IMDb RATING
5.7/10
3.7K
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A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.A comedy about a New York City couple (Schreiber and Hunt) in romantic and family crisis.
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love the actors! v. good material! another well projected picture about today's 'responsible' couple. the hard pressed, nonetheless, flavorful tofu slices between the very nearly 24/7 'all encumbering' pieces of bruschetta... work/household responsibilities/needs & children. yes, this picture proves all too well that the 2 tofu slices, representing the resilient companions, are even unfairly (life fair, huh!) separated by the 3rd slice of current life, fading parent(s).. ringing so true for those who can't/won't send their children to boarding school &/or their parents to a well equipped senior home.
wish the story could have had more time for the couple to be the beatles to what brought them together in the 1st place. if given more script, hunt & shcreiber would have shown a terrific journey to remind us how to 'get back' to the tender & kind love for your companion.
wish the story could have had more time for the couple to be the beatles to what brought them together in the 1st place. if given more script, hunt & shcreiber would have shown a terrific journey to remind us how to 'get back' to the tender & kind love for your companion.
Richard Levine's 'Every Day' takes a slice of life look at Ned and Jeannie's family life. Their monotonous life is further disrupted when Jeannie's grumpy father, after the death of his wife. Levine tells the story with sincerity but it feels very familiar. It bares some resemblance to movies like 'The Savages' and 'Little Children'. I liked the angle with the teen son who gets lured into sneaking out at night to meet a guy at a disco and yet he's strong-minded enough to refuse drugs. The dynamic between him and his father, especially concerning his homosexuality is portrayed effectively. The struggle between Jeannie and her father is well-depicted. The characters are well-written. The lines are witty and funny but the plot is contrived and very predictable. The Eddie Izzard track felt like an attempt to be quirky and it hardly contributes much to the main story other than providing some comic relief. It's good to see Helen Hunt back. She performs naturally. Brian Dennehy is brilliant and the two child actors are good too. Carla Gugino is spot on. Liev Schreiber and Eddie Izzard are passable.
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances
EVERY DAY – CATCH IT ( B ) A movie about dysfunctional family is my favorite genre. These movies sometime brings out the greatest moment and performance out of actors you actually never expect. Even here we see a side of Liev Schreiber, which I have not seen before. Watching him with Helen Hunt was really interesting. Helen Hunt is a fine actress and we rarely get to see her these days. I really would love to see her soon in some more movies. Ezra Miller is uprising young actor and he is really impressive can't wait to see what he brings on table with bussed about movie" We Need to talk about KEVIN". Carla Gugino is a sweet actress, its always fun watching her and her chemistry with Liev was HOT. Tilky Jones and Ezra Miller smooching was HOT. Overall, it's a good effort and I really enjoyed the whole dynamics of the characters and specially the funny dialogues. I enjoyed it.
this movie is listed as a comedy and there are a few comic moments. but i found most of the laughs in some of the overdone dramatic scenes. couldn't believe this as a real family. their daily life is almost to the point of being a 'pot boiler'.
the acting is good and nicely cast, but something is missing. a sweet story being told by some rather over done characterizations - in my opinion. but i enjoyed the movie as a whole. it's just sort of a hollow feeling when it's finished. emotionally the viewer expects something more solid.
my favorite scene is in the parking lot after Ned has his blowout at the staff meeting. and i appreciate having the son realize he made a mistake deceiving his parents - thus his reaction at the club.
very watchable story but .....!
the acting is good and nicely cast, but something is missing. a sweet story being told by some rather over done characterizations - in my opinion. but i enjoyed the movie as a whole. it's just sort of a hollow feeling when it's finished. emotionally the viewer expects something more solid.
my favorite scene is in the parking lot after Ned has his blowout at the staff meeting. and i appreciate having the son realize he made a mistake deceiving his parents - thus his reaction at the club.
very watchable story but .....!
Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."
The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.
The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.
The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.
The ugly. Nothing.
The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".
The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.
The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.
The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel.
The ugly. Nothing.
The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".
Did you know
- TriviaAt its widest release, the film was only shown in four theaters, and grossed $46,209, far below its $3 million production budget.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #19.119 (2011)
- SoundtracksFeel U
by Anne Marie Bush
- How long is Every Day?Powered by Alexa
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $46,029
- Opening weekend US & Canada
- $9,857
- Jan 16, 2011
- Gross worldwide
- $46,029
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