are the straight repetitions of acts, scenes and quirky characters from the first one replicated in this one. I don't want to spoil the film if you are drawn to sit and endure it but you'll see what I mean, you cannot miss the weak, formulaic repetition, especially if you are a fan of the original.
Basically, s.Darko is the same model car like Donnie Darko but has different paint colour and chokes along on a four-cylinder engine whereas the first one rumbled along on six.
The only good thing about this film is that it ended. OK, that may be harsh, the film's colour and surrounding landscape it unfolds in is pretty cool but that is it. The only other interesting elements, whether technical in filming style or plot-wise of this film, were ripped straight from the first film. What was cool in Donnie Darko is merely imitation here.
The plot is weak and has logic holes which fail the Donnie Darko/tangent universe test from the first film. As fans of the original we cannot help but compare the two films because s.Darko centres on characters and memories from the first one and rotates on the principles that drove the original as well. How can you not compare the two? What almost borders on insulting in this film are the straight repetitions of acts, scenes and quirky characters from the first one replicated in this one. I don't want to spoil the film if you are drawn to sit and endure it but you'll see what I mean, you cannot miss the weak, formulaic repetition, especially if you are a fan of the original.
Basically, s.Darko is the same model car like Donnie Darko but has different paint colour and chokes along on a four-cylinder engine whereas the first one rumbled along on six.
S. Darko is one of many sequels that has no reason to have been created at all. But even if one puts the original film out-of-mind, and only look at the sequel on it's own merits, the movie still falls completely flat.
The film picks up 7 years after the original left off, Samantha Darko and her friend Corey are on a cross-country trip heading for Los Angeles. When car problems leave them stuck in a little town by the name of Conejo Springs (which is populated by a community of horribly written character's), the girls are forced to mingle with the townies, and Corey finds herself at home with the boozy losers, while Samantha, still in pain over the death of her brother (Donnie), finds herself drawn to the Outsider by the name of Iraq Jack, a disturbed Gulf War vet who has learned through bizarre visions that the world is coming to an end on July 4th, 1995.
It seems that Nathan Atkins is a fan of Richard Kelly's work (including Southland Tales because the character of Iraq Jack seems similar to the character 'Pilot Abilene' & the end of the world date being on 'July 4th') But Atkins can't write believable dialogue to save his life. And the director 'Chris Fisher' doesn't seem to understand what made the original film so good, which was the feeling of being able to connect with the characters going through something this crazy. And if the audience doesn't care about the characters on-screen it becomes very hard for them to feel any effect of the narrative structure.
S. Darko is a hollow cash-grab by producers who must have never understood what Kelly was going for, but they now control the rights to the Darko universe, and they're hoping to collect any profit from this wannabe Donnie Darko replica.
The film picks up 7 years after the original left off, Samantha Darko and her friend Corey are on a cross-country trip heading for Los Angeles. When car problems leave them stuck in a little town by the name of Conejo Springs (which is populated by a community of horribly written character's), the girls are forced to mingle with the townies, and Corey finds herself at home with the boozy losers, while Samantha, still in pain over the death of her brother (Donnie), finds herself drawn to the Outsider by the name of Iraq Jack, a disturbed Gulf War vet who has learned through bizarre visions that the world is coming to an end on July 4th, 1995.
It seems that Nathan Atkins is a fan of Richard Kelly's work (including Southland Tales because the character of Iraq Jack seems similar to the character 'Pilot Abilene' & the end of the world date being on 'July 4th') But Atkins can't write believable dialogue to save his life. And the director 'Chris Fisher' doesn't seem to understand what made the original film so good, which was the feeling of being able to connect with the characters going through something this crazy. And if the audience doesn't care about the characters on-screen it becomes very hard for them to feel any effect of the narrative structure.
S. Darko is a hollow cash-grab by producers who must have never understood what Kelly was going for, but they now control the rights to the Darko universe, and they're hoping to collect any profit from this wannabe Donnie Darko replica.
Did you know
- TriviaRichard Kelly has not seen this film and vows not to as it had nothing to do with him and tainted and meddled with his original vision for the Darko mythology.
- GoofsAt the end of the movie, when they are examining the meteor crash site, Officer O'Dell picks up Iraq Jack's dog tags with no damage to them. The meteor would have at least left some burn marks on the tags.
- ConnectionsFeatured in WatchMojo: Top 10 Movie Cash Grabs (2014)
- SoundtracksAlive Alone
Written by Tom Rowlands, Ed Simons
Performed by The Chemical Brothers
Published by Universal Music Publishing Group
Courtesy of Virgin Records Ltd./Astralwerks
Under license from EMI Film & Television Music
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross worldwide
- $1,079,949
- Runtime
- 1h 43m(103 min)
- Color
- Aspect ratio
- 1.78 : 1(original ratio)
Contribute to this page
Suggest an edit or add missing content