Nostalgia for the Light

This beautiful film will capture you emotionally, visually and intellectually. Patricio Guzmán's examination of light—its relationship to the past and what it illuminates of the future—is stunningly beautiful, insightful and very well shot. A scientist states early on in the film that there is no present only the past and future as the words he is forming with his mouth have already happened by the microsecond it takes for his voice to travel from his mouth to his subject's ears. It is this sort of abstract thought that permeates the films dialogue creating the mood.

The Atacama Desert in Chile is believed to be one of the driest places in the world. Some of its river beds have not seen water for more than 120,000 years. Because of its high altitude, nearly non-existent cloud cover, dry air, and lack of light pollution and radio interference from the very widely spaced cities, the desert is one of the best places in the world to conduct astronomical observations.

As a result, the world's astronomers flock to the Atacama to gaze out into the universe and to search for evidence and artifacts from the beginning of time. These "archaeologists of time" decompose the stars into their constituent elements one of which is calcium.

Elsewhere in the desert, other "archaeologists" search among the pebbles and dust for evidence of calcium. They are looking for bones. Or at least fragments of bones. They are the mothers, brothers, sisters and wives of Chile's disappeared. During Pinochet's military dictatorship many thousands of Chileans were abducted and killed and their bodies disposed of in the Atacama. Forty years later their relatives still search the desert for any sign or bone fragment that might give a clue to where their loved ones lie.

Patricio Guzman juxtaposes these two sets of archaeologists in his beautiful documentary, "Nostalgia for the Light". In many ways they both seek answers to the same question. They try to find the true meaning of life.

There are some very moving scenes in this movie. In one, a lady in her seventies sits in the desert, in tears, and proclaims that she will never stop looking for the remains of her loved one. In the other, a young Chilean astronomer, whose parents were killed by the government when she was only one, clutches her new born baby (this scene is just wonderful). She displays the transcendent wisdom of someone of far greater years as she explains how she has, through her work and observations, come to terms with their murder.

An unmissable movie.

http://sofia-notes.blogspot.com/2011/09/nostalgia-for-light.html

A painting that unites astronomy, the present, the past and the collective memory of a people. A story you through from end to end and leaves you vibrating in a note holding and is resonating very hard in the chest. How to join two things as seemingly dissimilar as astronomy and the search for a past that still bleeds and want silent but still present. The astronomers point their telescopes to the huge big sky of Atacama to find new galaxies, stars lost or the same origin of the universe, and the telescope is pointing Guzman inward consciousness of a people and of horror to keep the memory alive.

Thanks Patrick for this film as needed.

This film is not a documentary in the traditional sense. It is more a work of poetry, or a spiritual experience.

The brutal results of Pinochet's military dictatorship are meshed with the search for the origins of the universe. Both subjects deal with the past, as we only have past and future; there is no present as Augustine said many years ago.

So, astronomers are really archaeologists. They study space to discover the past. Writer/director Patricio Guzmán combines this "archaeology" with the archaeologists who search the desert for the bodies buried by Pinochet.

A fascinating story.

I had heard this was a documentary about the Chilean Disappeared of the Pinochet regime and as such it took me a while to decide to watch it since one does tend to lean towards easier viewing after a day at work. I had recently been on a run of documentaries about heavier subjects and decided that this would be next, expecting it to be very much about pain, death and loss. I was a bit thrown when the film opens and appears to be about astronomy but I went with it as I figured it was best not to let what I assumed guide the film but rather let it lead me!

What I found was that this isn't really a documentary in the traditional sense; yes it is real life and fact based, but we don't have a specific subject revealed or examined in the way you would expect from a historical documentary. Instead what we get is more of a musing or mediation that plays like a combination of documentary, poetry, art and science (non) fiction. This sounds pretentious but it really isn't and the way it is presented means that discussions about how there is no actual "present" and that our atoms come from the stars sit comfortably next to discussions with a woman whose parents were disappeared when she was 1 year old and a 70 year old who goes daily into the desert endlessly searching for bones of those dumped there decades prior. All of it works and is equally engaging and, more importantly, compliments each other in a way I didn't expect.

Content-wise the film has a real peaceful beauty to it while also looking at terrible situations with a lot of pain and loss. It is fitting that the film is also visually beautiful. The use of shots of galaxies spinning through the clear sky over the desert is a real help to this, but even smaller moments of a woman picking through dirt are really well shot and do not contrast with the shots of space. The visuals add to the content really well and I was surprised by how engaged I was; it wasn't that it informed me about a lot (although it did a bit) but more that it invited me to think with it, to muse with it and I really enjoyed that sensation.

As an idea it really shouldn't work at all and experience tells me it should have come out as a pretentious piece of soul searching like an art student did it, but it is nothing of the sort. It is beautiful, engaging, thought-provoking and really well filmed and constructed. Go with it – it is very good.