American Grindhouse

I love grindhouse films, especially the gore of Herschell Gordon Lewis, horror like The Last House on the Left, and exploitation films, whether they be blaxploitation, women in prison films, and even nunsploitation.

I guess that makes me weird, but grindhouse films in various forms have existed from the birth of motion pictures. Films like Maniac, Reefer Madness, and more have titillated moviegoers for almost 100 years.

This documentary does an excellent job of reviewing exploitation from the beginning, complete with uncensored clips from the movies they talk about.

If grindhouse is something you are not familiar with, then this documentary will enlighten you. It is for all those who want to know more.

American Grindhouse explores the exploitation genres from their inception with Thomas Edison all the way to now(though very briefly). Along the way we get candid, short interviews(more like blurbs) from the likes of John Landis, Joe Dante, Ted V. Mikels, and Herschell Gordon Lewis - just to mention a few. I found the approach, the interviews, and the clips to be very interesting though not much was given to any particular subject. Many faces that should have been on here are notably absent like Roger Corman and Quentin Tarrantino, but that in and of itself should not diminish this look at something that really only lately has received a bit more respect than it is generally accorded. I saw clips of films that I had no knowledge of and will now seek some of those titles out. This is a breezy look at the history of a side of film that gets ignored for having a reputation that the films are garbage. Some without a doubt are,but some are gems. I wish more time had been given to those films. Exploitation films when it is all said and done(can I lace any more clichés through this review?) have stood the test of time better than many, many "mainstream" films.

It's a far ranging exploration of the exploitation cinema. It takes a history trip from the beginning of film all the way to today. It doesn't really try to limit the scope, and skims through 100 years. It features several talking heads. The most famous of the experts is director John Landis.

This serves as a general documentary of the fringe movie world. The best thing is all the clips of these old movies. The talking heads aren't digging too deep but are generally well informed. Robert Forster does a good job as the narrator. His gruff voice isn't the normal narration but somehow fits the subject matter. This is a steady march through history categorizing all the major movements hitting the big moments. The best interviews are the actual participants who are talking about their own movies. The doc does grind down as the movie has nowhere to go with the arrival of porn. I guess that's another doc. The final section of Hollywood trying to rip off the grindhouse isn't quite as compelling. As a general doc, it hits most of the big points.

About as interesting as a loosely-related series of sparse conversations with cult-favorite directors is likely to get. The goal seems to have been the assembly of a "straight from the horse's mouth" oral history of exploitation at large in cinema, but none of the subjects could really nail down the outer limits of what the term meant. So, instead, it became a crash-course history of underground film, decorated at all corners with vaguely familiar old men reminiscing about their glory days. The narrative jumps all over the place, sometimes floating from the '20s to the '90s over the course of a single sentence - that's OK, though, because the sheer breadth of knowledge and a shared recollection of the crazy promotional stunts each film undertook to get noticed makes the journey worthwhile. It's also one hell of a Netflix recommendation engine.

I really, really enjoyed this. At the same time, though entertaining and informative, it leaves one yearning for so much more. The clips from the films shown are usually VERY short, and quite often, they are not directly discussed by the commentators. Instead, they are used to "illustrate" a more general discussion of one of the sub-genres covered her (ie: pre-code; nudist camp, nudie cuties, etc). I look forward to someone expanding upon this introduction to provide us with a film exploring each of the sub-genres in more depth.

Finally, I was pleased to hear John Landis refer to PASSION OF THE Christ as an Exploitation film, as that's exactly how I viewed it... with total delight, I must say. In fact, given it and APOCALYPTO, an argument could be made for Mel Gibson as the greatest Exploitation film director of the past decade... even if he does not exactly see his own films in that light.