La casa muda

Must be a really nice movie but just dont watch the trailer..youre gonna get it all figured out.

La Casa Muda is a gimmicky, uninteresting, and overall derivative entry into the horror genre. To dispense with all the hype over the single-shot claim, I'll address that first.

This film is obviously NOT shot in a single take, as the filmmakers claim. There are several (at least four) times where the camera wanders into a pitch black area, holds still, or goes out of focus just enough for them to cut on. There's also an interesting scare mechanic at the film's midpoint, which is obviously cut together. Also I've read reports that other films have actually done first. Sorry to disappoint you.

The plot of Silent House is paper thin and easy ascertainable. I want to spoil the ridiculously simplistic ending, but I actually don't have to. You'll figure it out on your own in the first ten minutes.

I will say that Silent House makes an achievement in terms of mood and lighting. The movie grabs your attention in a few segments; but during the down town the viewer is left checking their watch. Not a whole lot happens. There are blurs in the background, creepy music, and bumps in the night galore. But all in all Silent House is fairly underwhelming. The scariest part of the movie is also its single most creative moment. You'll wake up from your daze wondering why the whole movie can't be this horrifying.

Check it out if you're curious. But if you want real atmosphere, scares with depth, and a plot that keeps you in the dark at least for half the movie, then watch Insidious instead. The house goes silent at 4 out of 10.

I don't know if the movie really was shot only in one (long) take or not. I know that it has been done before, "Russian Arc" being one of the most elaborate movies to have done so (though I haven't seen that one yet). The question is, if this is more than just an experiment? And isn't it better to cut away to something else sometimes?

The story is pretty straightforward (no pun intended) and might not give away were it is going from the get-go, but if you follow it (again with the pun), it will eventually become very clear, what lies behind those walls. Of course if you have seen a genre movie like this, you might be on to where it is actually heading. I can't tell you how much less you will enjoy the movie, if you come up with the solution, before it is revealed. I can tell you, that for a "single-take" movie it does and sounds pretty good though

Boasting 'one continuous take', yes, this is another hand held offering, "based on actual events" joint. It takes a little while to get going, as do most in this genre, but with a running time of 76 minutes, its not too long before the $h1t hits the fan.

Part spooky house film, part psychological thriller, The Silent House attempts to add something a little different to the sub genre. And for the most part, I think it succeeds.

On the other hand, the clichés are all there, a haunting childlike nursery rhyme score, enough spooky imagery to last a couple of halloween's, and even the old "don't go upstairs" warning! But all in all, it's really quite well done.

The film asks more questions than it answers, which kinda bothered me, but I'm guessing the 'actual events' may shed some light on the story, if there is indeed any actual events…

This was pretty much what I expected it to be, a fun pop corner. So crank the volume up high, and enjoy the ride.

There are few aspects the spectator should take into account before watching this film: it is an eight-thousand-dollar movie, filmed in a -seemingly- one continue shot,within four days and using a hand-held high-definition digital single-lens reflex camera. In this respect, it was the first feature film to be made in this way. What it is more remarkable is the fact that the film was produced in Uruguay, a small country in South America, with a three million population and a growing yet still incipient film industry.However, the experiment proved to be a very successful experiment. According to the producer, Gustavo Rojo and the director, Gustavo Hernandez, the film was never meant to reach an international audience. A few weeks after they uploaded the teaser on youtube they received offers from Cannes and USA's film companies. The film has received since then an overwhelming international acclaim, and it has been remade in USA. Although critics and reviewers usually point out some inconsistencies in its narrative, the film does not pretend to resolve them. If you do bear in mind these details before watching the film, you will probably leave the cinema more amazed than scared.